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Ilana Gershon deposited Genres are the drive belts of the job market on Humanities Commons 2 years, 5 months ago
Many job applicants spend an inordinate amount of time struggling with the task of fashioning the most appealing biography of the increasingly skillful self out of interwoven genres that can also circulate individually. These struggles are most frequently articulated as questions of how best to manage different genres’ chronotopic expectations. U…[Read more]
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Ilana Gershon deposited How to Know When Not to Know: Strategic Ignorance When Eliciting for Samoan Migrant Exchanges on Humanities Commons 2 years, 5 months ago
How to Know When Not to Know: Strategic Ignorance When Eliciting for Samoan Migrant Exchanges
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Ilana Gershon deposited Converting Meanings and the Conversion of Meaning in Samoan Moral Economies on Humanities Commons 2 years, 5 months ago
Converting Meanings and the Conversion of Meaning in Samoan Moral Economies
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Ilana Gershon deposited When Culture Is Not A System: Why Samoan Cultural Brokers Can Not Do Their Job on Humanities Commons 2 years, 5 months ago
In independent and American Samoa, Samoan representatives have historically been successful at furthering their communities’ interests when dealing with various colonial regimes. Yet during my fieldwork in California, I kept witnessing failed encounters between Samoan migrants and government officials. I argue that government officials helped…[Read more]
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Ilana Gershon deposited Viewing Diasporas from the Pacific: What Pacific Ethnographies Offer Pacific Diaspora Studies on Humanities Commons 2 years, 5 months ago
This article explores what long-standing analytical traditions in Pacific ethnographies can offer Pacific diaspora studies. In particular, I advocate researchers’ reconceptualizing their unit of analysis when interrogating the relationships between families and diasporas, and argue that family networks fashion diasporas’ longevity and tangibility.…[Read more]
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Ilana Gershon deposited Indigeneity for Life: Bro’town and Its Stereotypes on Humanities Commons 2 years, 5 months ago
Indigeneity for Life: Bro’town and Its Stereotypes
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Ilana Gershon deposited Mirrors and Numbers among Others: Technologies of Identification in Papua New Guinea on Humanities Commons 2 years, 5 months ago
Mirrors and Numbers among Others: Technologies of Identification in Papua New Guinea
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Ilana Gershon deposited Email my heart: remediation and romantic break-ups on Humanities Commons 2 years, 5 months ago
For the past year, I have been collecting people’s stories about how they break-up using new social technologies – text-messaging, instant messaging, Facebook, email, voicemail, and so on. These are narratives about how changes in media create new possibilities for disconnecting with others. In telling these stories, people are also being explicit…[Read more]
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When writing, ethnographers are faced with the hermeneutic task of interweaving their dialogues with scholars and their dialogues with their interlocutors in the field. This article is a critique of a long-standing tendency in anthropology to conflate social analysis in texts with social analysis on the ground. I am taking issue with a tendency to…[Read more]
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Bruno Latour
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This article addresses the challenges a neoliberal conception of agency poses to anthropologists. I first discuss the kind of self that a neoliberal agency presupposes, in particular a self that is a flexible bundle of skills that reflexively manages oneself as though the self was a business. I then explore the dilemmas this neoliberal agency…[Read more]
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Ilana Gershon deposited On the Internet, Everyone Knows You’re a Dog.A Review Essay on Humanities Commons 2 years, 5 months ago
On the Internet, Everyone Knows You’re a Dog.A Review Essay
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Ilana Gershon deposited Un-Friend My Heart: Facebook, Promiscuity, and Heartbreak in a Neoliberal Age on Humanities Commons 2 years, 5 months ago
In interviews with Indiana University college students, undergraduates insisted that Facebook could be a threat to their romantic relationships. Some students choose to deactivate their Facebook accounts to preserve their relationships. No other new media was described as harmful. This article explores why Facebook was singled out. I argue that…[Read more]
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Ilana Gershon deposited And Then She Texted: Entextualization and the End of Relationships on Humanities Commons 2 years, 5 months ago
And Then She Texted: Entextualization and the End of Relationships
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Ilana Gershon deposited Legislative Authenticity and the Politics of Recognition: How to be a Maori Member of Parliament on Humanities Commons 2 years, 5 months ago
Legislative Authenticity and the Politics of Recognition: How to be a Maori Member of Parliament
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This article engages with Ten Silvio’s 2010 challenge to treat animation as a central trope for understanding the relationship between selves and media. We discuss how animation can illuminate aspects of interactions that performance, the current dominant trope, can not—such as addressing what it means to be human when what distinguishes the h…[Read more]
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Language and Media/Technology
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Ilana Gershon deposited What Do We Talk about When We Talk About Animation on Humanities Commons 2 years, 5 months ago
What if performance is no longer the dominant trope for understanding the mediated self? What if animation is as or more important as a trope? This essay explores what questions scholars would ask if they were to begin with animation as the starting point.
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Ilana Gershon deposited “I’m not a businessman, I’m a business, man” on Humanities Commons 2 years, 5 months ago
This article discusses personal branding, a performance genre that many job seekers in the United States are told to master in order to get a job. I discuss the specific techniques you are supposed to use to brand yourself, some of the origins of these techniques, and the reasons why people find it challenging to put these techniques into…[Read more]
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Ilana Gershon deposited Keepin’ It Real: Facebook’s Honesty Box and Ethnic Verbal Genres on Humanities Commons 2 years, 5 months ago
Keepin’ It Real: Facebook’s Honesty Box and Ethnic Verbal Genres
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