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Jyotirmaya Patnaik deposited We are in the world but not of the world: An investigation into the popularity of Christian films among ‘born-again’ Christians in Nigeria in the group
Television Studies on Humanities Commons 4 years, 7 months agoThis paper investigates the popularity of Christian videos among born-again
Christians in Enugu, Nigeria. This study is anchored on the theoretical foundations of
reception analysis. Following a qualitative research design, the research adopted a threestage research method, namely, qualitative content analysis, focus group interviews, and…[Read more] -
Jyotirmaya Patnaik deposited Convergence as a Factor in the Formation of Innovative Journalism in Kazakhstan in the group
Television Studies on Humanities Commons 4 years, 7 months agoThe development of information and communication technologies in the formation
of a new technical and economic paradigm has changed the structure of the modern media
landscape. The article shows the change in media consumption in Kazakhstan as a result of
technological development and popularization of the Internet. The reflection of this…[Read more] -
Jyotirmaya Patnaik deposited The Threat and Fear of War — The State and Politics in American Mass Media in the group
Television Studies on Humanities Commons 4 years, 7 months agoThe cultivation of political fears of the state and radical change of attitudes in
the minds of people is possible in certain socio-political and economic
conditions and massive propaganda in the mass media. The concept of political
fear is insufficiently studied in psycholinguistics. This article is dedicated to
exploring the political fears…[Read more] -
Jyotirmaya Patnaik deposited National Policy and the Media in the Formation of Environmental Awareness among Students of Kazakhstan in the group
Television Studies on Humanities Commons 4 years, 7 months agoThe relevance of the study is determined by the question as to in which version
the environmental consciousness of a person should be considered. The novelty
of the study is determined by the possibility of not only forming ecological
awareness but also imparting environmental education in their professional
and everyday living environments.…[Read more] -
Jyotirmaya Patnaik deposited The Structure of the Literary Problem in the Formation of the Local Text Substrate in the group
Television Studies on Humanities Commons 4 years, 7 months agoThe article aims to study the structure of the literary problem in the formation of
the local text substrate. The study uses the methodology of studying the language
when it changes in time and space. The article explains the basics of the
methodological support of the translation complex and the structure of its
application in private studies…[Read more] -
Jyotirmaya Patnaik deposited The salience of ‘Fakeness’: Experimental Evidence on Readers’ Distinction between Mainstream Media Content and Altered News Stories in the group
Television Studies on Humanities Commons 4 years, 7 months agoThis experiment was designed to explore people’s critical, differentiating capacity between actual news and content that looks like news. Four groups of post-millennials read four versions of a news story. While the first condition included a real news story derived from a mainstream medium, the other three conditions tested three attributes of f…[Read more]
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Jyotirmaya Patnaik deposited Teacher as a Hero in Tragedy: An Analysis of Newspaper Coverage of the Parkland School Shooting and the Sewol Ferry Disaster in the group
Television Studies on Humanities Commons 4 years, 7 months agoUnfortunately, tragedies occur all around the world every day. It is perceived by many as particularly devastating when children are the victims of the tragedy. When these events do occur, the media is likely to cover them in part due to the innocence and vulnerability of the victims. In reading media accounts of tragedies involving children, we…[Read more]
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Derek Johnston deposited Reading Folk Horror Through Nostalgia in the group
Television Studies on Humanities Commons 4 years, 10 months agoThis paper considers the use of Boym’s formulations of reflective and restorative nostalgia as a productive lens for viewing the tensions within folk horror texts and their appeals. Considering folk horror texts such as The Wicker Man, Midsommar and The Living and the Dead, the paper will demonstrate that Boym’s two conceptions help to draw out…[Read more]
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Derek Johnston deposited Reading Folk Horror Through Nostalgia in the group
Horror on Humanities Commons 4 years, 10 months agoThis paper considers the use of Boym’s formulations of reflective and restorative nostalgia as a productive lens for viewing the tensions within folk horror texts and their appeals. Considering folk horror texts such as The Wicker Man, Midsommar and The Living and the Dead, the paper will demonstrate that Boym’s two conceptions help to draw out…[Read more]
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Sérgio Dias Branco deposited Laughing in Friendship: The Intimate Ensemble Comedy of “Friends” in the group
Television Studies on Humanities Commons 5 years agoThis paper analyses the sitcom “Friends” (1994-2004) and its performance motifs.
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Sérgio Dias Branco deposited Being Her/She in “Who Are You?” in the group
Television Studies on Humanities Commons 5 years agoAnalysis of the episode from television series “Buffy the Vampire Slayer”, “Who Are You?” (4.16).
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Derek Johnston deposited And the BBC Created Hammer”: Examining the Interdependence of Public Service Broadcaster and Exploitation Film-maker in the group
Television Studies on Humanities Commons 5 years, 3 months agoThis paper examines the early connections between BBC radio and television and the Hammer / Exclusive film companies.
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Derek Johnston deposited Sadists and Readers of Horror Comics: : The BBC, ‘Nineteen-Eighty-Four’ and the British Horror Comics Campaign in the group
Television Studies on Humanities Commons 5 years, 3 months agoThis paper examines the responses to the 1954 BBC adaptation of Nineteen Eighty-Four, as held by the BBC Written Archives Centre, in the light of the British Horror Comics campaign of the mid-1950s.
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Derek Johnston deposited Sadists and Readers of Horror Comics: : The BBC, ‘Nineteen-Eighty-Four’ and the British Horror Comics Campaign in the group
Horror on Humanities Commons 5 years, 3 months agoThis paper examines the responses to the 1954 BBC adaptation of Nineteen Eighty-Four, as held by the BBC Written Archives Centre, in the light of the British Horror Comics campaign of the mid-1950s.
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Derek Johnston deposited Time and Identity in Folk Horror in the group
Television Studies on Humanities Commons 5 years, 5 months agoKeynote presentation at the UK’s first academic folk horror conference.
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Derek Johnston deposited Time and Identity in Folk Horror in the group
Horror on Humanities Commons 5 years, 5 months agoKeynote presentation at the UK’s first academic folk horror conference.
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Derek Johnston deposited Season, Landscape and Identity in the BBC Ghost Story for Christmas in the group
Television Studies on Humanities Commons 5 years, 5 months agoInvited research presentation given at the University of Reading, 8 October 2015.
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Derek Johnston deposited Season, Landscape and Identity in the BBC Ghost Story for Christmas in the group
Horror on Humanities Commons 5 years, 5 months agoInvited research presentation given at the University of Reading, 8 October 2015.
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Derek Johnston deposited The Consolations of Horror: Heritage and Tradition in the Televisual Haunted Country House in the group
Television Studies on Humanities Commons 5 years, 5 months agoIt has become a standard approach when considering screen presentations that incorporate the country house to examine them in the light of Andrew Higson’s formulation of the heritage drama, which presented an essentially conservative, depoliticised spectacle of grandeur, safely distanced from the reality of the majority of viewers. However, the c…[Read more]
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Derek Johnston deposited The Consolations of Horror: Heritage and Tradition in the Televisual Haunted Country House in the group
Horror on Humanities Commons 5 years, 5 months agoIt has become a standard approach when considering screen presentations that incorporate the country house to examine them in the light of Andrew Higson’s formulation of the heritage drama, which presented an essentially conservative, depoliticised spectacle of grandeur, safely distanced from the reality of the majority of viewers. However, the c…[Read more]
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