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Tiffany Ng deposited Mending Bells and Closing Belfries with Faust in the group
Music and Sound on Humanities Commons 6 years, 10 months agoFinite Element Analyses (FEA) was used to predict the resonant modes of the Tsar Kolokol, a 200-ton fractured bell that sits outside the Kremlin in Moscow. Frequency and displacement data informed a physical model implemented in the Faust programming language (Functional Audio Stream). The authors hosted a concert for Tsar bell and carillon with…[Read more]
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Patrick Eisenlohr deposited Religious language and media: Sound reproduction and transduction in the group
Music and Sound on Humanities Commons 6 years, 10 months agoIn this chapter I discuss how contests about religious language have revolved around a contrast between, on the one hand, a preference for literalism, with its emphasis on reference and denotation; and on the other hand, a valuation of the poetic functions of language and its material properties. Turning to the issue of electronically mediated…[Read more]
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Bernd Brabec de Mori deposited Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013) in the group
Music and Sound on Humanities Commons 6 years, 10 months agoShipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce…[Read more]
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Key MacFarlane deposited Time, Waste, and the City: The Rise of the Environmental Industry in the group
Place Studies on Humanities Commons 6 years, 10 months agoIn many US cities, especially those in the Rust Belt, the environmental goods and services (EGS) industry has played a significant role in restructuring local economies to promote new, flexible, and “creative” forms of service-based labour. And yet much of the environmental work conducted in these cities has been directed at an industrial pas…[Read more]
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Key MacFarlane deposited A thousand CEOs: Relational thought, processual space, and Deleuzian ontology in human geography and strategic management in the group
Place Studies on Humanities Commons 6 years, 10 months agoOver the last 20 years the imbrication between capital and the university has grown much firmer. This
paper seeks to map one point at which this binding occurs: in critical theory. Recently scholars in strategic
management have turned to processual and relational ontologies in an attempt to reimagine the logics of
profit, value, and growth.…[Read more] -
Tiffany Ng deposited Music & Architecture: A Selected Bibliography in the group
Music and Sound on Humanities Commons 7 years agoThis bibliography presents selected sources (mostly in English) at the intersection of music and architecture. Many of the sources approach the relationship between the practices through multiple case studies. Several books focused on particular artists in both disciplines have been included not because those artists are central to the study of…[Read more]
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Susan Marie Martin deposited African Americans and gentrification in Washington, D.C.: race, class and social justice in the nation’s capital by Sabiyah Prince in the group
Place Studies on Humanities Commons 7 years, 1 month agoUsing qualitative data, including extensive interview material and ethnographic research, to explore the experiences and ideas of African Americans as they confront and construct gentrification, this book aims to contextualize Black Washingtonians’ perspectives on belonging and attachment during a marked period of urban restructuring and d…[Read more]
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Susan Marie Martin deposited Leading the inclusive city: place-based innovation for a bounded planet in the group
Place Studies on Humanities Commons 7 years, 1 month agoWhile acknowledging the difficulties cities face, Leading the Inclusive City mounts a powerful case that cities do have tools at their disposal for ameliorating inequality, advancing social justice, promoting environmental responsibility, and bolstering community empowerment. Susan Marie Martin thinks citizens of all cities will find this book…[Read more]
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Susan Marie Martin deposited On the commodity trail: the journey of a bargain store product from East to West in the group
Place Studies on Humanities Commons 7 years, 1 month agoInspired by Walter Benjamin’s Arcades Project, On the Commodity Trail explores the colourful and fascinating histories of everyday objects. Susan Marie Martin finds the author’s writing style, which includes historical ironies, and parallels between concepts and lived experience, have created a text accessible to a broad, curious readership.
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Susan Marie Martin deposited The Shawlies: A study of early neoliberal ‘gender-fication’. The Street Trading Act, 1926, modern gender-fication, and the implications for Cork’s women street traders in the group
Place Studies on Humanities Commons 7 years, 1 month agoFor centuries Cork’s Shawlies, working-class women, survived by trading on public streets. My study explores how the first Irish Free State government, and Cork’s local authority, limited the rights of poor women to earn by subsistence trading with The Street Trading Act, 1926. The government insisted this would regulate street trading. In pra…[Read more]
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Tekla Babyak deposited Dante, Liszt, and the Alienated Agony of Hell in the group
Music and Sound on Humanities Commons 7 years, 1 month agoDante Alighieri’s Inferno (1314) portrays Hell as an alienated realm, in which the doomed spirits must spend eternity in isolation and regret. Franz Liszt’s two-movement Dante Symphony (1857), based on the Inferno and Purgatorio, gives musical form to Dante’s textual expressions of agony. These evocations of suffering are enhanced by Lisz…[Read more]
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John Davey deposited The historical relationship of musical form and the moving image in the current context of the digitisation of media in the group
Music and Sound on Humanities Commons 7 years, 1 month agoContemporary developments in the medium of the moving picture, particularly in relation to the general digitisation of media, are bringing about substantial changes to long-held conceptions of both its theory and its practice. This thesis asserts that a significant factor in these, both historically and in terms of potential development, is the…[Read more]
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Rebecca Ruth Gould deposited Why Daghestan is Good to Think: Moshe Gammer, Daghestan, and Global Islamic History in the group
Place Studies on Humanities Commons 7 years, 1 month agoDuring the final decade of his productive life, Moshe Gammer (1950-2013) edited the first major English-language series on Daghestani philology. This chapter examines key aspects of Gammer’s legacy, while offering an overview of Daghestani philology from the colonial period to the present, and outlining how this field of inquiry enables us to r…[Read more]
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Erika Supria Honisch deposited Music 547 Spring 2018—Sound, Music, Conflict, 1570–1750 in the group
Music and Sound on Humanities Commons 7 years, 1 month agoWhat were the sounds of war in the early modern period? What were the sounds of peace? The period between 1570 and 1750—roughly coincident with the cultural era known in Western contexts as “the Baroque”—was characterized by almost continual conflict in Europe. Whether caught up in the French Wars of Religion, the English Civil War, the Thirty…[Read more]
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Virginia Anderson deposited Michael Nyman, London, 23 March 1983 in the group
Music and Sound on Humanities Commons 7 years, 1 month agoFor some years I have been meaning to upload some of the material I have gathered over the years, including interviews I conducted with experimental composers and performers. One of the most useful, clearest interviews was my interview with Michael Nyman, 23 March 1983, just a few days after I had seen him in Hammersmith with the eponymous Michael…[Read more]
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Virginia Anderson deposited Christian Wolff in Interview in the group
Music and Sound on Humanities Commons 7 years, 1 month agoIn 1972–3, the American composer Barney Childs began work on a book of interviews with modern composers. Unfortunately, Childs could not find a publisher for the book and abandoned the project. The interviews have remained, unpublished and almost unseen, for over forty years. This paper will introduce Childs’ interview with Wolff in June 1972. H…[Read more]
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Virginia Anderson deposited Systems and Other Minimalism in Britain in the group
Music and Sound on Humanities Commons 7 years, 1 month agoThis collection of essays represents the first international survey of minimalism and postminimalist music from a wide variety of analytical and historical perspectives; its authors include the central scholars in this area. This chapter is the first comprehensive study of the wide variety of minimalist styles in Britain, from the sparse,…[Read more]
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Paulo Vitor Airaghi deposited O JORNAL CENTRO ACADEMICO DO RIO DE JANEIRO: UM CENTRO DIFUSOR DE IDEIAS REPUBLICANAS NO SÉCULO XIX (1872-1873) in the group
Place Studies on Humanities Commons 7 years, 3 months agoO objetivo do trabalho é analisar o jornal Centro Academico, publicado entre 1872 e 1873 por alunos da Faculdade de Medicina e Cirurgia do Rio de Janeiro e por alunos da Escola Central de Engenharia do Exército, como centro difusor de ideias republicanas durante o século XIX. Esse periódico diagnosticava o Império Brasileiro e, a partir diss…[Read more]
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Joao Silva deposited Porosity and Modernity: Lisbon’s Auditory Landscape from 1864 to 1908 in the group
Music and Sound on Humanities Commons 7 years, 5 months agoThe intense changes that transformed Lisbon’s urban fabric between 1864 and 1908 were a key agent in reshaping the political economy of sound in the city.1 During the second half of the nineteenth century, Lisbon was getting to grips with modernity in a period when not only was the term ‘modern’ starting to be seen in a positive light, but moder…[Read more]
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Kathleen DeLaurenti replied to the topic Help with assignment design in the discussion
Music on Humanities Commons 7 years, 5 months agoMore about ideas for alternate ways to represent works still in copyright in a meaningful way.
Unfortunately, my co teacher just got a great job at another university, so it’s on hold. But I’m still interested in thinking through the assignment and potentially working on it in taken with courses at other institutions.
Thanks!
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