In Mumbai the sonic dimensions of place‐making and religious life are deeply connected to the right to the city. For Twelver Shi‘i Muslims, who are marginal to both the city and the nation, public religious rituals and processions have long played very important roles in staging claims to the city. Investigating the sonic aspects of urban pla…[Read more]

A look at the brief history of this band from central Wisconsin in the 1880’s

En este artículo presentamos una primera aproximación a un conjunto de textos hasta ahora desconocidos del músico y musicólogo catalán exiliado Baltasar Samper, responsable, desde 1947 y hasta su muerte, de dirigir los trabajos etnomusicológicos de la Sección de Investigaciones Musicales del Instituto Nacional de Bellas Artes mexicano. Con esto q…[Read more]

BB 41 – Es funkeln tausend Perlen in demGlas in meiner Hand – Thousand perls – piano solo –
paraphrase of Rebrov-version “Poj Zigan” from N.Nekrasov`s 1861 Коробейники peddler / Коробушка, box (of peddlers) – audio

BB 41 – Es funkeln tausend Perlen in dem Glas in meiner Hand – Thousand perls – piano solo –
paraphrase of Rebrov-version “Poj Zigan” from the poem Korobeiniki Коробейники peddler / Коробушка, box (of peddlers) by N.Nekrasov`s 1861 – sheetmusic

BB 38 – O sanctissima – O du froehliche – Weihnachtliche Spielmusik – Christmas Merry Go Round
– great organ – audio

BB 38 – O sanctissima – O du froehliche – Weihnachtliche Spielmusik – – Christmas Merry Go Round – great organ – sheetmusic – 2010, 2nd ed.
– said from Sicilian origin, not confirmed nor verified

BB 37 – Prelude Daughter Zion – great organ – 2010, 2nd. ed. – audio

BB 37 – Präludium Tochter Zion – Prelude Daughter Zion – great organ – – sheetmusic – 2010, 2nd ed.

Pirate radio still flourishes in dense, multiethnic cities such as Brooklyn, New York, despite the rise of Web radio. For immigrants in particular, radio sounds mark identity and community and (re)claim social spaces of work, commutes, and the home. It is not only lack of access to digital technologies or broadband that shapes radio’s relevance, b…[Read more]

Pirate radio still flourishes in dense, multiethnic cities such as Brooklyn, New York, despite the rise of Web radio. For immigrants in particular, radio sounds mark identity and community and (re)claim social spaces of work, commutes, and the home. It is not only lack of access to digital technologies or broadband that shapes radio’s relevance, b…[Read more]

This study explores Jamaican popular music’s changing engagement with globally networked media technologies. It combines ethnographic analysis of the street dance as a site of urban poor and Black resistance to colonial institutions with an analysis of song lyrics about video cameras at street dances. Newly networked technologies for circulating…[Read more]

This study explores Jamaican popular music’s changing engagement with globally networked media technologies. It combines ethnographic analysis of the street dance as a site of urban poor and Black resistance to colonial institutions with an analysis of song lyrics about video cameras at street dances. Newly networked technologies for circulating…[Read more]

BB 9-2 – Kolokoltshik – Колоколъчик (odnozutshno gremit kolokoltshik – Однозвучно
гремит колокольчик ) – Eintönig klingt das Glöckchen – lonely bell – T.: I. Makarov – И.Макаров
M.: first Alexander Lvovich Gurilev (1853?) – А. Гурилев – here: melody of K. Sidorowicz / K.
Сидорович – piano – audio

BB 9-2 – Kolokoltshik – Колоколъчик (odnozutshno gremit kolokoltshik – Однозвучно
гремит колокольчик ) – Eintönig klingt das Glöckchen – lonely bell – T.: I. Makarov – И.Макаров – M.: first Alexander – Lvovich Gurilev (1853?) – А. – Гурилев – here: melody of K. Sidorowicz / K.
Сидорович – piano- sheetmusic

BB 9-1 – Kolokoltshik – Колоколъчик (odnozutshno gremit kolokoltshik)
Eintönig klingt das Glöckchen – lonely bell T.: I. Makarov – И.Макаров – M.: first Alexander Lvovich Gurilev (1853?) – А. Гурилев – here: melody of K. Sidorowicz / K. Сидорович – 2 vibraphones solo – sheetmusic

Maros River, all ungherese – Gipsy tune – Maros vize folyik cszendesen – piano solo – 2:10 – video (plus music plus pics from maros / Mures river)

Maros River, all ungherese – Maros vize folyik csendesen – piano solo – 1:05 / 2:10 – audio

Maros River, all ungherese – Gipsy tune – Maros vize folyik cszendesen – piano solo – pdf – sheetmusic