From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]

Call for Papers

The literary relation between Parvin E’tesami and Walt Whitman remains a largely unexplored field. This article analyzes the connection between “God’s Weaver” and “A Noiseless Patient Spider” to shed light on Parvin’s creative reception of Whitman. Creating a mixed-breed spider, combining characteristics from both
Whitman’s insect and the Persi…[Read more]

Throughout historic developments, the publicly ascertained and published price of an artwork repeatedly served as a reference point for art theoretical discussion. Particular importance was attached to the auction sale price, since this financial evaluation of art was of such a public nature. While there is a long history of these ideas about the…[Read more]

Die französische Literatur des 19. Jahrhunderts über das Pariser Auktionshaus kreist um das Thema des Betrugs. In Büchern der Historiker und Kunstkritiker Jules Champfleury, Victor-Charles Préseau und Henri Rochefort werden Fälschungen und betrügerische Expertise in Zusammenhang gebracht und Experten als Störung für die Abläufe des Kunstmar…[Read more]

Panel Description: Rising with the popularity of printed music, binders’ volumes became a particularly important and popular cultural artifact around 1830, flourishing into the 1870s and beyond. Since the beginning, these volumes have presented a conundrum to librarians: how does one deal with a compilation of different musical works? How can c…[Read more]

Panel Description: Rising with the popularity of printed music, binders’ volumes became a particularly important and popular cultural artifact around 1830, flourishing into the 1870s and beyond. Since the beginning, these volumes have presented a conundrum to librarians: how does one deal with a compilation of different musical works? How can c…[Read more]

This paper offers a metafictional reading of William Faulkner’s novel AS I LAY DYING (1930), a reading which goes beyond the usual mimetic interpretation of this novel as an exploration of the characters’ psychology. Faulkner’s writing also explores and allegorizes itself, through the creation of paradoxical narrative forms which carry out an…[Read more]

Plausibilität spielt in allen Wissenschaftskulturen eine gewichtige Rolle – ob implizit oder explizit. Auffällig ist jedoch, dass es keiner spezifisch geschulten Kompetenz oder der Vermittlung eigenständiger Fähigkeiten bedarf, um einen Sachverhalt als “plausibel” zu beurteilen, während bei verwandten Begriffen wie etwa “logisch” je nach den meth…[Read more]

Featuring work by: Will Alexander, Alexis Almeida, Maria Attanasio, Gennady Aygi, Omar Berrada, Carla Billitteri, Tanella Boni, Amal Dunqul, Tongo Eisen-Martin, Norman Fischer, Peter France, Todd Fredson, María José Giménez, Yāqūt Al-Ḥamawī, Ouyang Jianghe, Hajiwara Kyojiro, John High, Roberta Iannamico, Lucas Klein, David Larsen, Brian Lucas,…[Read more]

Aboriginal Song Poems (compiled by Robert Wood) André Breton (translated by Mark Polizzotti) René Char (translated by Stuart Kendall) Sergio Chejfec (translated by Margaret Carson) James Clifford Joseph Donahue Gyrðir Elíasson (translated by Meg Matich) Clayton Eshleman (interviewed by Irakli Qolbaia) Nazim Hikmet (translated by Murat Nem…[Read more]

Featuring work by: Eugénio de Andrade, Anonymous, A. James Arnold, Rito Ramón Aroche, Dawn-Michelle Baude, Susan Bernofsky, Aloysius Bertrand, Paul Blackburn, Daniel Borzutzky, André Breton, Garrett Caples, Valerie Mejer Caso, RosalÍa de Castro, Paul Celan, Aimé Césaire, René Char, Beatritz de Dia, Kristin Dykstra, Paul Éluard, Clayton Eshlema…[Read more]

Work by: Etel Adnan – Demosthenes Agrafiotis – Will Alexander – Rachel Tzvia Back – Dan Bellm – Aleksandr Blok – Pura López Colomé – Colin Dayan – René Depestre – Rachel Blau DuPlessis – Marcella Durand – Sarah Tuss Efrik – Elke Erb – Peter France – Johannes Göransson – David Hadbawnik – Larry Kearney – Alexis Levitin – Brian Lucas – Michèle Méta…[Read more]

This book-length paper is a Brown University dissertation in American literature and literary theory. A theoretical analysis of the concept of authorial intention in narrative fiction, and of its structural and communicational implications, is followed by an in-depth examination of Stephen Crane’s novella ‘The Monster’ (1898) as a case study in…[Read more]

This paper derives from an M.A. dissertation on Stephen Crane (“Reading ‘The Monster’,” Brown University, 1989). It examines the critical reception of Stephen Crane’s story ‘The Monster,’ with a special focus on the issue of racial representation and on the way authorial intentions bearing on this issue are constructed by critics. The critical…[Read more]

This paper assesses nine prominent readings of the imperial context/content of Verdi’s ‘Aida’ and offers a new perspective more adequate to basic tensions in the work. Readings have ranged from the literal (imperial Europe here stages an archaeological “ancient Egypt”) to the metaphorical (“Egypt” here is any repressive government). Or–somew…[Read more]

Commentators often express disappointment that the music for the main characters in _Aida_ is not more distinctive, i.e., does not make much use of the exotic styles that mark the work’s ceremonial scenes and ballets. It has also been argued that exotic style-elements here are mostly confined to female, hence powerless, characters. Such…[Read more]

This is about the personal and political relationships between Nathaniel Hawthorne and Louisa May Alcott

This article examines the combination of 17th century and 19th progressivism in Hawthorne’s work.