-
Alicia Mihalic deposited Review of Eugenia Paulicelli, Drake Stutesman, and Louise Wallenberg (eds), Film, Fashion, and the 1960s in the group
Film Studies on Humanities Commons 4 years, 8 months agoFilm, Fashion, and the 1960s, Eugenia Paulicelli, Drake Stutesman, and Louise Wallenberg, Editors, Indiana University Press, Bloomington, Indiana, United States, 2017, Acknowledgements, Index, 47 Black and White Illustrations, 231 pages, Softback, £27.99.
-
José Angel GARCÍA LANDA deposited ‘El mapa y el territorio’: Espectáculo de autor in the group
Narrative theory and Narratology on Humanities Commons 4 years, 8 months agoSpanish Abstract: En una cultura mediática en la que la literatura es espectáculo, los best-sellers son espectáculo de primera, y sus autores se vuelven parte del espectáculo. En este contexto era de esperar que surjan usos experimentales de la figura del autor, o curiosidades si se quiere, como el caso de Houellebecq, que, ficcionalizado en par…[Read more]
-
Alexios Brailas deposited Digital storytelling and the narrative turn in psychology: Creating spaces for collective empowerment in the group
Narrative theory and Narratology on Humanities Commons 4 years, 8 months agoIn this article, we propose a model that combines digital storytelling with narrative practice to create a facilitated peer-to-peer experiential learning space for collective empowerment. This model was inspired by an educational intervention that utilized participatory digital comic strip making to raise students’ awareness of bullying and its c…[Read more]
-
Justin Wigard deposited Now THIS is Podracing! Ludic and Narrative Friction in Star Wars Episode 1: Racer in the group
Film Studies on Humanities Commons 4 years, 9 months agoAbstract: In Star Wars Episode I: Racer (1999), players choose between several different podracers (including Anakin Skywalker and Sebulba), and compete in racing tournaments on several planets. While the game currently holds the Guinness record as the best-selling sci-fi racing game of all time and was re-released for Nintendo Switch in 2020,…[Read more]
-
Edwin Culp deposited Hacer tiempo. Estrategias críticas del arte en lo político in the group
Film-Philosophy on Humanities Commons 4 years, 9 months agoNo tenemos tiempo; nunca como ahora la productividad había dominado cada aspecto de la vida. Nuestras experiencias personales se apropian como bienes extractivos de la industria de datos. El arte crítico hoy aún permite imaginar un tiempo que no pueda ser apropiado por el relato del progreso y el aprovechamiento del tiempo, que posponga la ut…[Read more]
-
Luis Ernesto Paz Enrique deposited El spot de bien público: aproximación teórica y conceptual in the group
Film Studies on Humanities Commons 4 years, 9 months agoEl spot televisivo de bien público ha sido poco fundamentado desde la literatura científica publicada en cuanto a su estructura y funciones. Predominan las teorizaciones en torno al spot televisivo con enfoque comercial. Se planteó como objetivo del estudio fundamentar la estructura y funciones del spot de bien público. Para la obtención de resu…[Read more]
-
José Angel GARCÍA LANDA deposited The Story Behind Any Story: Evolution, Historicity, and Narrative Mapping in the group
Narrative theory and Narratology on Humanities Commons 4 years, 10 months ago“The narratives of the world are numberless”; yet, all stories may be seen as chapters of a single story, the story of universal evolution as uncovered by contemporary science, with processes of human emergence and cultural development as a prominent backdrop to the understanding of any narrative process. Evolutionary approaches to literary and…[Read more]
-
I am struck by the event of dissolution (in Spencer’s articulation). I wonder how one might think of narrative dissipating into narrativity. Not so much all stories being chapters of a single story as all stories as potential building blocks for other stories. The challenge for me is actually observing a narrative degenerate. The glue is quick…[Read more]
-
Yes, I agree, François, one story does lead into another one…. And sometimes, what is the central story for us, with its point and everything, becomes just a building block for someone else’s story. Makes me think of what Rochester says in a poem, “Dead, we become the lumber of the world”.
-
Very tickled to discover that Rochester’s translation of Seneca continues thus:
Dead, we become the lumber of the world,
And to that mass of matter shall be swept
Where things destroy’d with things unborn are kept.-
Yes, quite impressive! I also recommend the Johnny Depp film on Rochester, ‘The Libertine’.
-
-
-
-
- Load More
Open access, open source, open to all