Stories from the Hebrew Bible were popular among the Iberian Peninsula’s Jews, Christians, and Muslims. Beginning in the 14th century, Muslims and Moriscos retold these stories in Aljamiado texts in Spanish or Aragonese written in Arabic characters. These fictionalized retellings drew on vernacular language and literary forms common to C…[Read more]

Stories from the Hebrew Bible were popular among the Iberian Peninsula’s Jews, Christians, and Muslims. Beginning in the 14th century, Muslims and Moriscos retold these stories in Aljamiado texts in Spanish or Aragonese written in Arabic characters. These fictionalized retellings drew on vernacular language and literary forms common to C…[Read more]

Exhibition Catalog for “learning to see nothing: new and recent work on paper and canvas,” by Steven Schroeder. Eleanor Hayes Art Gallery, Kinzer Performing Arts Center, Northern Oklahoma College, Tonkawa, Oklahoma, 4 September – 18 October 2018.

The forty poems in this collection have percolated through more than forty years of meditation on “city” that began when I was an undergraduate studying with Richard Luecke at Valparaiso University. The title, In the Path of Totality, references a phrase made familiar by media coverage leading up to the total solar eclipse that was visible acr…[Read more]

China is the occasion, not the subject or the object, of the forty-seven poems collected in Steven Schroeder’s Fallen Prose – lyrical glimpses of the “new” city in Southern light. Most of the poems in the collection are set in Shenzhen, a few in Zhuhai, Macao, Guangzhou, and Hong Kong – and one or two a bit further west, in Kunming. All attend…[Read more]

There is an all at once quality to lyric poetry that makes it akin to mysticism. It knows there is more to vision than meets the eye. It takes the whole world in while knowing the whole of it is always known imperfectly, always here, always now. The here and now of the seventy-one poems in Steven Schroeder’s new collection is most often Chicago,…[Read more]

In the spirit of the old Shaker hymn, the poems in Steven Schroeder’s new collection turn and turn – from a question Laozi raises to Woody Guthrie’s holy ground, from Chicago to Texas to Shenzhen to Macao, in conversation with poets and philosophers from Euclid and Thoreau to Emily Dickinson, John Donne, Gertrude Stein, Buddy Holly, Lyle Lovet…[Read more]

Shakespeare’s Henry V (1600) concludes with a treaty between England and France, enabled through the marriage of King Henry and Princess Katherine, the compromises of France and Burgundy, Queen Isabella’s advocacy and even Henry’s own willingness to let his delegates speak on his behalf. Although the final scene dramatizes the historical treat…[Read more]

Series of Powerpoint slides. Background on the limited time of faculty at “the 99%” of institutions (Francisco and O’Dair) to conduct research and thus the importance of not wasting that labor by choosing inappropriate venues. Overview of types of journal, and suggestions for using reflection prompts, the MLA directory of Periodicals, and a…[Read more]

The Association of Language Companies (ALC) has been working to increase connections, relationships, and shared learning between the professional and academic sides of the language services supply chain. From these efforts, the ALC
Bridge was born. The American Translators Association is a member of this initiative.

The metatheatricality of A Midsummer Night’s Dream has invited recent directors to tell particular kinds of socially progressive stories. This article uses the notion of “social reparation” to theorize remedial uses of Shakespeare in adaptations that give artists and audiences more moral agency. By imagining more inclusive local habitations and s…[Read more]

This talk introduces the concept of “prosthetic narration,” a narrative technique that mediates the engagement of disabled cognition such that the reader is invited to reimagine how one thinks and perceives. In his essay, “The Novel,” Émile Zola establishes the “intimate union” between the author and “the reality of the scene” as a premise of fic…[Read more]