An essay written for the catalog for the exhibition, “Benga: Kenyan Kaleidoscope” (Bureau Sepän). Originally written in English; French translation by Gabriella Seemann.

Abstract from the catalog:
Se référant à une performance musicale à laquelle il a assisté et impliquant l’un des musiciens les plus en vue du Kenya, Dan Aceda, dans cet ess…[Read more]

During the final decade of his productive life, Moshe Gammer (1950-2013) edited the first major English-language series on Daghestani philology. This chapter examines key aspects of Gammer’s legacy, while offering an overview of Daghestani philology from the colonial period to the present, and outlining how this field of inquiry enables us to r…[Read more]

Addressing Walt Whitman’s reception in Iran, the present essay focuses on the front cover of a book-length translation of Whitman into Persian to study how Whitman’s image is visually translated for an Iranian audience. Among literary discourses of contemporary Iran, the one that associates poetry with mysticism plays the most significant role in…[Read more]

In this paper we attempt the beginning of a critical study of Amir Khusrau’s contributions to Indian music. A very important book Hazrat Amīr Khusro kā ‘ilm-e-musīqī (The Music of Amir Khusrau), by Rashid Malik, exists in Urdu, which deals extensively with this subject. Unfortunately it is still unavailable in English. This paper draws heavily…[Read more]

In this article we propose to reignite a debate regarding the origin shawm (śahnāī or surnā) that had been started by Nazir Jairazbhoy in 1970 , and taken up by him again in 1980, in response to interesting suggestions by Deva and Dick.

The Arabic narrative sources record a host of tales related to the founding of Baghdad and to its founder, the caliph al-Manṣūr. In one account, reported in several versions by al-Ṭabarī and al-Ḫaṭīb al-Bagdādī, a Byzantine ambassador arrives at al-Manṣūr’s court and criticizes the caliph’s new capital. The present paper suggests that the tale m…[Read more]

Section 295-C of Pakistan’s penal code prohibits insulting the Prophet and carries a mandatory death penalty. This law was passed based on a claim of ijma‘ (consensus among Islamic scholars) that such an offense is subject to a hadd (divinely fixed) punishment. Nearly half of those charged under this statute crimes of hadd are Christians, who mak…[Read more]

The present edition was originally prepared for a paper given at the international conference “Bridging the Worlds of Judaism and Islam” held at Bar-Ilan University on January 3-4, 2006 (“ʿAlī ibn Ṭaybughā’s commentary on Maimonides’ Mishneh Torah, Sefer ha-Maddaʿ, Hilkhot Yesodei ha-Torah I-IV: a philosophical ‘encyclopaedia’ of the 14th century…[Read more]

Among the great diversity of source material and multiple historio- and biographical works covering the history of the early Qāsimī state , Yaḥyā b. al-Ḥusayn b. al-Qāsim’s (d. after 1100/1687) Bahǧat al-zaman fī tārīḫ al-Yaman occupies a position of paramount importance. For the political, economic, social, cultural and intellectual hi…[Read more]

Recently, international media outlets have celebrated São Paulo for its cosmopolitan musical output and its vibrant street art scenes. That discourse connected the city other generative periods in the histories of so-called “global cities,” such as New York of the 1970s. In those cities, the simultaneous developments of multiple creative scenes…[Read more]

The literary relation between Parvin E’tesami and Walt Whitman remains a largely unexplored field. This article analyzes the connection between “God’s Weaver” and “A Noiseless Patient Spider” to shed light on Parvin’s creative reception of Whitman. Creating a mixed-breed spider, combining characteristics from both
Whitman’s insect and the Persi…[Read more]

Singing while working and working while singing have appeared to be, throughout history, the same social activity without a clear or categorical distinction. In this paper we explore this field in the industrial shoemaking environment in Menorca (Balearic Islands), regarding it as a social process of adaptation and resistance against contemporary…[Read more]

In the National Theatre of Scotland’s The Strange Undoing of Prudencia Hart (2011), the eponymous heroine is a collector of ballads, who views her role as the loving preservation of traditional artworks. However, Prudencia’s perspective is challenged by her late-night encounter with the sinister Nick, whose own passion for collecting forces Pru…[Read more]

This article examines the panegyric across the literary traditions of West, South, and East Asia, concentrating on Arabo-Persian qaṣīda, the Sanskrit praśasti, and the Chinese fu. In radically different albeit analogous ways, each genre elaborated a political aesthetics of literary form. The West, South, and East Asian genres each cultivated a met…[Read more]

Building on the multivalent meanings of the Arabo- Persian tarjama (‘to interpret’, ‘to translate’, ‘to narrate’), this essay argues for the relevance of Qur’ānic inimitability (i’jāz) to contemporary translation theory. I examine how the translation of Arabic rhetorical theory (‘ilm al-balāgha) into Persian inaugurated new trends within the study…[Read more]

While the cosmopolitan turn in political and literary theory encourages us to move beyond national frameworks, the Caucasus remains mired in ethno-national categories from the Soviet past. This essay examines how these categories are being mobilized in the service of a nominally cosmopolitan agenda in the contemporary memorialization of the writer…[Read more]

This essay examines how translation theory can globalize contemporary literary comparison. Whereas Persian studies has historically been isolated from the latest developments within literary theory, world literature has similarly been isolated from the latest developments within the study of non-European literatures. The methodology of hard…[Read more]

This chapter emerges from the energies and aspirations of the years leading up to the Scottish Independence Referendum of September 2014, and explores three dramas created during this period: The Strange Undoing of Prudencia Hart (David Greig, 2011), The Bloody Great Border Ballad Project (Northern Stage, 2013) and Rantin (Kieran Hurley, 2013). It…[Read more]

Discusses 1) Kalām and the Syro-Arabic transmission of Galen’s medico-philosophical writings, in particular On the Usefulness of the Bodily Parts, and Nemesius of Emesa’s On the Nature of Man; 2) the reception of Abū Bakr al-Rāzī in 10th and 11th century Muʿtazilī thought; includes an edition and translation of two chapters of Abū Jaʿfar Muḥamma…[Read more]