This essay suggests that with the increasing prominence of “historical poetics” as a set of social collectives, methodologies, and debates (especially about literary analysis), now seems to be an ideal time to assess its history and consider its future. The first part of the essay offers a genealogy of historical poetics, accounting for some of…[Read more]

Representation, primarily understood as ‘presence’ or ‘appearance’ with an implied
visual component, is a critical concept in the cultural milieu. Conceived as images,
performances, and imitations, representations propagate through various media:
films, television, photographs, advertisements, and other forms of popular culture.
As such, r…[Read more]

The earliest medical descriptions of anorexia occurred in 1689 with Richard
Morton’s Phthisiologia, Or, A Treatise of Consumptions, however, it took another
century for medical science to accept anorexia nervosa as a medical condition.
Later on, it was Hilde Bruch who initiated the first public discussion on anorexia
in the latter half of t…[Read more]

This study examined such issues as social media in personality development
and their influence on the development of public activism among young people.
We also estimate the efficiency that various forms of information exchange
have (shared or anonymous). The empirical base of the research includes
sociological surveys held in Kazakhstan. We…[Read more]

Shakespeare’s As You Like It breathed abroad preserves Marlowe’s denouement in his tragedy of Leander from a Ganymede turned.

More and more artists from all over the world are engaging in the production of AI art. Because of this, art historians need to start thinking about how the histories of AI art should be articulated. This paper aims to take part in this conversation by addressing the problem of whether the AIs created by human artists should be considered as…[Read more]

To suggest Shakespeare’s “As You Like It” breathed abroad includes two witnesses to Marlowe’s denouement something omitted when “Hero and Leander” is published in 1598 to “the gentle aire” of Walsingham’s “liking” and replaced in the subsequent publication of “Hero and Leander, An Amorous Poem” dedicated to Lady Audrey.

This is the UNEDITED PRE-PRINT of my section of the multi-authored article “Journal of a Plague Year: Six Voices from American Universities,” ed. Christa Jansohn, which appeared in _Archiv für das Studium der neueren Sprachen und Literaturen_. The other authors were Andrew James Hartley, Jean Howard, Christoph Irmscher, Anthony Lioi, and Lisa S.…[Read more]

The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on S…[Read more]

This essay challenges the current dismantling of Shakespeare’s oeuvre by the questioning of the texts and authorship of many of his plays, in order to undercut their scripts’ authority, thereby authorizing drastic reinterpretations by critics and directors. The essay in contrast seeks to extend the authorship and flexibility of Shakespeare’s authorship

Andrew A. Anderson’s new study on the Ultraist movement is an instant classic.
Scholars of this Spanish avant-garde have long been relying on a couple of
texts to find historical context to their investigations. Among these texts are
Gloria Videla’s El ultraísmo: Estudios sobre movimientos poéticos de vanguardia
en España (Ultraism: Studie…[Read more]

Sketching Futurism: Güiraldes, Marinetti
and Buenos Aires (1926)