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Derek Johnston deposited Reading Folk Horror Through Nostalgia in the group
Television Studies on Humanities Commons 4 years, 10 months agoThis paper considers the use of Boym’s formulations of reflective and restorative nostalgia as a productive lens for viewing the tensions within folk horror texts and their appeals. Considering folk horror texts such as The Wicker Man, Midsommar and The Living and the Dead, the paper will demonstrate that Boym’s two conceptions help to draw out…[Read more]
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Derek Johnston deposited Reading Folk Horror Through Nostalgia in the group
Horror on Humanities Commons 4 years, 10 months agoThis paper considers the use of Boym’s formulations of reflective and restorative nostalgia as a productive lens for viewing the tensions within folk horror texts and their appeals. Considering folk horror texts such as The Wicker Man, Midsommar and The Living and the Dead, the paper will demonstrate that Boym’s two conceptions help to draw out…[Read more]
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Derek Johnston deposited Reading Folk Horror Through Nostalgia in the group
Film Studies on Humanities Commons 4 years, 10 months agoThis paper considers the use of Boym’s formulations of reflective and restorative nostalgia as a productive lens for viewing the tensions within folk horror texts and their appeals. Considering folk horror texts such as The Wicker Man, Midsommar and The Living and the Dead, the paper will demonstrate that Boym’s two conceptions help to draw out…[Read more]
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Derek Johnston deposited Reading Folk Horror Through Nostalgia in the group
Cultural Studies on Humanities Commons 4 years, 10 months agoThis paper considers the use of Boym’s formulations of reflective and restorative nostalgia as a productive lens for viewing the tensions within folk horror texts and their appeals. Considering folk horror texts such as The Wicker Man, Midsommar and The Living and the Dead, the paper will demonstrate that Boym’s two conceptions help to draw out…[Read more]
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Derek Johnston deposited Reading Folk Horror Through Nostalgia on Humanities Commons 4 years, 10 months ago
This paper considers the use of Boym’s formulations of reflective and restorative nostalgia as a productive lens for viewing the tensions within folk horror texts and their appeals. Considering folk horror texts such as The Wicker Man, Midsommar and The Living and the Dead, the paper will demonstrate that Boym’s two conceptions help to draw out…[Read more]
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Derek Johnston's profile was updated on Humanities Commons 5 years, 2 months ago
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Derek Johnston deposited And the BBC Created Hammer”: Examining the Interdependence of Public Service Broadcaster and Exploitation Film-maker in the group
Television Studies on Humanities Commons 5 years, 4 months agoThis paper examines the early connections between BBC radio and television and the Hammer / Exclusive film companies.
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Derek Johnston deposited And the BBC Created Hammer”: Examining the Interdependence of Public Service Broadcaster and Exploitation Film-maker in the group
History of radio on Humanities Commons 5 years, 4 months agoThis paper examines the early connections between BBC radio and television and the Hammer / Exclusive film companies.
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Derek Johnston deposited And the BBC Created Hammer”: Examining the Interdependence of Public Service Broadcaster and Exploitation Film-maker in the group
Film Studies on Humanities Commons 5 years, 4 months agoThis paper examines the early connections between BBC radio and television and the Hammer / Exclusive film companies.
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Derek Johnston deposited And the BBC Created Hammer”: Examining the Interdependence of Public Service Broadcaster and Exploitation Film-maker in the group
Cultural Studies on Humanities Commons 5 years, 4 months agoThis paper examines the early connections between BBC radio and television and the Hammer / Exclusive film companies.
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Derek Johnston deposited Sadists and Readers of Horror Comics: : The BBC, ‘Nineteen-Eighty-Four’ and the British Horror Comics Campaign in the group
Television Studies on Humanities Commons 5 years, 4 months agoThis paper examines the responses to the 1954 BBC adaptation of Nineteen Eighty-Four, as held by the BBC Written Archives Centre, in the light of the British Horror Comics campaign of the mid-1950s.
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Derek Johnston deposited Sadists and Readers of Horror Comics: : The BBC, ‘Nineteen-Eighty-Four’ and the British Horror Comics Campaign in the group
Speculative and Science Fiction on Humanities Commons 5 years, 4 months agoThis paper examines the responses to the 1954 BBC adaptation of Nineteen Eighty-Four, as held by the BBC Written Archives Centre, in the light of the British Horror Comics campaign of the mid-1950s.
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Derek Johnston deposited Sadists and Readers of Horror Comics: : The BBC, ‘Nineteen-Eighty-Four’ and the British Horror Comics Campaign in the group
Horror on Humanities Commons 5 years, 4 months agoThis paper examines the responses to the 1954 BBC adaptation of Nineteen Eighty-Four, as held by the BBC Written Archives Centre, in the light of the British Horror Comics campaign of the mid-1950s.
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Derek Johnston deposited Sadists and Readers of Horror Comics: : The BBC, ‘Nineteen-Eighty-Four’ and the British Horror Comics Campaign in the group
Cultural Studies on Humanities Commons 5 years, 4 months agoThis paper examines the responses to the 1954 BBC adaptation of Nineteen Eighty-Four, as held by the BBC Written Archives Centre, in the light of the British Horror Comics campaign of the mid-1950s.
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Derek Johnston deposited And the BBC Created Hammer”: Examining the Interdependence of Public Service Broadcaster and Exploitation Film-maker on Humanities Commons 5 years, 4 months ago
This paper examines the early connections between BBC radio and television and the Hammer / Exclusive film companies.
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Derek Johnston deposited Sadists and Readers of Horror Comics: : The BBC, ‘Nineteen-Eighty-Four’ and the British Horror Comics Campaign on Humanities Commons 5 years, 4 months ago
This paper examines the responses to the 1954 BBC adaptation of Nineteen Eighty-Four, as held by the BBC Written Archives Centre, in the light of the British Horror Comics campaign of the mid-1950s.
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Derek Johnston deposited Time and Identity in Folk Horror in the group
Television Studies on Humanities Commons 5 years, 5 months agoKeynote presentation at the UK’s first academic folk horror conference.
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Derek Johnston deposited Time and Identity in Folk Horror in the group
Horror on Humanities Commons 5 years, 5 months agoKeynote presentation at the UK’s first academic folk horror conference.
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Derek Johnston deposited Time and Identity in Folk Horror in the group
Cultural Studies on Humanities Commons 5 years, 5 months agoKeynote presentation at the UK’s first academic folk horror conference.
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