A survey of Buddhism in Japan from roughly the time of its introduction into the mid-ninth century. The following topics are covered:
The Introduction of Buddhism to Japan – Transmission Myths – The Myth of Prince Shōtoku – The Myth of a Buddhist-Shintō Rivalry – Temples in and around the Capital – Provincial Temples – The Order of Nuns – Female…[Read more]

Three consecutive patriarchs of Esoteric Buddhism were Amoghavajra of India, Huiguo of China, and Kūkai of Japan. This paper foregrounds the usually taken-for-granted but vital historical role of language education and translation in the international spread of religion and culture. There had to be sufficiently educated bilingual or multilingual…[Read more]

Three consecutive patriarchs of Esoteric Buddhism were Amoghavajra of India, Huiguo of China, and Kūkai of Japan. This paper foregrounds the usually taken-for-granted but vital historical role of language education and translation in the international spread of religion and culture. There had to be sufficiently educated bilingual or multilingual…[Read more]

Publications on form in popular music have largely assumed the formal sections germane to pop-rock to be the formal designs of “popular music.” But the most popular music of our time—music charting on the Billboard Top-40—has absorbed the influence of electronic dance music (EDM) in a way that has fundamentally changed its formal structu…[Read more]

Tritones sounding over subdominant harmony, either as suspensions, accented passing tones, or incomplete neighbors, constitute a class of sonorities regularly heard in film and television music. I collectively refer to these phenomena as “subdominant tritones” (SdTT), and theorize a link between the SdTT and emotions it engenders. The article pre…[Read more]

Through the book Kūkai the Universal, the podcast guest discusses the life and times of Japan’s great saint Kūkai, Esoteric Buddhism, and Zen, in terms of East Asian history, language education, and translation issues including voice.

Osborn, Brad and D.K. Blake. 2019. “Triangulating Timbre in Sigur Rós’s Iceland.” In *Sounds Icelandic*, edited by Thorbjörg Daphne Hall, N. Dibben, Á.H. Ingólfsson, and T. Mitchell. Equinox Press, 208–219.

Within this chapter I evaluate the still unfolding evolution of digital resources in the case of museum and archive practice related to Nagasaki and their suitability in assisting in the task of teaching the difficult history of the atomic bombing. Memorial museums do exist to convince, and to assist the public in recalling public and collective…[Read more]

Part of the recent developments in Ubiquitous Music (ubimus) research involve the proposal of the Internet of Musical Stuff (IoMuSt) as an expansion and complement to the Internet of Musical Things (IoMusT). The transition from IoMusT to IoMuSt entails a critique of blockchain and non-fungible tokens (NFTs) as technologies for allotment,…[Read more]

This paper explores interpretations of the Japanese parliament by governmental actors in the Qing empire, most importantly the commissioners for constitutional research Li Jiaju 李家駒 (1871–1938) and Dashou 達壽 (1870–1939). It shows that, within a theoretical framework formed in dialogue with their Japanese constitutionalist colleagues, these actors…[Read more]