El presente texto constituye un referente de obligada consulta para lectores, académicos e investigadores que se desempeñen en el ámbito audiovisual en todas sus aristas: como producto artístico, como fuente de información, como objeto de investigación y como generador de cambio social. El lector podrá encontrar contenidos como la produc…[Read more]

This article takes up the insurrection in Washington DC, and the paranoid politics of QAnon. It analyzes the gamification of paranoia across QAnon and related paranoid publics, tracking such gamification as a political-economic demand generated by neoliberalism. Taking seriously Sigmund Freud’s insight that delusional formations are attempts at…[Read more]

There is nothing like a firmly established typology of dreams – simply because the taxonomies on which existing typologies are based vary widely: They can be oneirocritical, thematic, or based on dreaming characters or their responses, on narratological functions, etc. The essays in this volume will discuss a broad range of dream types, with a s…[Read more]

English abstract: ‘Trolösa’ (‘Faithless’) is a film by Ingmar Bergman and Liv Ullmann which replicates their extramarital affairs and dramatizes personal identity drawn into the vortex of infidelity—a film which extracts from the experience of adultery all the possibilities of metaphysical anxiety, personal drama, and traumatic retrospection. (A…[Read more]

This is a book review of Stefanie Knauss, “Religion and Film: Representation, Experience, Meaning” (Brill, 2020).

The focus of this issue is on environmental aesthetics, with the aim of exploring the various aspects of aesthetic appreciation. Environmental Aesthetics: Socio-Territorial Conflicts throughout Media is part of a session that I organized at the IV International ISA Forum, Porto Alegre, held on February 23–27, 2021, for the Research Committee on S…[Read more]

Spanish Abstract: ´Peeping Tom´ (dir. Michael Powell, 1960), un clásico del cine de culto, nos sumerge en una intensa experiencia metafílmica. A base de acumulación mediática, repetición, inserción semiótico-perceptual, marcos dentro de marcos, y reflexividad casi hasta el infinito, saca la película un partido extraordinario a la semiótica…[Read more]

‘Folk horror’ has often been considered, following Mark Gatiss’ description of the genre, as centrally focused on a particular ‘obsession with the British landscape, its folklore, and superstitions’. While these elements are clearly significant, they become more problematic when opening up the genre to include texts from beyond Britain. Not only…[Read more]

English abstract: ‘Verses of Love’, an Islamic film on the extended couple, features a melodramatic plot in which love triumphs after many difficulties, and the virtuous protagonists Fahri and Aisha are happy in their marriage, having shown the value of their Islamic faith amidst the trials of life—accepting these with sumbission, which is the s…[Read more]

Spanish abstract: La película ‘Contagio’ (dir. Steven Soderbergh, 2011) pertenece al género ‘catástrofe – multiprotagonista’, aquí potenciado por varias circunstancias. La catástrofe es mundial y creíble, una epidemia de una gripe mortífera, como la Peste Negra, o como la Peste Escarlata de Jack London. Y la catástrofe se difunde por las relacione…[Read more]

Este ensayo entra en el debate en España sobre el alcance que tuvo, entre 1920 y 1239, una posible “vanguardia arquitectónica”. Identificando “van­guardia” con “modernidad” y confundiendo lo que pudo ser un debate teórico con “signos” de los nuevos tiempos, la mayoría de lo que ya se ha escrito sobre el tema queda patente como fueron muchos temp…[Read more]

Spanish Abstract: Una película indonesia sobre la pareja heterosexual en el ambiente social indonesio, sobre el patriarcado atmosférico—y sobre el Islam (valga la redundancia). Poner tierra por medio, o mejor no casarse si aún estás a tiempo, es la recomendación de la directora para las mujeres. Ay, si fuera tan fácil… Pero en su context…[Read more]

While many in academia around the U.S. may anchor themselves in cynical opposition to the proliferation of neoliberal discourse and the policies that accompany, I propose that language departments are in a uniquely privileged position within the humanities to assert the value of our programs within the neoliberal paradigm. Specifically, the…[Read more]

Spanish abstract: ‘Ucho’ (La oreja), película de Karel Kachyňa (1970) es una prefiguración de ‘La vida de los Otros’ sobre la Cheka checa, pero con una estética peculiar—una película entre el realismo documental y lo grotesco, algo así como un cruce entre ‘1984’ y ‘Quién teme a Virginia Woolf ‘, combinando la sátira política con la cinematogr…[Read more]

The long-term creative collaboration between Kira Muratova and Renata Litvinova began with the film “Uvlechen’ya” (“Pastimes”, 1994), in which Litvinova took part both as an actress and a screenwriter. Since then, Litvinova has become one of the most striking personifications of Muratova’s ornamental film style, which brings about a specific re…[Read more]