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Derek Johnston deposited Exploring Television Seasonality on Humanities Commons 6 years, 9 months ago
This paper will consider the continued significance of television seasonality, even in the era of on-demand and timeshifting. It will draw upon my own research into seasonality and genre, as well as the research of other academics, including that from the special issue of the Journal of Popular Television and the subsequent dossier on Christmas…[Read more]
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Derek Johnston deposited The Sublime Horror of the English Countryside on Humanities Commons 6 years, 9 months ago
This paper will explore the use of the English landscape as a source of sublime horror, particularly through a shift in perception from idyllic to ominous. Where Peter Hutchings has indicated the importance of the ‘uncanny landscape’ as a fairly stable location for wrestling with modernity, this chapter will investigate those moments of slippage…[Read more]
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Derek Johnston's profile was updated on Humanities Commons 6 years, 12 months ago
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Derek Johnston deposited Rural Returns: Journeys to the Past and the Pagan in Folk Horror in the group
Television Studies on Humanities Commons 7 years agoA central element of the core folk horror texts (The Wicker Man (1973), Blood on Satan’s Claw (1971), Witchfinder General (1968)) is the idea of rural communities as retaining pre-Christian practices and beliefs. When uncovered by a modern outsider who is returning to the countryside, these revelations disrupt their world view. Folk horror texts d…[Read more]
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Derek Johnston deposited Rural Returns: Journeys to the Past and the Pagan in Folk Horror in the group
Horror on Humanities Commons 7 years agoA central element of the core folk horror texts (The Wicker Man (1973), Blood on Satan’s Claw (1971), Witchfinder General (1968)) is the idea of rural communities as retaining pre-Christian practices and beliefs. When uncovered by a modern outsider who is returning to the countryside, these revelations disrupt their world view. Folk horror texts d…[Read more]
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Derek Johnston deposited Rural Returns: Journeys to the Past and the Pagan in Folk Horror in the group
Film Studies on Humanities Commons 7 years agoA central element of the core folk horror texts (The Wicker Man (1973), Blood on Satan’s Claw (1971), Witchfinder General (1968)) is the idea of rural communities as retaining pre-Christian practices and beliefs. When uncovered by a modern outsider who is returning to the countryside, these revelations disrupt their world view. Folk horror texts d…[Read more]
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Derek Johnston deposited Rural Returns: Journeys to the Past and the Pagan in Folk Horror in the group
Cultural Studies on Humanities Commons 7 years agoA central element of the core folk horror texts (The Wicker Man (1973), Blood on Satan’s Claw (1971), Witchfinder General (1968)) is the idea of rural communities as retaining pre-Christian practices and beliefs. When uncovered by a modern outsider who is returning to the countryside, these revelations disrupt their world view. Folk horror texts d…[Read more]
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Derek Johnston deposited Rural Returns: Journeys to the Past and the Pagan in Folk Horror on Humanities Commons 7 years ago
A central element of the core folk horror texts (The Wicker Man (1973), Blood on Satan’s Claw (1971), Witchfinder General (1968)) is the idea of rural communities as retaining pre-Christian practices and beliefs. When uncovered by a modern outsider who is returning to the countryside, these revelations disrupt their world view. Folk horror texts d…[Read more]
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David Bawden deposited “Never again the in the history of humanity”: information education for onlife in the group
CityLIS on Humanities Commons 7 years, 4 months agoKeynote presentation, discussing developments in LIS education in light of Luciano Floridi’s Philosophy of Information
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David Bawden deposited “Never again the in the history of humanity”: information education for onlife on Humanities Commons 7 years, 4 months ago
Keynote presentation, discussing developments in LIS education in light of Luciano Floridi’s Philosophy of Information
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Joseph Dunne deposited Good Night, Sleep Tight (Remix) in the group
Library & Information Science on Humanities Commons 7 years, 4 months agoGood Night, Sleep Tight is an interactive virtual reality performance created by theatre and digital arts company ZU-UK. It was previewed at Gerry’s Kitchen in July 2017. Combining VR and binaural technologies, participants are put to bed and transported to a dreamscape composed of childhood imagery and aerial cityscapes. This artistic position r…[Read more]
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Joseph Dunne deposited Good Night, Sleep Tight (Remix) in the group
CityLIS on Humanities Commons 7 years, 4 months agoGood Night, Sleep Tight is an interactive virtual reality performance created by theatre and digital arts company ZU-UK. It was previewed at Gerry’s Kitchen in July 2017. Combining VR and binaural technologies, participants are put to bed and transported to a dreamscape composed of childhood imagery and aerial cityscapes. This artistic position r…[Read more]
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Good Night, Sleep Tight is an interactive virtual reality performance created by theatre and digital arts company ZU-UK. It was previewed at Gerry’s Kitchen in July 2017. Combining VR and binaural technologies, participants are put to bed and transported to a dreamscape composed of childhood imagery and aerial cityscapes. This artistic position r…[Read more]
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Derek Johnston deposited Understanding History and Causality through the Television Ghost Story in the group
Television Studies on Humanities Commons 7 years, 5 months agoThis paper considers the ways in which the television ghost story serves to support understanding and interpretations of history, and particularly an understanding of causality. As Helen Wheatley has identified, the typical detailed period settings of the television Gothic operate as a form of ‘dark heritage’ drama, where, instead of the att…[Read more]
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Derek Johnston deposited Understanding History and Causality through the Television Ghost Story in the group
Horror on Humanities Commons 7 years, 5 months agoThis paper considers the ways in which the television ghost story serves to support understanding and interpretations of history, and particularly an understanding of causality. As Helen Wheatley has identified, the typical detailed period settings of the television Gothic operate as a form of ‘dark heritage’ drama, where, instead of the att…[Read more]
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Derek Johnston deposited Understanding History and Causality through the Television Ghost Story in the group
Cultural Studies on Humanities Commons 7 years, 5 months agoThis paper considers the ways in which the television ghost story serves to support understanding and interpretations of history, and particularly an understanding of causality. As Helen Wheatley has identified, the typical detailed period settings of the television Gothic operate as a form of ‘dark heritage’ drama, where, instead of the att…[Read more]
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Derek Johnston's profile was updated on Humanities Commons 7 years, 5 months ago
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Derek Johnston deposited Understanding History and Causality through the Television Ghost Story on Humanities Commons 7 years, 5 months ago
This paper considers the ways in which the television ghost story serves to support understanding and interpretations of history, and particularly an understanding of causality. As Helen Wheatley has identified, the typical detailed period settings of the television Gothic operate as a form of ‘dark heritage’ drama, where, instead of the att…[Read more]
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David Bawden deposited Information and digital literacies; a review of concepts in the group
CityLIS on Humanities Commons 7 years, 5 months agoA detailed literature reviewing, analysing the multiple and confusing concepts around the ideas of information literacy and digital literacy at the start of the millennium. The article was well-received, and is my most highly-cited work, with over 1100 citations.
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David Bawden deposited Information and digital literacies; a review of concepts on Humanities Commons 7 years, 5 months ago
A detailed literature reviewing, analysing the multiple and confusing concepts around the ideas of information literacy and digital literacy at the start of the millennium. The article was well-received, and is my most highly-cited work, with over 1100 citations.
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