Chapter in Post-Dance, Edited by Danjel Andersson, Mette Edvarsdsen and Mårten Spångberg. MDT, 2017.
ISBN 978-91-983891-0-4. Based on materials from the workshop ‘Nor Culture Nor Art’, with Mårten Spångberg and Vanessa Ohlraum, at Learning Plays. A School of School, Impulse Theatre Festival in collaboration with Ringlokschuppen Ruhr. Mülheim…[Read more]

Chapter in Post-Dance, Edited by Danjel Andersson, Mette Edvarsdsen and Mårten Spångberg. MDT, 2017.
ISBN 978-91-983891-0-4. Based on materials from the workshop ‘Nor Culture Nor Art’, with Mårten Spångberg and Vanessa Ohlraum, at Learning Plays. A School of School, Impulse Theatre Festival in collaboration with Ringlokschuppen Ruhr. Mülheim…[Read more]

Chapter in Post-Dance, Edited by Danjel Andersson, Mette Edvarsdsen and Mårten Spångberg. MDT, 2017.
ISBN 978-91-983891-0-4. Based on materials from the workshop ‘Nor Culture Nor Art’, with Mårten Spångberg and Vanessa Ohlraum, at Learning Plays. A School of School, Impulse Theatre Festival in collaboration with Ringlokschuppen Ruhr. Mülheim…[Read more]

Chapter in Post-Dance, Edited by Danjel Andersson, Mette Edvarsdsen and Mårten Spångberg. MDT, 2017.
ISBN 978-91-983891-0-4. Based on materials from the workshop ‘Nor Culture Nor Art’, with Mårten Spångberg and Vanessa Ohlraum, at Learning Plays. A School of School, Impulse Theatre Festival in collaboration with Ringlokschuppen Ruhr. Mülheim…[Read more]

Although there were many handwritten, often informal catalogues of Sir Robert Cotton’s manuscripts and books during his lifetime and in the years afterwards, the desire for an official printed catalogue which could be circulated in the public realm did not really bear fruit until the late 1600s. And when two versions finally did appear — the…[Read more]

Although there were many handwritten, often informal catalogues of Sir Robert Cotton’s manuscripts and books during his lifetime and in the years afterwards, the desire for an official printed catalogue which could be circulated in the public realm did not really bear fruit until the late 1600s. And when two versions finally did appear — the…[Read more]

Although there were many handwritten, often informal catalogues of Sir Robert Cotton’s manuscripts and books during his lifetime and in the years afterwards, the desire for an official printed catalogue which could be circulated in the public realm did not really bear fruit until the late 1600s. And when two versions finally did appear — the…[Read more]

This essay explores the various state(s) and future(s) of academic publishing, and also makes an argument for the radical hope of a vibrantly futurist University-Library, and the formation of new cultural-intellectual-artistic publics, that would come into being in new para-institutional spaces.

This essay explores the various state(s) and future(s) of academic publishing, and also makes an argument for the radical hope of a vibrantly futurist University-Library, and the formation of new cultural-intellectual-artistic publics, that would come into being in new para-institutional spaces.

This short essay is part of a Forum centered upon responses to Simon During’s essay, “Precariousness, Literature and the Humanities Today,” Australian Humanities Review 58 (May 2015), and argues (following Nicholas Bourriaud’s figure of the radicant) for the becoming-itinerant of humanistic practice, as well as for reinventing the Academy as a wan…[Read more]

This short essay is part of a Forum centered upon responses to Simon During’s essay, “Precariousness, Literature and the Humanities Today,” Australian Humanities Review 58 (May 2015), and argues (following Nicholas Bourriaud’s figure of the radicant) for the becoming-itinerant of humanistic practice, as well as for reinventing the Academy as a wan…[Read more]

This short essay is part of a Forum centered upon responses to Simon During’s essay, “Precariousness, Literature and the Humanities Today,” Australian Humanities Review 58 (May 2015), and argues (following Nicholas Bourriaud’s figure of the radicant) for the becoming-itinerant of humanistic practice, as well as for reinventing the Academy as a wan…[Read more]

This essay comprises four parts, each by one of the co-bloggers at In the Middle (http://www.inthemedievalmiddle.com). Karl Steel argues that the benefits of academic blogging outweigh its potential humiliations, and that academic conferences should post their papers publicly and allow for comments so that conferences, in a sense, never end.…[Read more]

This essay comprises four parts, each by one of the co-bloggers at In the Middle (http://www.inthemedievalmiddle.com). Karl Steel argues that the benefits of academic blogging outweigh its potential humiliations, and that academic conferences should post their papers publicly and allow for comments so that conferences, in a sense, never end.…[Read more]

This essay comprises four parts, each by one of the co-bloggers at In the Middle (http://www.inthemedievalmiddle.com). Karl Steel argues that the benefits of academic blogging outweigh its potential humiliations, and that academic conferences should post their papers publicly and allow for comments so that conferences, in a sense, never end.…[Read more]