<p style=”text-align: center;”>2017 GS Prose Fiction panels in Philadelphia</p>

49. We Can’t Stop Talking about Elena Ferrante
Thursday, 5 January, 1:45–3:00 p.m., 401-403, Philadelphia Marriott
Presiding: Hester Blum, Penn State Univ., University Park

1. “The Function of Collaboration at the Present Time,” Sarah Blackwood, Pace Univ., New Yo…[Read more]

<p style=”text-align: center;”>2017 GS Prose Fiction panels in Philadelphia</p>

49. We Can’t Stop Talking about Elena Ferrante
Thursday, 5 January, 1:45–3:00 p.m., 401-403, Philadelphia Marriott
Presiding: Hester Blum, Penn State Univ., University Park

1. “The Function of Collaboration at the Present Time,” Sarah Blackwood, Pace Univ., New Yo…[Read more]

<p style=”text-align: center;”>2017 GS Prose Fiction panels in Philadelphia</p>

49. We Can’t Stop Talking about Elena Ferrante
Thursday, 5 January, 1:45–3:00 p.m., 401-403, Philadelphia Marriott
Presiding: Hester Blum, Penn State Univ., University Park

1. “The Function of Collaboration at the Present Time,” Sarah Blackwood, Pace Univ., New Yo…[Read more]

<p style=”text-align: center;”>2017 GS Prose Fiction panels in Philadelphia</p>
49. We Can’t Stop Talking about Elena Ferrante
Thursday, 5 January, 1:45–3:00 p.m., 401-403, Philadelphia Marriott
<div id=”conv_program_details”>

Presiding:<i> </i>Hester Blum, Penn State Univ., University Park

1. “The Function of Collaboration at the Present T…[Read more]

“How do I start a short story”? Edit

What method work best for you to start a short story?  I have just had some productive use of the famed US writer Ray Bradbury’s “vomit in the morning, clean up in the afternoon” method. (Author of _Fahrenheit 451_, _The Martian Chronicles_, _The Illustrated Man_, etc.)  Just allow your unconscious t…[Read more]

If you have suggestions for the GS prose fiction panel for MLA 2018, email me (jhg@ucla.edu) or one of the other committee members before MLA. I will collate all suggestions and bring them forward to the committee at our meeting.

All best,

Jonathan

Call for proposals
Experiencing Nonhuman Spaces: Between Description and Narration

“We felt enlarge itself round us the huge blackness of what is outside us, of what we are not,” declares Bernard in Virginia Woolf’s The Waves (1931/2000, 213). “What we are not”—the nonhuman—has emerged as one of the most thought-provoking concepts in c…[Read more]

Call for proposals
Experiencing Nonhuman Spaces: Between Description and Narration

“We felt enlarge itself round us the huge blackness of what is outside us, of what we are not,” declares Bernard in Virginia Woolf’s The Waves (1931/2000, 213). “What we are not”—the nonhuman—has emerged as one of the most thought-provoking concepts in contempora…[Read more]

Call for Papers: 2017 Special Section of Letras Hispanas on

“Contemporary Iberian Ecocriticism and New Materialisms”

Editor: Luis I. Prádanos, Miami University

Deadline: June 1, 2017

The global proliferation of ecocriticism and environmental humanities is significantly enriching the depth and scope of literary and cultural studies worl…[Read more]

I am developing an online database of the visual culture of the Spanish masterpiece Celestina (1499). At the moment, everything is in Spanish, but a programmer is helping me to develop the English version (we are using Omeka).  I am trying to strike a balance between scholarly thoroughness and accessibility for the average users since there are…[Read more]

American Documentary Poetics

CFP for American Literature Association (ALA) 28th Annual Conference
May 25-28, 2017, Boston, MA

Call for papers on any topic related to American documentary poetics/investigative poetics. Part documentary, part imagination, investigative poetry incorporates a variety of data and reportage into the poem—including p…[Read more]