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Mateus Yuri Passos created the group
Richard Wagner Studies on Humanities Commons 5 years, 1 month ago -
Mateus Yuri Passos created the group
Opera Stagings on Humanities Commons 5 years, 1 month ago -
Mateus Yuri Passos created the group
Opera in Recording on Humanities Commons 5 years, 1 month ago -
Mateus Yuri Passos created the group
Opera Studies on Humanities Commons 5 years, 1 month ago -
Mateus Yuri Passos created the group
Nonfiction Comics on Humanities Commons 5 years, 1 month ago -
Mateus Yuri Passos created the group
Comics Journalism on Humanities Commons 5 years, 1 month ago -
Mateus Yuri Passos created the group
Literary Journalism on Humanities Commons 5 years, 1 month ago -
Mateus Yuri Passos deposited Stepping out of Divinity: Tom King’s “All-too-human” Batman on Humanities Commons 5 years, 1 month ago
This paper focuses on American superhero comics – i.e. superadventures and their likeness to mythology. Our goal is to understand how subtle changes in the characterization of a superhero may make them more congruent with the present day morality and ideals of the society, even if a given character is willing to directly challenge that morality. T…[Read more]
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Mateus Yuri Passos's profile was updated on Humanities Commons 5 years, 1 month ago
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Kathi Inman Berens's profile was updated on Humanities Commons 5 years, 6 months ago
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Kathi Inman Berens deposited Introduction: “What Is Creative Making As Creative Writing?” in the group
TC Digital Humanities on MLA Commons 6 years, 3 months agoThis special issue of the Journal of Creative Writing Studies centers on how creative writing changes when writers actively engage computers as nonhuman collaborators in “creative making.” Using examples from McGurl’s The Program Era, Emily Dickinson, and the crowdsourced “translation” of Melville’s classic into Emoji Dick, Berens suggests th…[Read more]
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Kathi Inman Berens deposited Introduction: “What Is Creative Making As Creative Writing?” in the group
RCWS Writing Pedagogies on MLA Commons 6 years, 3 months agoThis special issue of the Journal of Creative Writing Studies centers on how creative writing changes when writers actively engage computers as nonhuman collaborators in “creative making.” Using examples from McGurl’s The Program Era, Emily Dickinson, and the crowdsourced “translation” of Melville’s classic into Emoji Dick, Berens suggests th…[Read more]
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