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Mariusz Kozak deposited Kinesthesis, Affectivity, and Music’s Temporal (Re-/Dis-)Orientations on Humanities Commons 5 years, 2 months ago
In this talk, presented at the Plenary Session of the 2020 Annual Meeting of the Society for Music Theory, I examine the relationship between time, embodiment, and affectivity in music. I argue that music is temporal not because it unfolds in time, or because it takes time as its vector, or even because it has the capacity to alter our sense of…[Read more]
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Kendra Leonard deposited Cultural Diversity and the Musical Representation of California in Regional 1970s Television in the group
Society for Music Theory (SMT) on Humanities Commons 5 years, 2 months agoIn 1970, a television-show dance contest in a small California town ended abruptly when the studio was briefly plunged into darkness because of an apparent power failure. The media coverage of the event eventually helped uncover criminal activity at the studio; over the course of this reporting, the narrative was accompanied by select genres of…[Read more]
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Kendra Leonard deposited Cultural Diversity and the Musical Representation of California in Regional 1970s Television in the group
MS Screen Arts and Culture on MLA Commons 5 years, 2 months agoIn 1970, a television-show dance contest in a small California town ended abruptly when the studio was briefly plunged into darkness because of an apparent power failure. The media coverage of the event eventually helped uncover criminal activity at the studio; over the course of this reporting, the narrative was accompanied by select genres of…[Read more]
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Kendra Leonard deposited Cultural Diversity and the Musical Representation of California in Regional 1970s Television in the group
Film Studies on Humanities Commons 5 years, 2 months agoIn 1970, a television-show dance contest in a small California town ended abruptly when the studio was briefly plunged into darkness because of an apparent power failure. The media coverage of the event eventually helped uncover criminal activity at the studio; over the course of this reporting, the narrative was accompanied by select genres of…[Read more]
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Laura Emmery replied to the topic Please comment on revised by-laws in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 2 months agoThanks, Bob. Yes, we thought about this, too. I borrowed the quorum percentage from the Pop Music IG, which makes more sense for them since their membership is large (of course, nothing compares to our FB page membership 😀 )
We could definitely increase ours to 20%-25%, granted people vote and stay engaged with the IG issues.
Laura
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Kendra Leonard deposited Cultural Diversity and the Musical Representation of California in Regional 1970s Television on Humanities Commons 5 years, 2 months ago
In 1970, a television-show dance contest in a small California town ended abruptly when the studio was briefly plunged into darkness because of an apparent power failure. The media coverage of the event eventually helped uncover criminal activity at the studio; over the course of this reporting, the narrative was accompanied by select genres of…[Read more]
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Erika Supria Honisch's profile was updated on Humanities Commons 5 years, 3 months ago
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Laura Emmery started the topic AMS / SMT 2020 in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 3 months agoDear Colleagues,
Just a couple of quick reminders:(1) Our IG Meeting is this Saturday, Nov. 7, 11:00-11:50 CST. Please attend as we will have a business meeting with an exciting discussion (the agenda is posted here on our HC page and also on the SMT platform page). Among other things, we will be announcing the winner of the Post-1945 Music…[Read more]
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Megan Lavengood deposited Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 5 years, 4 months agoTraditional music theory curricula are increasingly scrutinized. Students regularly misunderstand the scope of epistemology and scope of theory, find theory intimidating and difficult, and fail to see its relevance to their career goals. In this essay, I outline a modular music theory curriculum, which works to address these negative perceptions…[Read more]
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Megan Lavengood deposited Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between in the group
Society for Music Theory (SMT) on Humanities Commons 5 years, 4 months agoTraditional music theory curricula are increasingly scrutinized. Students regularly misunderstand the scope of epistemology and scope of theory, find theory intimidating and difficult, and fail to see its relevance to their career goals. In this essay, I outline a modular music theory curriculum, which works to address these negative perceptions…[Read more]
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Megan Lavengood deposited Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between on Humanities Commons 5 years, 4 months ago
Traditional music theory curricula are increasingly scrutinized. Students regularly misunderstand the scope of epistemology and scope of theory, find theory intimidating and difficult, and fail to see its relevance to their career goals. In this essay, I outline a modular music theory curriculum, which works to address these negative perceptions…[Read more]
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