“Predatory publishing” refers to conditions under which gold open-access academic publishers claim to conduct peer review and charge for their publishing services but do not, in fact, actually perform such reviews. Most prominently exposed in recent years by Jeffrey Beall, the phenomenon garners much media attention. In this article, we ack…[Read more]

The discussion of postmodernism involving modernity and its ramifications requires contemporary and cross-cultural perspectives.

In: Hajo Diekmanshenke, Stefan Neuhaus and Uta Schaffers (eds.): Das Komische in der Kultur. Dynamiken der Vermittlung: Koblenzer Studien zur Germanistik. Marburg: Tectum-Verlag 2015, 413-429.

In: Hajo Diekmanshenke, Stefan Neuhaus and Uta Schaffers (eds.): Das Komische in der Kultur. Dynamiken der Vermittlung: Koblenzer Studien zur Germanistik. Marburg: Tectum-Verlag 2015, 413-429.

In: Hajo Diekmanshenke, Stefan Neuhaus and Uta Schaffers (eds.): Das Komische in der Kultur. Dynamiken der Vermittlung: Koblenzer Studien zur Germanistik. Marburg: Tectum-Verlag 2015, 413-429.

От задника к квази-вещи и настоящему мясу: плоскость и трехмерность в кино 1900-1920
Бюсты-Цари Бауэра
Оживление вещи в 1910-е годы: Черепки кувшина и жест спинки кресла
«Душа декорации» и диковинки Бауeра в трактовке Кулешова
Вещи в глубинном постранстве
Освобожденная вещь в монтаже
«Убрать неработающие вещи!»
Столетие…[Read more]

От задника к квази-вещи и настоящему мясу: плоскость и трехмерность в кино 1900-1920
Бюсты-Цари Бауэра
Оживление вещи в 1910-е годы: Черепки кувшина и жест спинки кресла
«Душа декорации» и диковинки Бауeра в трактовке Кулешова
Вещи в глубинном постранстве
Освобожденная вещь в монтаже
«Убрать неработающие вещи!»
Столетие…[Read more]

От задника к квази-вещи и настоящему мясу: плоскость и трехмерность в кино 1900-1920
Бюсты-Цари Бауэра
Оживление вещи в 1910-е годы: Черепки кувшина и жест спинки кресла
«Душа декорации» и диковинки Бауeра в трактовке Кулешова
Вещи в глубинном постранстве
Освобожденная вещь в монтаже
«Убрать неработающие вещи!»
Столетие…[Read more]

This paper discusses the emergence of a women’s diasporic cinema that challenges the representation of Indian women as guardians of Indian values. Through the examination of three films directed by women filmmakers (Mira Nair, Deepa Mehta and Nisha Pahuja), this analysis proposes to delve into the reconfiguration of Indian identity in a context o…[Read more]

A B ST R A C T
Rob Epstein’s The Times of Harvey Milk (USA, 1984) and Gus Van Sant’s Milk (USA,
2008), the two major films that narrate the life and tragically dramatic death of gay
politician and activist Harvey Milk (1930–1978), are widely recognized as part of
the queer cinematic canon but are less often categorized as Jewish films. While…[Read more]

Habitus​ ​und​ ​Gender:​ ​Dude​ ​Talk​ ​der​ ​pachucos​ ​und​ ​die​ ​stiljagi 2 Vorgestellte​ ​und​ ​gelenkte​ ​Gemeinschaften:​ ​Nationale​ ​und​ ​ ​religiöse​ ​Identität 5 1.​ ​Filmbeispiel:​ ​Die​ ​tote​ ​Frau​ ​in​ ​Ovsjanki​ ​(Ammern,​ ​2010) 8 Sprache​ ​und​ ​Gender​ ​in​ ​der​ ​postsowjetischen​ ​Situation 11 Feminismus​ ​in​ ​Russland;​ ​G…[Read more]

Habitus​ ​und​ ​Gender:​ ​Dude​ ​Talk​ ​der​ ​pachucos​ ​und​ ​die​ ​stiljagi 2 Vorgestellte​ ​und​ ​gelenkte​ ​Gemeinschaften:​ ​Nationale​ ​und​ ​ ​religiöse​ ​Identität 5 1.​ ​Filmbeispiel:​ ​Die​ ​tote​ ​Frau​ ​in​ ​Ovsjanki​ ​(Ammern,​ ​2010) 8 Sprache​ ​und​ ​Gender​ ​in​ ​der​ ​postsowjetischen​ ​Situation 11 Feminismus​ ​in​ ​Russland;​ ​G…[Read more]

This essay brings together cognitive literary theory and Mikhail Bakhtin’s theory of dialogic imagination to illuminate the construction of social class in the eighteenth-century novel. It offers a close reading of selected passages from Frances Burney’s Evelina (1778), made possible by combining Bakhtinian and cognitive poetics. It also dis…[Read more]

This essay brings together cognitive literary theory and Mikhail Bakhtin’s theory of dialogic imagination to illuminate the construction of social class in the eighteenth-century novel. It offers a close reading of selected passages from Frances Burney’s Evelina (1778), made possible by combining Bakhtinian and cognitive poetics. It also dis…[Read more]

Disciplina de graduação oferecida na Faculdade de Comunicação da Universidade Federal da Bahia no segundo semestre de 2017. Mais informações em: https://www.incinerrante.com/textos/teorias-do-cinema-2017-2

At a time when Shakespeare is becoming increasingly globalized and diversified it is urgent more than ever to ask how this appropriated ‘Shakespeare’ constructs ethical value across cultural and other fault lines. Shakespeare and the Ethics of Appropriation is the first book to address the intersection of ethics, aesthetics, authority, and authenticity.