Depending on Stephen R. Donaldson’s use of genre, whether science fiction or fantasy, it modifies his essential humanism. In his science fiction, Donaldson accept a more socially embedded humanity. In his fantasy, he leans towards an interiority that is independent of social context.

Although Poul Anderson is best known for his prose, he dabbled in poetry all his life, and his historical interests led him to become a major—if unacknowledged—contributor to the twentieth-century alliterative revival. This revival, most often associated with British poets such as W. H. Auden, J. R. R. Tolkien, and C. S. Lewis, attempted to ada…[Read more]

Although alliterative poetry—a medieval Germanic meter based on similar-sounding initial stressed syllables—first flourished in Old English and Old Norse literature, a resurgence of the meter has appeared within the twentieth century. The most famous modern practitioners have been J. R. R. Tolkien, Ezra Pound, and W. H. Auden, but a wholly neg…[Read more]

An interview with artist Anna Ridler for Antennae’s “Visual Entanglements” series.

This paper considers the use of Boym’s formulations of reflective and restorative nostalgia as a productive lens for viewing the tensions within folk horror texts and their appeals. Considering folk horror texts such as The Wicker Man, Midsommar and The Living and the Dead, the paper will demonstrate that Boym’s two conceptions help to draw out…[Read more]

I examine the anthropocentric and sentimentalist views present in the representation of animals in Laurence Sterne’s “Tristram Shandy” and “A Sentimental Journey”, and I demonstrate how the fluctuations between these two perspectives undermines the traditional barrier we place between animals and ourselves, and encourages us to assume a more crit…[Read more]

This paper examines the responses to the 1954 BBC adaptation of Nineteen Eighty-Four, as held by the BBC Written Archives Centre, in the light of the British Horror Comics campaign of the mid-1950s.

This paper examines the responses to the 1954 BBC adaptation of Nineteen Eighty-Four, as held by the BBC Written Archives Centre, in the light of the British Horror Comics campaign of the mid-1950s.

contents

i. re Gödel’s ontological argument
ii. deep in pi’s numeric noise
iii. from Nothing, something
iv. endless in the wrong direction, tragic
v. they give you all Eternity to answer
vi. what of God’s mercy?
vii. informed consent and prayer
viii. i won’t live on, perhaps. a deed i’ve done may
ix. my selective memory
x. Janus…[Read more]

Keynote presentation at the UK’s first academic folk horror conference.

Invited research presentation given at the University of Reading, 8 October 2015.

It has become a standard approach when considering screen presentations that incorporate the country house to examine them in the light of Andrew Higson’s formulation of the heritage drama, which presented an essentially conservative, depoliticised spectacle of grandeur, safely distanced from the reality of the majority of viewers. However, the c…[Read more]

As Prof. Dale Townsend has observed, the concept of the Gothic has had an association with fairies from its inception; even before Walpole’s 1764 Castle of Otranto (considered the first Gothic novel), eighteenth-century poetics talked of ‘the fairy kind of writing’ which, for Addison, ‘raise a pleasing kind of Horrour in the Mind of the Reader’…[Read more]

While there has been a growing acknowledgement of the existence of earlier examples of television science fiction, the typical history of the genre still privileges Nigel Kneale’s The Quatermass Experiment (1953) as foundational. This was a significant production, and an effective piece of television drama, but it was not the first piece of B…[Read more]

While there has been a growing acknowledgement of the existence of earlier examples of television science fiction, the typical history of the genre still privileges Nigel Kneale’s The Quatermass Experiment (1953) as foundational. This was a significant production, and an effective piece of television drama, but it was not the first piece of B…[Read more]

Each Christmas during his tenure as Provost of King’s College, Cambridge, M.R.James would take part in a ritual celebration of Christmas with students and colleagues which invariably culminated with the reading of a ghost story. This tradition drew on a long tradition of telling ghost stories at Christmas that can be traced back through the l…[Read more]

There is a long tradition in the UK, in England in particular, of the Christmas ghost story. The most famous is probably Dickens’ A Christmas Carol in Prose, Being a Ghost Story of Christmas, but close behind are the ghost stories of M.R.James. James wrote many of his stories as Christmas entertainments, but this link was reinforced in the 1970s w…[Read more]

This paper focuses on UK and US traditions of seasonal horror at Christmas and Halloween to consider how they provide opportunities for reflection on the causes of fear at liminal times in the calendar. These liminal times contain numerous traditions dedicated to looking back and forward, such as end of year reviews, or addresses from heads of…[Read more]

In Kant’s Critique of Judgment, his exploration of how something like life (organized matter) can appear to the faculties of a finite consciousness makes life as possible as it is impossible. A passing reference Kant makes to the idea that every organ of an organism can be seen as a parasite is taken as a lever to deconstruct his notion of…[Read more]