Imani Mosley
,@imanimosley
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Followers
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Kendra Leonard deposited “Style and Form in Louise Talma’s Early Songs” on Humanities Commons 8 years, 7 months ago
Analysis of composer Louise Talma’s early songs
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Kendra Leonard deposited “Hearing the Scene: Approaches to Live Music in Modern Shakespearean Productions” on Humanities Commons 8 years, 7 months ago
Analysis of music used in multiple Shakespeare productions
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Kendra Leonard deposited “Towards a Works List for Louise Talma” on Humanities Commons 8 years, 7 months ago
A bibliography of composer Louise Talma’s compositions
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Kendra Leonard deposited “Origin Stories: Louise Talma’s Early Life” on Humanities Commons 8 years, 7 months ago
Composer Louise Talma’s biography and the facts of her early life
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Kendra Leonard deposited “Significations of Religious Desire in Louise Talma’s The Alcestiad” on Humanities Commons 8 years, 7 months ago
Analysis of Louise Talma’s opera The Alcestiad and the musical sublimation of desire
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Kendra Leonard deposited “Cheer up, Hamlet! Using Shakespearean Burlesque to Teach the Bard” on Humanities Commons 8 years, 7 months ago
Using music to teach Shakespeare
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Kendra Leonard deposited “Listening to the Gaoler’s Daughter” on Humanities Commons 8 years, 7 months ago
About the use of music in Two Noble Kinsmen
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Kendra Leonard deposited “History Faux/Real: the 2006 Ur-Hamlet” on Humanities Commons 8 years, 7 months ago
Analysis of music in “Ur-Hamlet”
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Kendra Leonard deposited “Using Resources for Silent Film Music” on Humanities Commons 8 years, 7 months ago
Using various collections of silent film music
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Kendra Leonard deposited “‘The Future is the Past’: Music and History in Firefly,” Space and Time: Essays on Visions of History in Science Fiction and Fantasy, on Humanities Commons 8 years, 7 months ago
Analysis of American folk music in the television series Firefly.
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Kendra Leonard deposited “‘The Status is Not Quo’: Gender and Performance in Dr. Horrible’s Sing-Along Blog,” Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon, Scarecrow Press, 2010. on Humanities Commons 8 years, 7 months ago
Analysis of music and masculinity in Dr. Horrible’s Sing-Along Blog.
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Kendra Leonard's profile was updated on Humanities Commons 8 years, 7 months ago
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
TC Women’s and Gender Studies on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
TC Popular Culture on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
MS Screen Arts and Culture on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
MS Opera and Musical Performance on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
LLC Shakespeare on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations on MLA Commons 9 years, 8 months ago
Shakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Music for Richard III: Cinematic Scoring for the Early Modern Monstrous on MLA Commons 10 years ago
On composer William Walton’s use of unusual sonorities to mark Richard III’s physical and mental states
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Kendra Leonard deposited The Use of Early Modern Music in Film Scoring for Elizabeth I on MLA Commons 10 years ago
The various ways Elizabeth is accompanied by music reveal film-makers’ beliefs about and attitudes towards the queen.
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