aRtivism ! ! ! * PRURITUS MIGRANS * CC: BY-NC-SA

BAN GLYPHO$ATE NOW! * QRt by PRURITUS MIGRANS * CC: BY-ND

aRtivism ! ! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

CORE URL * PRURITUS MIGRANS * CC: BY-ND

Creative Commonism * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

THANK YOU SO MUCH ALEX ! ! ! ! ! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

aRtivism ! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

Profitable War! * QRt by PRURITUS MIGRANS * CC: BY-NC-ND

The Grime of the Modern Survivor * PRURITUS MIGRANS * CC: BY-NC-ND

This essay shares the author’s ideas, alluding to depth psychology, philosophy, and comparative culture, particularly East-West differences in the basic worldviews people can have, such as I-Thou, Us vs. Them or We-They, I-Nature or I-Universe, with Asian people tending to live more collectively in a social reality. The essay includes Zen insights…[Read more]

Although a plethora of ancient South Asian sources refer to situations that would be considered crises by modern standards, the early Sanskrit vocabulary lacks a word that we could understand as a distinct equivalent of the term “crisis” and its Greek and Latin predecessors. Nevertheless, the descriptions and discussions of personal and col…[Read more]

Students in analytical writing courses can struggle to fully grasp the difference between observing/describing features of a text and making interpretive claims rooted in close reading and analysis of those features. This multi-part class activity uses color coding and generative AI to establish a clearer framework for students to understand the…[Read more]

A lesson plan outlining a two-part activity that establishes a framework within which students productively wrestle with the place of generative AI in their learning and writing processes, thereby creating the space for instructor and students to arrive at a collective agreement about the use of these tools in the course grounded in a clear set of…[Read more]

The story of William Shakespeare’s Hamlet is adapted and revised by James Ijames in his play Fat Ham, which ran from 12 May to 31 July 2022 at The Public Theater, coproduced by the National Black Theatre. Ijames’s play, which won the 2022 Pulitzer Prize for drama, plays with and departs from the plot of Hamlet to explore Black manhood, the fam…[Read more]

This study highlights the transitions that indigenous medicine and indigenous medical practices have undergone in Asante. It uses a qualitative approach anchored on both primary and secondary sources. The primary data sources include interviews and documentary data derived from reports in historical archives. Anchored on rational choice contingent…[Read more]

A high percentage of theatrical prints and manuscripts from the aurisecular period have never been transcribed in an analogical or, of course, digital format. It is therefore impossible to use these documents to carry out searches of our interest or for the valuable computer analyses (stylometry, topic modelling, sentiment analysis, etc.) that…[Read more]

TEXORO: Textos del Siglo de Oro es una herramienta desarrollada por Álvaro Cuéllar y Germán Vega que permite realizar búsquedas en un amplio corpus de teatro del Siglo de Oro. Es nuestra intención que un futuro crezca ofreciendo otros tipos de textos fuera del ámbito teatral.

El proyecto ETSO: Estilometría aplicada al Teatro del Siglo de Oro surge del interés del investigador Álvaro Cuéllar y del catedrático Germán Vega García-Luengos en aplicar las nuevas herramientas informáticas a los numerosos problemas de autoría que presenta el teatro del Siglo de Oro español. Este portal trata de ofrecer análisis que puedan arr…[Read more]

Finding the accurate date of texts is one of the most puzzling challenges in the study of Spanish aurisecular theater. Stylometry, the computer technique centered on the comparison of texts based on their writing, which has been successfully used in recent years to solve authorship questions, can also serve to shed light on this issue. In this…[Read more]

Claramonte is one of the playwrights who has had the most unusual fate in our theatrical heritage. Reviled by early scholars as a plagiarist, recaster and, ultimately, a second-order author, in recent decades he has reemerged as a possible author of capital works of our theatre. Using stylometric techniques that have been proven to be effective…[Read more]