Jorge Villavicencio Grossmann (nacido en 1973) es un compositor peruano/brasileño/estadounidense que estudió composición en São Paulo en la Faculdade Santa Marcelina y en los Estados Unidos en la Universidad Internacional de Florida y la Universidad de Boston. Su cuarteto de cuerdas no. 3 apareció en un disco reciente de cuartetos de cuerda lati…[Read more]

An examination of spatial themes in the emerging genre of environmental fiction. Originally presented as a talk at the Futures of American Literature event at Uppsala University (Sweden).

Agricultural boundaries as fence lines, hedgerows, tractor paths, stone walls, forest edges, or field breaks are historically and ecologically significant. In South-Central Pennsylvania where the author lives and works, pollinator conservation depends upon agricultural history.

Elliott Carter once extolled the visceral, primitive effect of Penderecki’s Threnody on untrained listeners. In this article, I examine how a formalized analytical approach to the central section of the piece contributes positively to a phenomenological experience of the whole piece. Part 1 presents an ear-training progression aimed at bringing t…[Read more]

In this article I demonstrate how listeners understand musical processes with their bodies, and how their gestures can be used to build analytical models. Specifically, I draw on the phenomenology of Maurice Merleau-Ponty to argue that situated, active listeners project their motor intentional gestures inside music, where they reconstitute the…[Read more]

This article investigates how Gabriele D’Annunzio’s The Triumph of Death brings together Nietzsche’s ideas and Wagner’s music and interweaves them with the motifs of literary Decadence and the author’s own particular sexual politics. The novel is an experimental text striving to be a Gesemtkunstswerk, an integrated work that incorporates music, pa…[Read more]

Composer Donnacha Dennehy could be described as a bi-coastal composer, but in his case that would be the East Coasts of both Ireland and the United States of America. He is known for his work as co-founder of the Crash Ensemble, based in Dublin, and has four collections of his work issued on CDs from Nonesuch, RTE, and NMC. He joined the…[Read more]

Trying to rank Bach’s great moments is like trying to rank miracles in order of impossibility. Yet I’ve caught myself feeling that a moment in the B Minor Mass may be the greatest of all. This short essay, adapted from a chapter in my forthcoming ebook Why Bach?: An Audio-Visual Appreciation, says why. If features highlighted scores that play as a…[Read more]

This study investigates how digital mapping of lyrical spaces and publication statistics illuminate modernista participation of the global literary field. Using gathered spatial data points from poetic editions from Rubén Darío and Amado Nervo reveal a rich intertextual and geospatial web. The cosmopolitanism and globalized erudition of m…[Read more]

Under the Volcano, de Malcolm Lowry, es una novela inglesa situada en México en 1938. Inspirado tras dos años de vivir en el país, Lowry escribe la historia de Geoffrey Firmin, un cónsul alcohólico que vive en un pueblo mexicano justo después de la Expropiación Petrolera que rompió las relaciones diplomáticas entre ambas naciones…[Read more]

En este trabajo se presenta una lectura de la novela The Plumed Serpent (1926), de D. H. Lawrence, a partir de la construcción de signi ca- do del espacio mexicano en la narración. En esta obra, las descripciones del espacio topográ co no se limitan a mostrar un escenario de trasfondo. Por el contrario, Lawrence inviste de una carga signi ca…[Read more]

Being part of a monography on the origins of Portuguese and Galician identities, this paper studies how future Portugal and Galicia, being part of a same polty in the Early Middle Ages, became different countries although maintaining strong cultural and historical links.

Case study on the territorialization of Early Medieval Galicia (NW Iberia) centered on the land of O Salnés, taking into account the meaning of the place-name, the Roman past, the political organziation (county of Slnés), the appropriation of the land and the defensive system agains the Northmen iand Moslem sea-attacks.

The development of the Portuguese entertainment market and the rise of several types of musical theatre are inextricably bound to the complex symbolic and material process through which Portugal was established, presented, developed, and commodified as a modern nation-state between 1865 and 1908. During this period, several fundamental…[Read more]

Being part of a monography on the origins of Portuguese and Galician identities, this paper studies how future Portugal and Galicia, being part of a same polty in the Early Middle Ages, became different countries although maintaining strong cultural and historical links.

Case study on the territorialization of Early Medieval Galicia (NW Iberia) centered on the land of O Salnés, taking into account the meaning of the place-name, the Roman past, the political organziation (county of Slnés), the appropriation of the land and the defensive system agains the Northmen iand Moslem sea-attacks.

The development of the Portuguese entertainment market and the rise of several types of musical theatre are inextricably bound to the complex symbolic and material process through which Portugal was established, presented, developed, and commodified as a modern nation-state between 1865 and 1908. During this period, several fundamental…[Read more]

Part One of this study seeks to define the nature of Spanish and Italian printed keyboard sources in the 16th and 17th centuries. In Chapter two, seven Spanish keyboard prints or theoretical works are examined, dating from 1546 to 1626. These works clearly state a conception of the ideals of keyboard playing; they also show the beginnings of a…[Read more]

Musico-analytical examination of Frank Ocean’s album Blonde and the lyrical references and musical allusions to a marijuana high.

Historical, analytical, and critical overview of John Zorn’s celebrated file-card composition, Cobra.