-
Natascha Drubek deposited Exegi Monumentum Revolutionis – On Eisenstein’s “October” (1927) on Humanities Commons 5 years, 7 months ago
This essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]
-
Adelheid Heftberger deposited Den Prozess vom Ende her denken – Digitalisierung von Film zur Sicherung und Zugänglichmachung on Humanities Commons 5 years, 8 months ago
The digitisation of analogue film and the archiving
of the digitised material is a complex task and requires
not only technical decisions but also a discussion on how
to make the resulting digitised material accessible. This
contribution will start by outlining the concept of preservation
for film and then present the current state of…[Read more] -
Adelheid Heftberger's profile was updated on Humanities Commons 5 years, 8 months ago
-
Adelheid Heftberger's profile was updated on Humanities Commons 5 years, 11 months ago
-
Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities in the group
Soviet and Russian history and culture on Humanities Commons 6 years, 2 months agoThis book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
-
Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities in the group
Film Studies on Humanities Commons 6 years, 2 months agoThis book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
-
Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities in the group
Digital Humanists on Humanities Commons 6 years, 2 months agoThis book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
-
Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities on Humanities Commons 6 years, 2 months ago
This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
-
Irina Schulzki deposited Жестовость в романе Михаила Шишкина / Gesture in Mikhail Shishkin’s Novel “Taking Izmail” in the group
Literary theory on Humanities Commons 6 years, 3 months agoThe article focuses on aspects of gesture in Mikhail Shishkin’s novel “Taking Izmail” (“Vziatie Izmaila”, 1999). The concept of gesture is frequently evoked in search of an alternative to speaking and rational meaning, since gesture, as a figure of muteness by itself, signals the nonsensical in the text and its production problematising the very p…[Read more]
-
Irina Schulzki deposited Жестовость в романе Михаила Шишкина / Gesture in Mikhail Shishkin’s Novel “Taking Izmail” in the group
Autofiction on Humanities Commons 6 years, 3 months agoThe article focuses on aspects of gesture in Mikhail Shishkin’s novel “Taking Izmail” (“Vziatie Izmaila”, 1999). The concept of gesture is frequently evoked in search of an alternative to speaking and rational meaning, since gesture, as a figure of muteness by itself, signals the nonsensical in the text and its production problematising the very p…[Read more]
-
Irina Schulzki deposited Жестовость в романе Михаила Шишкина “Взятие Измаила” (Gesture in Mikhail Shishkin’s Novel “Taking Izmail”) on Humanities Commons 6 years, 3 months ago
The article focuses on aspects of gesture in Mikhail Shishkin’s novel “Taking Izmail”. The concept of gesture is frequently evoked in search of an alternative to speaking and rational meaning, since gesture, as a figure of muteness by itself, signals the nonsensical in the text and its production problematising the very possibility of verbal e…[Read more]
-
Irina Schulzki deposited ‘The Underlying Gesture’. Towards the Notion of Gesture in Jean d’Udine and Sergei Eisenstein in the group
Film Studies on Humanities Commons 6 years, 6 months ago“‘The Underlying Gesture’. Towards the Notion of Gesture in Jean d’Udine and Sergei Eisenstein”. In: Rossella Catanese, Francesca Scotto Lavina, Valentina Valente (eds.), From Sensation to Synaesthesia in Film and New Media. Cambridge Scholars Publishing 2019, 102-115.
-
Irina Schulzki deposited ‘The Underlying Gesture’. Towards the Notion of Gesture in Jean d’Udine and Sergei Eisenstein on Humanities Commons 6 years, 7 months ago
“‘The Underlying Gesture’. Towards the Notion of Gesture in Jean d’Udine and Sergei Eisenstein”. In: Rossella Catanese, Francesca Scotto Lavina, Valentina Valente (eds.), From Sensation to Synaesthesia in Film and New Media. Cambridge Scholars Publishing 2019, 102-115.
-
Adelheid Heftberger deposited Linked Open Data for Filmarchives – Organised by the LOD-Task Force of the FIAF Cataloging and Documentation Commission (CDC) in the group
Film Studies on Humanities Commons 6 years, 9 months agoIt is of interest to discuss options, necessary actions and, most importantly, the most useful infrastructure for film archives (e.g. an ontology for audiovisual media which is adapted to the requirements of film heritage institutions), it seems advisable to discuss options in a workshop dedicated to this topic. The workshop brought together…[Read more]
-
Adelheid Heftberger deposited Linked Open Data for Filmarchives – Organised by the LOD-Task Force of the FIAF Cataloging and Documentation Commission (CDC) on Humanities Commons 6 years, 9 months ago
It is of interest to discuss options, necessary actions and, most importantly, the most useful infrastructure for film archives (e.g. an ontology for audiovisual media which is adapted to the requirements of film heritage institutions), it seems advisable to discuss options in a workshop dedicated to this topic. The workshop brought together…[Read more]
-
Adelheid Heftberger's profile was updated on Humanities Commons 6 years, 10 months ago
-
Adelheid Heftberger deposited Šestaja čast’ kadra”. Vosstanovlenie vertovskogo “Čelovek s kinoapparatom” / “The Sixth of the Frame”. Vertov’s “Man with a Movie Camera” restored. in the group
Soviet and Russian history and culture on Humanities Commons 7 years, 3 months agoOutlines the restoration of the Russian film classic “Man with a Movie Camera” (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended – or at least in a v…[Read more]
-
Adelheid Heftberger deposited Šestaja čast’ kadra”. Vosstanovlenie vertovskogo “Čelovek s kinoapparatom” / “The Sixth of the Frame”. Vertov’s “Man with a Movie Camera” restored. in the group
Film Studies on Humanities Commons 7 years, 3 months agoOutlines the restoration of the Russian film classic “Man with a Movie Camera” (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended – or at least in a v…[Read more]
-
Adelheid Heftberger deposited Šestaja čast’ kadra”. Vosstanovlenie vertovskogo “Čelovek s kinoapparatom” / “The Sixth of the Frame”. Vertov’s “Man with a Movie Camera” restored. in the group
Archives on Humanities Commons 7 years, 3 months agoOutlines the restoration of the Russian film classic “Man with a Movie Camera” (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended – or at least in a v…[Read more]
-
Adelheid Heftberger deposited Šestaja čast’ kadra”. Vosstanovlenie vertovskogo “Čelovek s kinoapparatom” / “The Sixth of the Frame”. Vertov’s “Man with a Movie Camera” restored. on Humanities Commons 7 years, 3 months ago
Outlines the restoration of the Russian film classic “Man with a Movie Camera” (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended – or at least in a v…[Read more]
- Load More
Open access, open source, open to all