This conference paper was an invited plenary lecture for the 11th annual meeting of ICEG in January 2014. It builds upon numerous articles, essays and books the author has published on the grammar, epistemology and socio-historical aspects of metaphor and metaphorical discourse. This paper provides a model for understanding metaphor as a needed…[Read more]

his essay positions the use of machine learning within the digital humanities as part of a wider movement that nostalgically seeks to return literary criticism to the structuralist era, to a moment characterized by belief in systems, structure, and the transparency of language. It argues that the scientific criticism of the present attempts to…[Read more]

This piece presents a tripartite analysis of the relationship between the philosophical works of Ludwig Wittgenstein and the novels of Thomas Pynchon. This is broadly structured around three schools of Wittgenstein scholarship identified by Guy Kahane et al. as the Orthodox Tractatus, the New Wittgenstein, and several strands of the Orthodox…[Read more]

This comparative study in the evolution of subjectivity in European literature during the Renaissance ascribes it to the impact of the Reformation on the public representation of authorial identity, differing from Stephen Greenblatt’s later application of Foucault to six Tudor authors.

Kafka’s Romanticism/Platonism is hidden underneath the covers. In this article I show how better translations can help the reader take the covers off the bed. Whether it be K.’s meeting with Buergel in the Castle or with the Josef K.’s meeting with the Priest in The Trial,
essentially the message resonates. A preview of ESSENTIAL KAFKA.

Kafka’s Romanticism/Platonism is hidden underneath the covers. In this article I show how better translations can help the reader take the covers off the bed. Whether it be K.’s meeting with Buergel in the Castle or with the Josef K.’s meeting with the Priest in The Trial,
essentially the message resonates. A preview of ESSENTIAL KAFKA.

“Becoming-animal” is a term used by Gilles Deleuze and Félix Guattari in their work, A Thousand Plateaus: Capitalism and Schizophrenia which at times can designate a movement towards denigration. With a “becoming,” a threshold is, invariably, crossed and the boundaries that have existed between the animal and the human become blurred. Moreover…[Read more]

The article enacts the essay as the mainstay of scholarly discourse in a knowledgeable community. It deals with (con)textualized readings of poetry (or literature) mainly through the medium of translation as an important intercultural phenomenon involving poetics, episteme, borders.

Abstract:

Assuming that the American self (and culture) was founded upon Puritan values, the aim of this paper is to discuss the importance of identificatory processes in helping to enforce conformity towards prevailing religious mores, as stated above, of a puritanical nature.
Underlying our decision to focus the discussion on the novel…[Read more]

Designed as a short introduction to academic literary studies of affect, Reading Affect in Literary Studies is a one-credit graduate seminar, offered in Spring 2014, that was framed by the question of how we might rethink our practice as scholars of literature to take our scholarship to publics beyond the academy. Readings included work by Rita…[Read more]

The essay reads Ralph Waldo Emerson’s argument for a “nation of friends,” in “Politics,” as Emerson’s response to his lament, also in “Politics,” that the “power of love, as the basis of the State, has never been tried.” By a careful reading of that essay, which includes locating “Politics” within the debate in Thomas Hobbes’s Leviathan be…[Read more]

Blind’s autonomous cosmopolitanism is in four distinct layers. The first layer is her unusual everyday family background in the transition from Jewish tradition to the life of European revolutionaries in the 1840s and exile in Britain. The second layer is Blind’s mental and moral development under Friederike’s care and educational guidance accor…[Read more]

This paper traces the origins of Chicana-centered figures and tropes found in Ana Castillo’s So Far from God to early 20th century cuentos recorded in the New Mexico Federal Writer’s Project.

In his seminar, Specters of Marx, Jacques Derrida discusses how one of the essential qualities of the specter is his ability to appear incessantly. The inability to know when the specter may appear, however, not only enforces its haunting quality but also conveys a despairing sense of what Derrida refers to as empty Messianism from which emits…[Read more]