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Pragya Ranjan deposited Cave of Spleen – a feminist perspective: Status of women in early 18th century England in the group
Literary theory on Humanities Commons 2 years, 8 months ago“The Rape of the Lock” by Alexander Pope published in 1712 is a mock-heroic narrative which satirically
glorifies trivial incident of cutting of locks of protagonist Belinda. This poem was written in the
Augustan Era (1660-1784) which is marked by the period of scientific reason and rationality, whose
effect can be seen on the writers of those…[Read more] -
Nasrin Askari deposited Licit Magic – GlobalLit Working Papers 17. Persian Literary Criticism in India: Khān-i Ārzū’s Critique of Ḥazīn’s Poetry in the group
Poetics and Poetry on Humanities Commons 2 years, 8 months agoIn the late 17th and early 18th centuries, when a new style of Persian poetry was developing in the Persianate world, several erudite literary critics appeared in India, whose meticulous critiques of Persian poetry was unprecedented in the long history of Persian literature. A close study of the works produced by these critics reveals their vast…[Read more]
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Nasrin Askari deposited Licit Magic – GlobalLit Working Papers 17. Persian Literary Criticism in India: Khān-i Ārzū’s Critique of Ḥazīn’s Poetry in the group
Literary theory on Humanities Commons 2 years, 8 months agoIn the late 17th and early 18th centuries, when a new style of Persian poetry was developing in the Persianate world, several erudite literary critics appeared in India, whose meticulous critiques of Persian poetry was unprecedented in the long history of Persian literature. A close study of the works produced by these critics reveals their vast…[Read more]
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Behnam M. Fomeshi deposited From Nima Yushij to Sohrab Sepehri in the group
Poetics and Poetry on Humanities Commons 2 years, 8 months agoIn the first half of the 20th century, Nima developed an early form of modern Persian poetry with unequal lengths of lines and a different notion of rhyme. Nima developed a poetic form that was not symmetrical in its shape and music and was (partially) free from restrictions of rhyme and meter. At the same time Nima was theorizing a modern…[Read more]
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