This review examines Anne Middleton Wagner’s
Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O’Keeffe.

“This invited short piece was written in response to one of the two questions posed by the editors. I selected the following:
How do public traumas like 9/11, the wars in Iraq and Afghanistan, the rise in income inequality in the U.S., and the current recession affect, or frame, the production of your art works and art criticism? What is the role…[Read more]

This collaboratively written article explores the pedagogical role of MOOCs today through analysis of a MOOC on contemporary art and feminism, created by Katy Deepwell, editor of the international feminist art journal n.paradoxa. Parme Giuntini offers an updated overview of MOOCs and their increasing value as OERs for faculty and students.…[Read more]

This essay is a discussion of artist Sarah Maple.

This article is an overview of Joan Jonas’s exhibition “They Come to Us without a Word,” curated and organized by Paul Ha, director of the Massachusetts Institute of Technology (MIT) List Visual Arts Center, and Ute Meta Bauer, founding director of the NTU Centre for Contemporary Art Singapore, Nanyang Technological University, and previously an…[Read more]

This article considers several women artists who have used archives or archiving techniques to examine sexual identity or political content or personal and collective memories in their art. These artists include Elise Engler, Zoe Leonard, Renee Green, and Sharon Hayes.

Ph.D. dissertation abstract

This article examined the development of The Feminist Art Project from 2005 to 2007.

This article appeared in a special volume on “Feminist Forum.”

This article examines selected sculptures and drawings by American artist Nancy Grossman.

This article is a discussion of commodification of 9/11 and abstraction in memorializing it in New York City.

This article examines German-American artist Eva Hesse’s sculpture “Accession II.”

Live video streaming as a technique became political with the Arab Spring and the Occupy movement. To see images in real time and without the mediation by journalists affected many people not because they shared the same space with the various protesters but the same time. In the last years, artists have started to adopt streaming as a technical…[Read more]