This interview with Dr. Mary Ann Saunders, conducted by Alexa Alice Joubin, offers a new interpretation of Julie Taymor’s 2010 film The Tempest. Bringing her life experience to bear on cisgender biases in non-trans artists’ works, Saunders proposes a new interpretation of Ariel, as performed by Ben Whishaw, as a trans woman who is “both beautiful…[Read more]

This interview with Terri Power, conducted by Alexa Alice Joubin, focuses on the representations of trans masculinity in Power’s play Drag King Richard III. For nearly two decades Power has been at the forefront of trans and queer representation in performances of Shakespeare. Weaving a personal story of the 1990s with Shakespeare’s early modern d…[Read more]

This interview with King Sammy Silver, conducted by Alexa Alice Joubin and Terri Power, explores drag as a stage practice. A London-based actor and YouTube personality, he represents a new generation of trans artists. He has worked with Power on multiple Shakespeare productions at Bath Spa University in the UK and elsewhere, and has been…[Read more]

This interview with non-binary actor Jess Chanliau, conducted by Alexa Alice Joubin, explores genderplay onstage. A bilingual actor, Chanliau has played Viola, “an intrinsically trans character” in Twelfth Night and a queer Mercutio in Romeo and Juliet. They spoke candidly on their experience of either being toke-nized or being cast frequently as…[Read more]

Cross-gender roles and performances permeate many of Shakespeare’s plays. This special issue on contemporary transgender performance of Shakespeare was published by the open-access journal dedicated to Shakespeare and appropriation, Borrowers and Lenders, and edited by Alexa Alice Joubin. It contains research articles and interviews of actors. S…[Read more]

En 1978, Monique Wittig afirmó que las lesbianas no son mujeres y, en este ensayo, las autoras plantean que las gordas tampoco lo son. El activismo gordo se apartó de ciertos movimientos del feminismo de la segunda ola al proponer la emancipación de «la gordura» —en general concebida como transtorno— de significados cómplices del orden social. L…[Read more]

This article examines Mary Magdalene’s biblical identity and poetic representation in selected sixteenth- and seventeenth-century Spanish texts. An alternative reading or “re-visioning” (Adrienne Rich’s term) of the narratives that tell her story reclaims her figure from masculinist characterizations of Mary Magdalene that have made an enduring…[Read more]

Despite a lack of a traditional cinema culture, the United Arab Emirates (UAE), has recently witnessed an increase in film production. This rise can be attributed to a number of factors, not least of which, is the opening of movie theaters, the establishment of international film festivals and the arrival of film companies. These ventures have…[Read more]

Article about the composer Pauline Viardot

This book explores how young Cuban filmmakers have expanded the range of sexual subjectivities on screen. It analyzes cine joven (films made by young directors) from the late 1980s to the early 2020s, film reviews, articles, and materials from the Cinematheque of Cuba’s archive to illustrate the confluence of sexuality, cinema, and discourses of…[Read more]

This chapter argues that cultural appropriation can be an exploitative act but need not be; it all depends on what users do with Shakespeare. Due to the unequal status of the parties engaged in appropriative exchange, some appropriations deploy Shakespeare to protect conventional power structures. Appropriations are rarely negotiated on a level…[Read more]

Collaborative learning as a pedagogical method effectively reflects the communal character of the performing arts. By creating knowledge about Shakespearean performance collaboratively, students and educators lay claim to the ethics and ownership of that knowledge, an act that is particularly urgent and meaningful in the age of COVID-19 when we…[Read more]

This article examines two important texts of Teresa de Jesús, El Libro de la vida and Las moradas del castillo interior, to take a new look at an old debate about whether Santa Teresa’s written expression is “spontaneous” or whether it is in fact more literary. Dr. Davis arrives at the conclusion that the writer’s works are both more indebted to…[Read more]

Literary translations work with, rather than out of, the space between languages. Translations evolve not only across linguistic and cultural borders but also across time. It is notable that Shakespeare’s own play texts feature translational properties that can be amplified in translation. This translingual property makes Shakespeare’s text inh…[Read more]

महिषासुर आंदोलन के इस कदर अचानक फैल जाने का एक बड़ा कारण था कि बहुजन समाज में इन परंपराओं की जड़ें बहुत गहरी रही हैं और इनका प्रसार उसके अवचेतन तक रहा है। इन समुदायों से आने वाले फुले, आंबेडकर, पेरियार समेत सभी चिंतकों ने असुर-संस्कृति की न सिर्फ विस्तृत गवेषणा की है, बल्कि अगर आप ध्यान से देखें तो पाएंगे कि यही उनकी वैचारिकी का प्रस्थान…[Read more]

The pandemic has been the most vivid agent of change that many of us have known. But it has not changed everything: plenty of the institutions, norms, and practices that sustain racial capitalism, settler colonialism, and cisheteropatriarchy have either weathered the storm of the crisis or been nourished by its effects. And yet enough has changed…[Read more]

यह कविता पुस्तिका पटना से प्रकाशित मासिक पत्रिका ‘जन विकल्प’ के प्रवेशांक (जनवरी, 2007) के साथ नि:शुल्क वितरित की गई थी।
जन विकल्प का प्रकाशन पटना से जनवरी, 2007 से दिसंबर, 2007 तक हुआ।पत्रिका के संपादक प्रेमकुमार और प्रमोद रंजन थे।

उपरोक्त इस कविता-पुस्तिका की भूमिका रति सक्सेना लिखी है, जो निम्नांकित है : “पेरिया परसिया, सेता…[Read more]

This is a prologue to the Spanish translation of Joanna Zylinska’s The End of Man. A Feminist Counter-Apocalypse (2019).

जाति और पितृसत्ता ई. वी. रामासामी नायकर के चिंतन, लेखन और संघर्षों की केंद्रीय धुरी रही है। उनकी दृढ़ मान्यता थी कि इन दोनों के विनाश के बिना किसी आधुनिक समाज का निर्माण नहीं किया जा सकता है।
जाति और पितृसत्ता के संबंध में पेरियार क्या सोचते थे और क्यों वे इसके विनाश को आधुनिक भारत के निर्माण के लिए अपरिहार्य एवं अनिवार्य मानते थे? इन प्रश्नों…[Read more]

The metatheatricality of A Midsummer Night’s Dream has invited recent directors to tell particular kinds of socially progressive stories. This article uses the notion of “social reparation” to theorize remedial uses of Shakespeare in adaptations that give artists and audiences more moral agency. By imagining more inclusive local habitations and s…[Read more]