Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance. Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism. Despite the explosion of progress in the last few…[Read more]

Publications on form in popular music have largely assumed the formal sections germane to pop-rock to be the formal designs of “popular music.” But the most popular music of our time—music charting on the Billboard Top-40—has absorbed the influence of electronic dance music (EDM) in a way that has fundamentally changed its formal structu…[Read more]

Tritones sounding over subdominant harmony, either as suspensions, accented passing tones, or incomplete neighbors, constitute a class of sonorities regularly heard in film and television music. I collectively refer to these phenomena as “subdominant tritones” (SdTT), and theorize a link between the SdTT and emotions it engenders. The article pre…[Read more]

Eighteenth-century Spanish music experienced a golden age thanks, especially, to the proliferation of centers such as the chapels, which articulated and structured the musical life of our cities: the main sound activity was centered on ecclesiastical music, both liturgical and paraliturgical, with which religious festivities were solemnized.…[Read more]

The volume under review is based on the premise that there is no real dialogue between Greek and Latin studies on the literature (and especially on the poetry) of Late Antiquity, at least not a dialogue as intense as with regard to the earlier, ‘classical’ literature. The reason for this is not least the problem that mutual dependencies between…[Read more]

This article examines the Greek goddess Hygieia by looking at her identity, cult status in the ancient world and subsequent scholarly reception. Should she be viewed as a goddess or a personification? By studying Hygieia primarily as a concept of health within ancient medicine, as well as a personification and a goddess, it will be argued that…[Read more]

The Companion assembles a total of twenty chapters in English throughout, which – as explained in more detail in the Introduction by the two editors – are thematically divided into three sections (“parts”): “Isidore’s Contexts” (chapters 1-4, including the “Introduction”), “Themes in Isidore’s Works” (chapters 5-13), and “Transmission andReception…[Read more]

While the Res Gestae are understood as an important source for the life and work of Augustus, Henning Ohst presents letters of the Princeps. These have survived only in fragments and through other authors, but still offer research opportunities for new questions. The focus of the contribution is the relationship of the Princeps to poets such as…[Read more]

Biographical article about August Weichert an important rector of the Landesschule at Grimma and philologist in the first half of the 19th century.

More detailed discussions on: Y. Brandenburg: Amare mit Infinitv. Bedeutungsentlehnung und Sprachgebrauch bei Sallust und Horaz, Glotta 98, 2022, 68–77 (362f.); A. J. Woodman: Horace’s Second Ode, MH 79, 2022, 55–76 (363f.)

More detailed discussions on: G. E. Thüry: Bettgeflüster in der römischen Provinz. Der Wortschatz des erotischen Lateins in Fiebelinschriften, Gymnasium 129, 2022, 143–163 (253f.); A. Heil: Der Totengeist des Laius in Statius’ Thebais, WS 134, 2021, 139–161 (254f.)

After the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive…[Read more]

This article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord…[Read more]

The musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church…[Read more]

The publication of Cervantes’ Don Quixote served as inspiration from the very moment of its creation for a whole series of artistic manifestations, among which those related to the art of sound stand out. Among the famous Spanish composers of Romanticism, the Sevillian composer Manuel del Pópulo García shines and stands out with his own light. H…[Read more]