In today’s DH environment, where big data and linked data are increasingly the focus of scholars looking for ways to extend their research questions through more expansive and complementary datasets, what is the role of the individual research project? Is its value now truly in integration and association and aggregation with other d…[Read more]

This essay describes and illustrates the activities associated with the University of California at Berkeley’s Shakespeare Program, over the last forty years, covering teaching innovations, numerous research publications, multiple productions and videos of Shakespeare’s plays, and creation of websites, Shakespeare’s Staging and Milton Revealed.

This essay describes and illustrates the activities associated with the University of California at Berkeley’s Shakespeare Program, over the last forty years, covering teaching innovations, numerous research publications, multiple productions and videos of Shakespeare’s plays, and creation of websites, Shakespeare’s Staging and Milton Revealed.

John Milton is a hero to Millennials: C. S. Lewis based Perelandra on Paradise Lost; Philip Pullman’s His Dark Materials Trilogy mirrors the epic; Mark Morris’s best ballet is “L’Allegro and Il Penseroso”; digital artist Terrance Lindall created virtual images of Paradise Lost for the Oxford U. Press; Comus is the originator and lead Krewe for…[Read more]

A reflection on the state of the archive in the state of post-theory.

This essay discusses an illustration of the opening scene of an indoor Renaissance performance, from an edition of Terrence dated 1580. This is the Prologue of the comedy “Heauton Timorumenos” (“The Self-Tormentor”) by Terence (195-159 B.C.) with an actor as the Prologue in a day-lit theatre. This setting marks the beginning of a shift away from…[Read more]

This article is a review of the Haan-Lewalski OUP edition of Milton’s shorter. The book, I argue, is inexcusably difficult to use, and suggests that perhaps the time has come to replace long, very expensive tomes with digital editions.

This essay was one of the first to challenge the over-stress on close reading as the key to literary appreciation, by advocating a greater stress on literature’s broader context and its achievement in social, political, and religious terms.

This comparative study in the evolution of subjectivity in European literature during the Renaissance ascribes it to the impact of the Reformation on the public representation of authorial identity, differing from Stephen Greenblatt’s later application of Foucault to six Tudor authors.

Kafka’s Romanticism/Platonism is hidden underneath the covers. In this article I show how better translations can help the reader take the covers off the bed. Whether it be K.’s meeting with Buergel in the Castle or with the Josef K.’s meeting with the Priest in The Trial,
essentially the message resonates. A preview of ESSENTIAL KAFKA.

Commedia dell’Arte was the most influential and widespread theatre movement in sixteenth and early seventeenth-century Europe. A considerable part of its popularity can be accounted for by its comic representation of stressful occurrences within everyday life in early modern Europe, including in its representation of the period’s widespread dis…[Read more]

Like other forms of treachery, translation can be either concealed or exposed. Though most literary translators work in the dark and some embrace invisibility as an ideal, all translations can be situated along the continuum of illusionist-anti-illusionist or domesticating-foreignizing. A variety of paratexts lay bare the devices of translation.…[Read more]