Analizamos el contexto e ideología de la película de ciencia ficción ‘El Origen del Planeta de los Simios’ (2011), con especial atención sobre el juego intertextual de precuelas y secuelas, y sobre las inquietudes ideológicas manifiestas en lo relativo a las relaciones raciales y al evolucionismo.…[Read more]

A unique dispute over ownership rights to artwork in the case of the Auschwitz Memorial Museum vs. former camp prisoner Dinah Gottliebova Babbitt illuminates underlying moral questions about the Holocaust and post-Holocaust culture.

El presente texto constituye un referente de obligada consulta para lectores, académicos e investigadores que se desempeñen en el ámbito audiovisual en todas sus aristas: como producto artístico, como fuente de información, como objeto de investigación y como generador de cambio social. El lector podrá encontrar contenidos como la produc…[Read more]

War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Dora Apel examines a wide variety of images and cultural representations of war in the United States and the Middle East, including photography, performance art, video games, reenactment, and social media images.…[Read more]

This essay examines select visual representations of refugees and migrants as embodied subjects in photography, art, and video. It focuses on American asylum politics and explores the questions of free movement, the right to have rights, and the ethics and efficacy of border walls. I argue that the catastrophe of global forced displacement makes…[Read more]

Tarih boyunca kentler, kültür ve medeniyetlerin doğduğu, geliştiği ve yayıldığı yerler olmuştur. Kentler, tarihsel süreçte insanların çeşitli gereksinimlerinin ürünü olarak sürekli bir gelişme göstermiştir. Bu gelişme sürecinde hem insanlığın birikiminin gelecek kuşaklara taşıyıcısı, hem de taşıdığı uygarlık birikimi ile insanoğlunun geleceğini şe…[Read more]

This paper proposes a novel source for – or at least influence on – the iconography of the Moon trump in the Rider-Waite Tarot deck, which preserves the design from the Tarot de Marseille. In fact, the Moon template appears to date back to the earliest days of the Tarot. The proposed source or prototype is a Greco-Roman talismanic design aga…[Read more]

There is nothing like a firmly established typology of dreams – simply because the taxonomies on which existing typologies are based vary widely: They can be oneirocritical, thematic, or based on dreaming characters or their responses, on narratological functions, etc. The essays in this volume will discuss a broad range of dream types, with a s…[Read more]

English abstract: ‘Trolösa’ (‘Faithless’) is a film by Ingmar Bergman and Liv Ullmann which replicates their extramarital affairs and dramatizes personal identity drawn into the vortex of infidelity—a film which extracts from the experience of adultery all the possibilities of metaphysical anxiety, personal drama, and traumatic retrospection. (A…[Read more]

This is a book review of Stefanie Knauss, “Religion and Film: Representation, Experience, Meaning” (Brill, 2020).

The focus of this issue is on environmental aesthetics, with the aim of exploring the various aspects of aesthetic appreciation. Environmental Aesthetics: Socio-Territorial Conflicts throughout Media is part of a session that I organized at the IV International ISA Forum, Porto Alegre, held on February 23–27, 2021, for the Research Committee on S…[Read more]

Spanish Abstract: ´Peeping Tom´ (dir. Michael Powell, 1960), un clásico del cine de culto, nos sumerge en una intensa experiencia metafílmica. A base de acumulación mediática, repetición, inserción semiótico-perceptual, marcos dentro de marcos, y reflexividad casi hasta el infinito, saca la película un partido extraordinario a la semiótica…[Read more]

‘Folk horror’ has often been considered, following Mark Gatiss’ description of the genre, as centrally focused on a particular ‘obsession with the British landscape, its folklore, and superstitions’. While these elements are clearly significant, they become more problematic when opening up the genre to include texts from beyond Britain. Not only…[Read more]

In a groundbreaking endeavour to triangulate three important traditions of our collective cultural heritage, the Arkeologisk Museum of the University of Stavanger presents Eden and Everything After, a conceptual exhibition organised around notions of the loss of – and slim hope of reconnection with – the lost paradise. Mirroring the boldly exp…[Read more]

English abstract: ‘Verses of Love’, an Islamic film on the extended couple, features a melodramatic plot in which love triumphs after many difficulties, and the virtuous protagonists Fahri and Aisha are happy in their marriage, having shown the value of their Islamic faith amidst the trials of life—accepting these with sumbission, which is the s…[Read more]

Spanish abstract: La película ‘Contagio’ (dir. Steven Soderbergh, 2011) pertenece al género ‘catástrofe – multiprotagonista’, aquí potenciado por varias circunstancias. La catástrofe es mundial y creíble, una epidemia de una gripe mortífera, como la Peste Negra, o como la Peste Escarlata de Jack London. Y la catástrofe se difunde por las relacione…[Read more]

Spanish Abstract: Una película indonesia sobre la pareja heterosexual en el ambiente social indonesio, sobre el patriarcado atmosférico—y sobre el Islam (valga la redundancia). Poner tierra por medio, o mejor no casarse si aún estás a tiempo, es la recomendación de la directora para las mujeres. Ay, si fuera tan fácil… Pero en su context…[Read more]

Spanish abstract: ‘Ucho’ (La oreja), película de Karel Kachyňa (1970) es una prefiguración de ‘La vida de los Otros’ sobre la Cheka checa, pero con una estética peculiar—una película entre el realismo documental y lo grotesco, algo así como un cruce entre ‘1984’ y ‘Quién teme a Virginia Woolf ‘, combinando la sátira política con la cinematogr…[Read more]