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Krzysztof Fordonski deposited Kanadyjka czy dwójka ze sternikiem? Kilka słów o redakcji przekładu in the group
Literary Translation on Humanities Commons 8 years, 12 months agoThe articles concentrates on issued connected with the cooperation between literary translators and their editors. The issue of training for the job of editors as well as possible problems are presented and discussed in detail.
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Krzysztof Fordonski deposited Handling the Touchy Subject. The Treatment of Author’s Alleged or Actual Homosexuality in Polish Studies in History of English Literature in the group
LGBTQ Studies on Humanities Commons 8 years, 12 months agoThe paper presents the presence of English homosexual authors in Polish literary studies mostly aimed at students of history of English literature. From a review: “As indicated in the opening paragraphs, queer theory and broadly LGBTIQ approaches have been finding new homes as well as finally being given voices in publication. One such from…[Read more]
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Krzysztof Fordonski deposited The Shaping of the Double Vision. The Symbolic Systems of the Italian Novels of Edward Morgan Forster in the group
LGBTQ Studies on Humanities Commons 8 years, 12 months agoThis study presents the formative period of the English novelist E. M. Forster (1879-1970) with a special stress on the usage of symbolism in his early fiction. The book offers a new approach to Forster’s symbolism derived from the theoretical studies of Michael Riffaterre and his concept of symbolic systems – subtext and syllepsis. The author…[Read more]
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Krzysztof Fordonski deposited The Shaping of the Double Vision. The Symbolic Systems of the Italian Novels of Edward Morgan Forster in the group
Edward Morgan Forster on Humanities Commons 8 years, 12 months agoThis study presents the formative period of the English novelist E. M. Forster (1879-1970) with a special stress on the usage of symbolism in his early fiction. The book offers a new approach to Forster’s symbolism derived from the theoretical studies of Michael Riffaterre and his concept of symbolic systems – subtext and syllepsis. The author…[Read more]
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Krzysztof Fordonski deposited Self-imposed Exile as a Happy Ending. A Study in the Fiction of E. M. Forster in the group
Edward Morgan Forster on Humanities Commons 8 years, 12 months agoThe article discusses the typical structural devises of E. M. Forster’s fiction such as the use of self-imposed exile as the solution which replaces a happy ending.
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Krzysztof Fordonski deposited A Personal Olympus – Ancient Greek and Roman Mythology as a Source of Symbolism in E. M. Forster’s Early Fiction in the group
Edward Morgan Forster on Humanities Commons 8 years, 12 months agoThe article attempts to recreate E. M. Forster’s personal mythology as based on the references to Ancient Greek and Roman deities present in his works.
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Krzysztof Fordonski deposited The Symbolic Patterns in Edward Morgan Forster’s A Room with a View and Their Rendering in the Film by James Ivory in the group
Edward Morgan Forster on Humanities Commons 8 years, 12 months agoThe article offers a detailed examination of the way the screenplay writer and director of the movie ‘A Room with a View’ dealt with the symbolic patterns present in the original novel by E. M. Forster.
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Krzysztof Fordonski deposited Egzotyzować defamiliaryzację? Problemy przekładu postmodernistycznej powieści amerykańskiej – Donald Barthelme in the group
Literary Translation on Humanities Commons 8 years, 12 months agoThe article offers an analysis of Polish translations of the novels ‘King’ and ‘Snow White’ by Donald Barthelme in view of the concepts proposed by Lawrence Venuti. (In Polish)
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Krzysztof Fordonski deposited Isaac Watts i jego krąg a poezja Macieja Kazimierza Sarbiewskiego. Angielscy nonkonformiści tłumaczą polskiego jezuitę on Humanities Commons 8 years, 12 months ago
The article presents historical, literary, religious and political context in which interest in the poetry of the Baroque Neo-Latin poet Maciej Kazimierz Sarbiewski (1595-1640) appeared in the first half of the 18th century among English dissenters and non-conformists. The article concentrates on the best known and most prolific of the six…[Read more]
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Krzysztof Fordonski deposited William Sidney Walker i jego ‘The Appeal of Poland’ (1816). Glosa do stosunków polsko-brytyjskich w epoce napoleońskiej on Humanities Commons 8 years, 12 months ago
The article deals with a little know poem by William Sidney Walker written in the wake of the Napoleonic wars as an appeal for just treatment of Poland in the aftermath of the wars. The main character in the poem is the Polish Baroque poet Maciej Kazimierz Sarbiewski (Sarbievius, Casimir). The paper is supplemented with the original text and…[Read more]
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Krzysztof Fordonski deposited Opera i motywy operowe w powieściach i esejach Edwarda Morgana Forstera on Humanities Commons 8 years, 12 months ago
The article presents the operatic motives in the oeuvre of E. M. Forster. It concentrates especially on the scene in the opera house in Monteriano from ‘Where Angels Fear to Tread” but other allusions to various operas are also detailed. In Polish.
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Krzysztof Fordonski deposited New Aspects of E. M. Forster on Humanities Commons 8 years, 12 months ago
The volume intended to commemorate the 40th anniversary of E. M. Forster’s death. It consists of ten papers by various authors which deal with various aspects of Forster’s oeuvre, creating a new overview of his works from his novels, through his essays to his only opera libretto. An excerpt from review “This collection of essays edited by…[Read more]
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Krzysztof Fordonski deposited Kanadyjka czy dwójka ze sternikiem? Kilka słów o redakcji przekładu on Humanities Commons 9 years ago
The articles concentrates on issued connected with the cooperation between literary translators and their editors. The issue of training for the job of editors as well as possible problems are presented and discussed in detail.
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Krzysztof Fordonski deposited Mapping Europe in Verse. Poetic Cartography of Seamus Heaney on Humanities Commons 9 years ago
The article presents an attempt at reconstructing the changes of the image of Europe in the poetry of the Irish Nobel prize winning poet Seamus Heaney. The changes are presented metaphorically as a process of map-making of which the poetry is the testimony. Europe is perceived here both as a geographical entity and in a broader context as a…[Read more]
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Krzysztof Fordonski deposited Handling the Touchy Subject. The Treatment of Author’s Alleged or Actual Homosexuality in Polish Studies in History of English Literature on Humanities Commons 9 years ago
The paper presents the presence of English homosexual authors in Polish literary studies mostly aimed at students of history of English literature. From a review: “As indicated in the opening paragraphs, queer theory and broadly LGBTIQ approaches have been finding new homes as well as finally being given voices in publication. One such from…[Read more]
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Krzysztof Fordonski deposited The Shaping of the Double Vision. The Symbolic Systems of the Italian Novels of Edward Morgan Forster on Humanities Commons 9 years ago
This study presents the formative period of the English novelist E. M. Forster (1879-1970) with a special stress on the usage of symbolism in his early fiction. The book offers a new approach to Forster’s symbolism derived from the theoretical studies of Michael Riffaterre and his concept of symbolic systems – subtext and syllepsis. The author…[Read more]
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Krzysztof Fordonski deposited Self-imposed Exile as a Happy Ending. A Study in the Fiction of E. M. Forster on Humanities Commons 9 years ago
The article discusses the typical structural devises of E. M. Forster’s fiction such as the use of self-imposed exile as the solution which replaces a happy ending.
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Krzysztof Fordonski deposited A Personal Olympus – Ancient Greek and Roman Mythology as a Source of Symbolism in E. M. Forster’s Early Fiction on Humanities Commons 9 years ago
The article attempts to recreate E. M. Forster’s personal mythology as based on the references to Ancient Greek and Roman deities present in his works.
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Krzysztof Fordonski deposited The Symbolic Patterns in Edward Morgan Forster’s A Room with a View and Their Rendering in the Film by James Ivory on Humanities Commons 9 years ago
The article offers a detailed examination of the way the screenplay writer and director of the movie ‘A Room with a View’ dealt with the symbolic patterns present in the original novel by E. M. Forster.
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The article presents biography and an outline of literary work of the American novelist and painter Albert du Aime (William Wharton). The text includes the writer’s biography with a special stress on the biographical material included in the novels. Further part of the article presents basic assumptions of Wharton’s work, enumerates recurrent…[Read more]
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