For the 16th birthday of the hereditary prince Carl August of Saxe-Weimar-Eisenach on 3 September 1773, his teacher Christoph Martin Wieland had the play “The Choice of Hercules”, a “dramatic cantata”, performed at the Weimar court theatre. Did Wieland thus connect to a tradition of the Hercules myth connected with the dynasty or the place…[Read more]

This essay traces the transformations of aristocratic representation using the example of the Russian Tsar’s daughter Maria Pavlovna (1786–1859), who was married to the Weimar court in 1804. Maria Pavlovna endeavoured to put her informal ruling techniques, charitable undertakings as well as her patronage and memorial ambitions in Weimar’s ‘…[Read more]

“The Rape of the Lock” by Alexander Pope published in 1712 is a mock-heroic narrative which satirically
glorifies trivial incident of cutting of locks of protagonist Belinda. This poem was written in the
Augustan Era (1660-1784) which is marked by the period of scientific reason and rationality, whose
effect can be seen on the writers of those…[Read more]

“The Rape of the Lock” by Alexander Pope published in 1712 is a mock-heroic narrative which satirically
glorifies trivial incident of cutting of locks of protagonist Belinda. This poem was written in the
Augustan Era (1660-1784) which is marked by the period of scientific reason and rationality, whose
effect can be seen on the writers of those…[Read more]

In the late 17th and early 18th centuries, when a new style of Persian poetry was developing in the Persianate world, several erudite literary critics appeared in India, whose meticulous critiques of Persian poetry was unprecedented in the long history of Persian literature. A close study of the works produced by these critics reveals their vast…[Read more]