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Shawna Ross deposited This is Just to Say I Have the in your : Modernist Memes in an Era of Public Apology in the group
LLC Victorian and Early-20th-Century English on MLA Commons 7 years, 8 months agoThe final two months of 2017 witnessed a renaissance of an always-popular meme on Metafilter, Twitter: parodies of William Carlos Williams’s 1934 poem, “This Is Just to Say.” Parodies typically replace nouns and adjectives in this twelve-line, three-stanza Imagist poem. A minimum of six replacements yields an entirely new poem, such that users…[Read more]
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Shawna Ross deposited This is Just to Say I Have the in your : Modernist Memes in an Era of Public Apology in the group
Digital Humanists on Humanities Commons 7 years, 8 months agoThe final two months of 2017 witnessed a renaissance of an always-popular meme on Metafilter, Twitter: parodies of William Carlos Williams’s 1934 poem, “This Is Just to Say.” Parodies typically replace nouns and adjectives in this twelve-line, three-stanza Imagist poem. A minimum of six replacements yields an entirely new poem, such that users…[Read more]
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Shawna Ross deposited This is Just to Say I Have the in your : Modernist Memes in an Era of Public Apology on MLA Commons 7 years, 8 months ago
The final two months of 2017 witnessed a renaissance of an always-popular meme on Metafilter, Twitter: parodies of William Carlos Williams’s 1934 poem, “This Is Just to Say.” Parodies typically replace nouns and adjectives in this twelve-line, three-stanza Imagist poem. A minimum of six replacements yields an entirely new poem, such that users…[Read more]
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Zane Koss deposited Coastal Flows: Situating Vancouver Poetry in the Americas in the group
LLC Mexican on MLA Commons 7 years, 9 months agoIn a 1972 poem about Vancouver Island, Mexican writer José Emilio Pacheco wonders, “Acaso fue el Aztlán de las mexicas / De allí partieron siete tribus.” Though Pacheco spent several years living in Vancouver during the late 1960s and early 1970s—and was published in a 1971 anthology of poetry “From Canada’s Unofficial Languages”—h…[Read more]
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Zane Koss deposited Coastal Flows: Situating Vancouver Poetry in the Americas in the group
LLC Canadian on MLA Commons 7 years, 9 months agoIn a 1972 poem about Vancouver Island, Mexican writer José Emilio Pacheco wonders, “Acaso fue el Aztlán de las mexicas / De allí partieron siete tribus.” Though Pacheco spent several years living in Vancouver during the late 1960s and early 1970s—and was published in a 1971 anthology of poetry “From Canada’s Unofficial Languages”—h…[Read more]
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Zane Koss deposited Coastal Flows: Situating Vancouver Poetry in the Americas in the group
LLC 20th- and 21st-Century Latin American on MLA Commons 7 years, 9 months agoIn a 1972 poem about Vancouver Island, Mexican writer José Emilio Pacheco wonders, “Acaso fue el Aztlán de las mexicas / De allí partieron siete tribus.” Though Pacheco spent several years living in Vancouver during the late 1960s and early 1970s—and was published in a 1971 anthology of poetry “From Canada’s Unofficial Languages”—h…[Read more]
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Zane Koss deposited Coastal Flows: Situating Vancouver Poetry in the Americas in the group
GS Poetry and Poetics on MLA Commons 7 years, 9 months agoIn a 1972 poem about Vancouver Island, Mexican writer José Emilio Pacheco wonders, “Acaso fue el Aztlán de las mexicas / De allí partieron siete tribus.” Though Pacheco spent several years living in Vancouver during the late 1960s and early 1970s—and was published in a 1971 anthology of poetry “From Canada’s Unofficial Languages”—h…[Read more]
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Zane Koss deposited Coastal Flows: Situating Vancouver Poetry in the Americas in the group
CLCS Hemispheric American on MLA Commons 7 years, 9 months agoIn a 1972 poem about Vancouver Island, Mexican writer José Emilio Pacheco wonders, “Acaso fue el Aztlán de las mexicas / De allí partieron siete tribus.” Though Pacheco spent several years living in Vancouver during the late 1960s and early 1970s—and was published in a 1971 anthology of poetry “From Canada’s Unofficial Languages”—h…[Read more]
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Zane Koss's profile was updated on Humanities Commons 7 years, 9 months ago
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Zane Koss deposited Coastal Flows: Situating Vancouver Poetry in the Americas on Humanities Commons 7 years, 9 months ago
In a 1972 poem about Vancouver Island, Mexican writer José Emilio Pacheco wonders, “Acaso fue el Aztlán de las mexicas / De allí partieron siete tribus.” Though Pacheco spent several years living in Vancouver during the late 1960s and early 1970s—and was published in a 1971 anthology of poetry “From Canada’s Unofficial Languages”—h…[Read more]
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Yan (Amy) Tang's profile was updated on Humanities Commons 7 years, 9 months ago
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James Gifford's profile was updated on MLA Commons 7 years, 11 months ago
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Zane Koss deposited ‘While the triangle-roofed Farmer’s Grain Elevator / sat quietly by the side of the road’: Site and Simultaneity in Allen Ginsberg’s ‘Wichita Vortex Sutra’ in the group
LLC 20th- and 21st-Century American on Humanities Commons 7 years, 11 months agoRecent scholarship has focused on the flowering of poetry that engaged with geographic and spatial logics in the United States in the years following the Second World War, notably in Lytle Shaw’s 2013 study Fieldworks: From Place to Site in Postwar Poetics. Alongside such works as William Carlos Williams’s Paterson and Charles Olson’s Maxim…[Read more]
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Zane Koss deposited ‘While the triangle-roofed Farmer’s Grain Elevator / sat quietly by the side of the road’: Site and Simultaneity in Allen Ginsberg’s ‘Wichita Vortex Sutra’ in the group
GS Poetry and Poetics on MLA Commons 7 years, 11 months agoRecent scholarship has focused on the flowering of poetry that engaged with geographic and spatial logics in the United States in the years following the Second World War, notably in Lytle Shaw’s 2013 study Fieldworks: From Place to Site in Postwar Poetics. Alongside such works as William Carlos Williams’s Paterson and Charles Olson’s Maxim…[Read more]
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Zane Koss deposited ‘While the triangle-roofed Farmer’s Grain Elevator / sat quietly by the side of the road’: Site and Simultaneity in Allen Ginsberg’s ‘Wichita Vortex Sutra’ in the group
CLCS 20th- and 21st-Century on MLA Commons 7 years, 11 months agoRecent scholarship has focused on the flowering of poetry that engaged with geographic and spatial logics in the United States in the years following the Second World War, notably in Lytle Shaw’s 2013 study Fieldworks: From Place to Site in Postwar Poetics. Alongside such works as William Carlos Williams’s Paterson and Charles Olson’s Maxim…[Read more]
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Zane Koss deposited ‘While the triangle-roofed Farmer’s Grain Elevator / sat quietly by the side of the road’: Site and Simultaneity in Allen Ginsberg’s ‘Wichita Vortex Sutra’ on Humanities Commons 7 years, 11 months ago
Recent scholarship has focused on the flowering of poetry that engaged with geographic and spatial logics in the United States in the years following the Second World War, notably in Lytle Shaw’s 2013 study Fieldworks: From Place to Site in Postwar Poetics. Alongside such works as William Carlos Williams’s Paterson and Charles Olson’s Maxim…[Read more]
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Zane Koss's profile was updated on Humanities Commons 7 years, 11 months ago
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Melissa Terras deposited ‘Making such bargain’: Transcribe Bentham and the quality and cost-effectiveness of crowdsourced transcription on Humanities Commons 8 years ago
In recent years, important research on crowdsourcing in the cultural heritage sector has been published, dealing with topics such as the quantity of contributions made by volunteers, the motivations of those who participate in such projects, the design and establishment of crowdsourcing initiatives, and their public engagement value. This article…[Read more]
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Roger Gillis's profile was updated on Humanities Commons 8 years ago
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