Unlike French stereo photographers, who flooded the market with Spanish views, the most important British publishers and photographers rarely made Spanish views. Quite possibly this was precisely because of the rapid market penetration of the French, such as Gaudin, Ferrier and others, and in spite of the leading British photographic houses, such…[Read more]

The first time that there is historical steadfastness of the presence of a photographer in a warlike conflict, as graphic correspondent is in the war of Crimea, in 1854-55. In the successive conflicts armed with importance that happen from this date, 1859 and 1860, with the reunification of Italy and other episodes in the British empire, the photo…[Read more]

This essay traces some of the contexts and media in which “Heracles-Hercules” – as a hero between virtue and hubris – was visible in European societies from the end of the middle ages onwards. It discusses whether this example of the reception, appropriation and transformation of classical myths in the early modern period can be understood as a…[Read more]

This essay traces some of the contexts and media in which “Heracles-Hercules” – as a hero between virtue and hubris – was visible in European societies from the end of the middle ages onwards. It discusses whether this example of the reception, appropriation and transformation of classical myths in the early modern period can be understood as a…[Read more]

For two years, from 1788 to 1790, Duchess Anna Amalia of Saxe-Weimar-Eisenach (1739-1807) exchanged her familiar surroundings with Rome and Naples. She undertook her furthest and most ambitious journey at the age of almost 49. For the only time the princely widow left Germany or the German territories of the Reich. During her stay, the Duchess…[Read more]

For two years, from 1788 to 1790, Duchess Anna Amalia of Saxe-Weimar-Eisenach (1739-1807) exchanged her familiar surroundings with Rome and Naples. She undertook her furthest and most ambitious journey at the age of almost 49. For the only time the princely widow left Germany or the German territories of the Reich. During her stay, the Duchess…[Read more]

The period of masonic internationalism in the last third of the 19th and first third of the 20th centuries saw the most visible – and controversial – attempts to organisationally model the “cosmopolitan imperative” of freemasonry. The various freemasonries in Europe saw themselves as links in a world-spanning “chain of brothers” forged by the…[Read more]

In two very influential papers from 2008, Tamar Gendler introduced the concept of “alief” to describe the mental state one is in when acting in ways contrary to their consciously professed beliefs. For example, if asked to eat what they know is fudge, but shaped into the form of dog feces, they will hesitate, and behave in a manner that would be…[Read more]

New evidence on scholarly patronage under the Roman empire can be garnered by analyzing the descriptions of learned magoi in several texts from the second to the fourth century CE. Since a common use of the term magos connoted flatterer-like figures (kolakes), it is likely that the figures of “learned sorcerers” found in texts such as Luc…[Read more]

In ‘Degeneration’ (1892), Max Nordau included Émile Zola in his theory that fin-de-siècle artists were a danger to society. According to Nordau, the ‘false science’ in Zola’s Naturalist novels would erode social progress in their alleged preoccupation with disease, sexual deviancy and amorality. This article proposes that degeneration is, how…[Read more]

La presencia de la sífilis en La Lozana andaluza, esencial para la comprensión de la obra y de predominante protagonismo en sus tramas, se suele explicar recurriendo no solo a la consciencia individual de su autor, Francisco Delicado1, como representante de otros muchos que al igual que él padecieron el mal francés en la Roma del Quinientos, sin…[Read more]

Haussmann’s re-building of Paris in the 1850s and ’60s had created an ordered city. However, the bourgeoisie used the new urban configurations as a weapon against the lower classes. This article describes the spaces of the underground and the overground: the underground is the metaphorical and literal rubbish heap for those in the lower parts of…[Read more]

Freedom of or from religion. Freemasonry as an international testing ground for fundamental societal issues (c. 1850–1930)
In masonic internationalism, key framework parameters of masonic activity were negotiated. They concerned the fundamental societal issue of how religious freedom (freedom to practise religion) and liberty of conscience (…[Read more]

Several documents from Egypt and Ḫatti (especially the Amarna letters and the Egyptian-Hittite correspondence) mention envoys and messengers in charge of diplomatic contacts between the two countries. Cuneiform and hieroglyphic transcriptions of Egyptian names at Ugarit hint at an actual presence (in Ugarit and Karkemish) of officials coming f…[Read more]

This dissertation develops a methodology for understanding tonality and tonal structures in Renaissance polyphony by exploring the ways that the modern-day analyst and listener experience tonal phenomena in this music through a historically-informed lens. Regarded as one of the most important composers of the late-sixteenth century, Tomás Luis de…[Read more]

The screen as an interface immerses audiences in an alternate universe. As a result, that interface seems transparent. Through analyses of performances that call attention to filmic genres, such as Edgar Wright’s parody film, Hot Fuzz (2007), and the Wooster Group’s multimedia production, Hamlet (2007), as well as (meta)theatrical operations on…[Read more]

El objetivo del presente trabajo investigativo es examinar el discurso teológico en la obra didáctica del prosista medieval y noble castellano Don Juan Manuel, en particular en la quinta parte de El Conde Lucanor, considerar el contexto cultural y sociopolítico en que se produjo, explorar sus pautas discursivas e indagar el texto desde la pe…[Read more]

Espigando el diverso y abigarrado contenido del primer artículo dedicado a la biografía de Mencía de Mendoza, es bastante curioso el hecho de que su humilde y opaco autor, que no se atrevió a firmar la pieza, otorgase veracidad a una supuesta conversación entre la dama y su marido. Según este relato, en una de las ocasiones en que el noble guerr…[Read more]

Espigando el diverso y abigarrado contenido del primer artículo dedicado a la biografía de Mencía de Mendoza, es bastante curioso el hecho de que su humilde y opaco autor, que no se atrevió a firmar la pieza, otorgase veracidad a una supuesta conversación entre la dama y su marido. Según este relato, en una de las ocasiones en que el noble guerr…[Read more]

In this paper, I argue that the traditional narrative of Iphigenia’s sacrifice lies allusively behind the opening scenes of the Iliad (1.8–487). Scholars have long suspected that this episode is evoked in Agamemnon’s scathing rebuke of Calchas (1.105–8), but I contend that this is only one moment in a far more sustained allusive dialogue: both th…[Read more]