A pesar que puga semblar una mica pueril, crec que he de començar aquest treball amb una asseveració rotunda: el Cancionero general no es va editar a València per casualitat. Les edicions de 1511 i 1514 no van ser solament el resultat del moltes vegades problemàtic pelegrinatge vital dels erudits literaris de l’època que, com Hernando del Castil…[Read more]

El 22 de desembre de 1509, l‘erudit castellà Hernando del Castillo, el mercader genovés Lorenzo Ganoto i l’impressor Cristóbal Cofman firmaven a la ciutat de València, davant el notari Joan Casanova, el contracte de la primera edició del Cancionero general, que va veure la llum finalment l’any 1511. En esència, la distribució del treball era…[Read more]

El presente trabajo presenta un panorama de síntesis biográfica con respecto a los poetas valencianos presentes en el Cancionero general de Hernando del Castillo. Asimismo, los poemas que contienen temas típicos de Valencia también son analizados, con el objetivo de estimular un mayor conocimiento de los hombres y la ciudad en cuyo entorno cul…[Read more]

Semesterprogramm, Literaturliste und Liste der Übersetzungen zum ÄdL-Proseminar ‘Neidhart-Lieder’ aus dem Sommersemestern 2022 (RWTH Aachen)

This study presents a reconstruction of the performance of the melancholic character in Golden Age theater. It argues that critics have overlooked the way this character type was acted on the original stage. Using Lope’s El Príncipe melancólico [The Melancholic Prince] as a case-study to speculate on the actor’s paralinguistic gestures and movem…[Read more]

The CNTC’s 2017 production of La dama duende presented the transition between the two main characters’ rooms in the third jornada using two illuminated windows at the rear wall of the stage. The comparison between this rendition and other modern productions reveals two problems in adaptation: the fidelity with the original and the und…[Read more]

This paleographic comparison serves to support my argument in the following publication:

Van Rooy, Raf. Accepted. “Ippolita Maria Sforza, student and patroness of Greek in Milan (ca. 1465).” Renaissance Quarterly.

The horror of the situation at the center of the story of Abraham’s near-sacrifice of Isaac in Genesis has historically prompted a myriad of attempts to reconcile the apparently sadistic demands of God with normal human sensibilities. The tension–both in the story itself and in critical reactions to the story–is inherently dramatic, but the…[Read more]

GB Folengo Commentry on Psalm 51, translated into English with brief annotations

overview on the history of the card game “Höllfahren” or “in die Höll”

Review of Medieval Dublin XVII (Dublin: Four Courts, 2019) in Óenach Reviews, 11 (2021-22), pp 27-32
https://oenach.files.wordpress.com/2022/02/2021-hewer-pp.-27-32.pdf

This article analyses the agency of merchant capital and taxation in processes of urbanisation. The case study is Ani, now abandoned and straddling the Turkish-Armenian border, in the long thirteenth century c.1200-1350. This global-historical conjuncture is defined by the height of the medieval Commercial Revolution and its central Eurasian…[Read more]

Melus, rendered “Meles” in Greek sources, first appears in 1009 when he and a relative named Dattus rebelled against the east Roman governor-general, the katepano, taking Bari, Ascoli and Troia, before being defeated by a new katepano in 1011 and fleeing to the prince of Salerno. This chapter looks at the evidence for identified Armenians in eas…[Read more]

Thijs Porck, “Gerontophobia in Early Medieval England: Anglo-Saxon Reflections on Old Age”, in Sense and Feeling in Daily Living in the Early Medieval English World, ed. Maren Clegg Hyer and Gale R. Owen-Crocker (Liverpool: Liverpool University Press, 2020), 219-235, 278-282, 287.

Few studies in medieval and Renaissance cartography focus on race, in part owing to the genealogical issues discussed above, and in part owing to the racist origins and practices of the disciple of art history that normalizes seeing whiteness as both default norm an universal ideal. Johann Joachim Winckelmann, the founder who gave the discipline…[Read more]

Cómo citar: Ignacio Cabello Llano (coord.), «Epidemias y pandemias en la Historia», en Fontes Medii Aevi, 05/10/2021, en línea: https://fontesmediae.hypotheses.org/tag/epidemias.

A brief article reporting on an educational strategy to use video assignments on Exeter Book Riddles for an Old English course.

Reports on the existence of a set of paper dolls based on the Old English poem Beowulf, published in various Dutch newspapers in the 1930s.