This article discusses the development of the spelling for the name of Cnut the Great, Viking king of England from 1016 to 1035, from to . The origin of this disyllabic spelling is uncertain and has been attributed to taboo deflection, the simplification of the consonant cluster /kn/ in English and even a pope’s inability to pronounce the name C…[Read more]

This note calls attention to a precursor of the Latin text of Durham Proverb 7 in the ninth-century Collectanea Pseudo-Bedae and, in doing so, sheds some light on the unresolved relationship between the Old English and Latin versions of the Durham Proverbs in general and Durham Proverb 7 in particular.

This note calls attention to a precursor of the Latin text of Durham Proverb 7 in the ninth-century Collectanea Pseudo-Bedae and, in doing so, sheds some light on the unresolved relationship between the Old English and Latin versions of the Durham Proverbs in general and Durham Proverb 7 in particular.

The present article analyses and makes available one of the earliest known texts on book preservation. The text in manuscript The Hague, KB 133 F 2 dates back to 1527 and contains eight guidelines on how to preserve books. These guidelines give us a unique insight into the way people in the later Middle Ages thought about handling books and the…[Read more]

This note established that an Old English confessional prayer in BL Vespasian D.xx is a close analogue to the Latin text in the Book of Cerne (Cambridge University Library MS L1.1.10). These two text and two other Old English prayers in BL MS Tiberius C.i and the Old English Handbook for the Use of a Confessor may have sprung from a common, Latin…[Read more]

This note established that an Old English confessional prayer in BL Vespasian D.xx is a close analogue to the Latin text in the Book of Cerne (Cambridge University Library MS L1.1.10). These two text and two other Old English prayers in BL MS Tiberius C.i and the Old English Handbook for the Use of a Confessor may have sprung from a common, Latin…[Read more]

In this chapter, I discuss the use of Anglo-Saxon literature and culture in J.R.R. Tolkien’s The Hobbit.

In this chapter, I discuss the use of Anglo-Saxon literature and culture in J.R.R. Tolkien’s The Hobbit.

About four decades ago, the two modern editions of the Cancionero de obras de burlas (19OB),2 of Domínguez (1978) and Jauralde Pou-Bellón
Cazabán (1974), finnally condemned to its deserved obscurity Usoz y Río’s 1841 edition. Even though both his edition and his library on spiritual
topics have an evident archaeological interest (Vilar), the q…[Read more]

Although there were many handwritten, often informal catalogues of Sir Robert Cotton’s manuscripts and books during his lifetime and in the years afterwards, the desire for an official printed catalogue which could be circulated in the public realm did not really bear fruit until the late 1600s. And when two versions finally did appear — the…[Read more]

Although there were many handwritten, often informal catalogues of Sir Robert Cotton’s manuscripts and books during his lifetime and in the years afterwards, the desire for an official printed catalogue which could be circulated in the public realm did not really bear fruit until the late 1600s. And when two versions finally did appear — the…[Read more]

This essay comprises four parts, each by one of the co-bloggers at In the Middle (http://www.inthemedievalmiddle.com). Karl Steel argues that the benefits of academic blogging outweigh its potential humiliations, and that academic conferences should post their papers publicly and allow for comments so that conferences, in a sense, never end.…[Read more]

An overview of the “state of the field” of critical posthumanist studies that also argues for the important intervention of premodern studies into contemporary critical posthumanism studies, and which serves as the Introduction (with chapter summaries) to “Fragments for a History of a Vanishing Humanism,” eds. Myra Seaman and Eileen A. Joy (Ohio…[Read more]

This essay is an attempt to think about melancholy as a shared creative endeavor, as a trans-corporeal blue (and blues) ecology that would bind humans, nonhumans, and stormy weather together in what Tim Ingold has called a meshwork. In this enmeshment of the “strange strangers” of Timothy Morton’s dark ecology, “[t]he only way out is down” a…[Read more]

What can be said about the “style” of academic discourse at the present time, especially in relation to historical method, theory, and reading literary and historical texts? Is style merely supplemental to scholarly substance? As scholars, are we “subjects” of style? And what is the relationship between style and theory? Is style an object,…[Read more]

This Prelude to L.O. Aranye Fradenburg’s book STAYING ALIVE makes the case for Fradenburg’s career as comprising a critically important dossier relative to the relationship(s) between desire, enjoyment, groupification, signification, and disciplinarity, especially with regard to techniques of living, the care of the self (and others), and the…[Read more]

My poetic Preface to Kathleen Biddick’s book, “Make and Let Die: Untimely Sovereignties” (punctum books, 2016), which is indebted to and adapted from Adrienne Rich’s poem “Diving into the Wreck,” which sketches out the exploratory soundings of a sea-wreck of forgotten histories that bears uncanny resonances with Kathleen Biddick’s own acediou…[Read more]

This essay argues for the consideration of energy and an energy-based humanities model in the study of water in the Middle Ages. It also proposes that ‘energy’, when discussed in the context of the Middle Ages, is in fact a study of ‘energies’, derived from technology, material culture, and intellectual culture in equal measure. It propose…[Read more]

The introduction to a special issue of the Journal of Narrative Theory, edited by Eileen Joy and Christine Neufeld, on “Premodern to Modern Humanisms: The BABEL Project.” This essay sketches out a blueprint for pursuing new “critical humanisms” in a post/human age.

This special issue of the “Journal of Narrative Theory” represents one of the BABEL Working Group’s first forays into a collaborative and “baggy” humanistic scholarship between medieval studies, more contemporary humanistic studies, and the sciences, with the objective of interrogating together the open terms, “human,” “humanity,” “humanism,”…[Read more]