The Disney Channel hit show, Hannah Montana, constructs contemporary US girlhood and notions of femininity in relation to celebrity, such that its primary girl characters, Hannah Montana, Miley Stewart, and Lilly Truscott, as well as star Miley Cyrus, are positioned as particularly postfeminist subjects. In such a context, each of these girls can…[Read more]

This essay examines some of the curricular and pedagogical practices in place in English departments during the early years of the “Seven Sisters” — the women’s colleges of the late nineteenth century — to address contemporary issues in English studies. The experimental nature of the woman’s college allowed for pedagogical innovation, so that…[Read more]

Fantastic tales of rebellious robots and animated artifacts are a permanent fixture in popular culture. What kind of behavior do we expect from such conceptual hybrids in science fiction, nonsense poetry, and surrealist art?

While many have seen the equation between Macrina and Socrates drawn in the Treatise on the Soul and the Resurrection as Gregory of Nyssa’s attempt to honor his sister, a closer look at Gregory’s attitude about the relative power of Christianity at the end of the fourth century suggests the opposite: that the character of Macrina lends val…[Read more]

Three novels by Jane Austen are compared to three novels by Margaret Atwood in the context of reading and writing as feminist activities. Anna G. Jónasdóttir’s theoretical discussion of male authority supported by women’s alienated love elaborates the apparent truth of W.B. Yeats’ observation [borrowed from Mme de Stael] that “the desire of the w…[Read more]

This article explores the use of gender in the Religious History, demonstrating the multiple ways that Theodoret of Cyrrhus marked ostensibly male characters with traits associated in ancient medical literature with female bodies. Beyond simply depicting ascetics as extraordinary human beings, these complexly gendered portraits more importantly…[Read more]

Canadian feminists at the turn of the 20th century were interested in producing a collectivity that buttressed arguments for women’s social and political participation. In this process, the negotiation of class relations among women was of particular importance in giving this feminism political weight. Often Canadian writers who took a feminist…[Read more]

This essay focuses on the woman’s page in the Grain Growers’ Guide, edited between 1912 and 1917 by Francis Marion Beynon. I approach this material with questions that have become prominent in rhetorical studies of women’s writing. How were women called forth to speak, and what were their motivations to participate in public debate? How did woman…[Read more]

From 1909 onward, the Canadian suffrage debate was heavily influenced by reports on suffrage militancy from Great Britain and the United States. Militancy played an influential role in Canadian suffrage history not through its practice–there was no Canadian militant campaign–but through an ongoing discussion of its meaning. Using Anne Fre…[Read more]

This article offers a way of using the theory of audience design—how speakers position different audience groups as main addressees, overhearers, or bystanders—for written discourse. It focuses on main addressees, that is, those audience members who are expected to participate in and respond to a speaker’s utterances. The text samples are artic…[Read more]

In the past, Palestinian cinema was dominated by a nationalist discourse revolving around refugee ideology, resulting from the trauma of the lost homeland. As the past is generally static, revisiting it became an exercise in nostalgia. The last decade, however, has seen the emergence of a number of transnational Palestinian films telling stories…[Read more]

Fantastic tales of rebellious robots and animated artifacts are a permanent fixture in popular culture and have been since antiquity. What kind of behavior do we expect from conceptual hybrids in science fiction, nonsense poetry, and surrealist art?

Syllabus for FMS 321 (Interactive Digital Narratives) at Davidson College, Fall 2016.

In this short piece I look at media creations of the contemporary political landscape by way of popular history as accessed through films. I suggest that one of the ways figures like Donald Trump or Narendra Modi access a certain violent masculinity is through a shared understanding of this repertoire of images.

Anxieties abound regarding the ostensible obsolescence of the book. Exploring whether the book is in fact becoming obsolete — and what it might mean if it were — requires thinking distinctly about the specific material form of the book (the codex) and about the content that it has long carried. If the form were to change — becoming digital, for i…[Read more]