Basil of Caesarea, in his polemic against astrology (Homiliae in hexaemeron 6,5−7), makes direct, creative uses of Origen’s anti-astrological treatise (Philocalia 23). My argument is based on an identical context, namely the interpretation of Gen 1:14b, and five close similarities in content, some verbatim, between Basil’s sermon and Orige…[Read more]

This essay uses Arnaldo Momigliano’s genealogy of antiquarianism and historiography to propose a new method for engaging the past. The Italian historian Arnaldo Momigliano (1908-1987) traced antiquarianism from its advent in ancient Greece and later growth in Rome to its early modern efflorescence, its usurpation by history, and its transformation…[Read more]

Analysis of the story of David and the Gibeonites, argues that two different stories have been spliced together.

Aristotle’s account of kingship in Politics 3 responds to the rich discourse on kingship that permeates Greek political thought (notably in the works of Herodotus, Xenophon and Isocrates), in which the king is the paradigm of virtue, and also the instantiator and guarantor of order, linking the political microcosm to the macrocosm of the u…[Read more]

Theoretical discussion of law and narrative and their interaction in biblical historiography.

In this essay I sketch an outline of how the book of Isaiah presents its politics, working from the assumption—based on the research of Peter Ackroyd and others—that the presentation of Isaiah, the prophet, in the book’s opening chapters is key. I end up arguing that the book advocates for Davidic politics, as others have claimed, but that its d…[Read more]

This course explores the art, archaeology, and culture of the Greek world from the prehistory to the Roman period. The course focuses on architecture, sculpture, painted pottery, and wall painting as its main object classes and situates artistic and stylistic developments within their social, political, and historical context. We will consider…[Read more]

This first-year seminar provides an introduction to the archaeology and urban development of the city of Rome from antiquity through to the present day. Students will survey the period from the foundation of the city through to the twenty-first century with an eye toward understanding the urbanism and material culture of the city of Rome. Case…[Read more]

This provocation contests the familiar construction of classical Athens as an ideal exemplar of democratic politics through a focus on the city’s material fabric, its visual artworks, and the performances which took place within its public spaces. It highlights the city’s ongoing process of material re-building (particularly following the Per…[Read more]

While the Met expedition to Ctesiphon, Iraq was in the field in winter of 1931/1932 they received word that Winlock, an archaeologist from the Egyptian department, a department to which some of the Ctesiphon staff belonged, had been promoted to the director of the Museum. Around the same time the Near Eastern Art department was being formulated as…[Read more]

Book review of The Republican Aventine and Rome’s Social Order, by Lisa Marie Mignone , 2016. Ann Arbor (MI): University of Michigan Press; ISBN 978-0-472-11988-2 hardback $70.00; 264pp., 12 figures, 2 tables

This chapter examines the underpinnings of Roman architecture by exploring some critical issues related to the architecture of central Italy primarily during the first half of the first millennium BCE. Four categories of buildings are considered, namely domestic architecture, civic architecture, defensive architecture, and sacred architecture. It…[Read more]

Book review of Ancient Samnium. Settlement, Culture, and Identity between History and Archaeology
By Rafael Scopacasa. Pp. xvi + 352, figs. b&w 22, tables 12. Oxford University Press, Oxford 2015. £75, $125. ISBN-13: 978-0-19-871376-0.

This extended review highlights an increasingly important aspect of the contemporary performance reception of the Odyssey in the UK, with growing numbers of practitioners and companies moving away from the straightforward dramatisation (or revisionist dramatic contestation) of Homer’s epic tale, and towards a deepening engagement with epic s…[Read more]

This extended review highlights an increasingly important aspect of the contemporary performance reception of the Odyssey in the UK, with growing numbers of practitioners and companies moving away from the straightforward dramatisation (or revisionist dramatic contestation) of Homer’s epic tale, and towards a deepening engagement with epic s…[Read more]

Our lack of reliable information concerning the physical and choreographic aspects of ancient tragic performance permits modern writers to construct their own imaginative re-creations of the ancient text/body relationship in a wide variety of modes. The range of ways in which texts translated or adapted from ancient tragedy are capable of…[Read more]

Our lack of reliable information concerning the physical and choreographic aspects of ancient tragic performance permits modern writers to construct their own imaginative re-creations of the ancient text/body relationship in a wide variety of modes. The range of ways in which texts translated or adapted from ancient tragedy are capable of…[Read more]

The translation of ancient tragedy is often considered at a linguistic level, as if the drama consisted simply of words being written, spoken and heard. This article contends that translation for the stage is a process in which literary decisions have physical, as well as verbal, outcomes. It traces existing formulations concerning the links…[Read more]

The translation of ancient tragedy is often considered at a linguistic level, as if the drama consisted simply of words being written, spoken and heard. This article contends that translation for the stage is a process in which literary decisions have physical, as well as verbal, outcomes. It traces existing formulations concerning the links…[Read more]

Alice Oswald’s recitation of her 2011 poem Memorial is an intensely modest, self-effacing performance. Yet it is also one which invites us to consider key questions about the ancient practice, and modern re-performance, of epic poetry. Oswald explicitly cites the antiphonal lament of Homeric funerary ritual as an influence upon her r…[Read more]