Campo dos Martires da Patria 11 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98969072). Palacete no Campo dos Mártires da Pátria 11 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98969072). 20 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the re…[Read more]

Campo dos Martires da Patria 11 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98969072). Palacete no Campo dos Mártires da Pátria 11 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98969072). 20 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the re…[Read more]

Antiga Fabrica de Gas da Matinha LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q90334721). Conjunto de estruturas industriais na área da antiga Fábrica de Gás da Matinha (gasómetro). 8 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and comm…[Read more]

Antiga Fabrica de Gas da Matinha LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q90334721). Conjunto de estruturas industriais na área da antiga Fábrica de Gás da Matinha (gasómetro). 8 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and comm…[Read more]

Palácio da Flor da Murta LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q10343989). 29 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively w…[Read more]

Palácio da Flor da Murta LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q10343989). 29 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively w…[Read more]

Liceu Passos Manuel LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q10317952). 29 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively with…[Read more]

Liceu Passos Manuel LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q10317952). 29 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively with…[Read more]

Atrium Saldanha LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q757743). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively with…[Read more]

Atrium Saldanha LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q757743). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively with…[Read more]

Av. Duque d’Avila 28-30 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98462938). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain…[Read more]

Av. Duque d’Avila 28-30 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98462938). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain…[Read more]

Av. Duque d’Avila 26 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98462943). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively…[Read more]

Av. Duque d’Avila 26 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98462943). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively…[Read more]

In this paper, I interview Dr Helen Wickstead, director of Recycle Archaeology about the reuse of usually discarded archaeological materials as an alternative to disposal. I explain through recent pilot projects partnered with Recycle Archaeology, how archaeological materials can be used by students, researchers, artists and the public to create…[Read more]

The concept of objects and artefacts as documents has been explored by a variety of academics including Briet, Buckland, Latham and Lund from a broad conceptual perspective, with work undertaken by others considering how different object and artefact types can be considered documents. This project explores the existing literature relating to…[Read more]

Results of automatic language identification in Erasmus’ Praise of Folly, Aleandro’s diaries, and a 1512 letter from Aleandro to Erasmus

This dissertation develops a methodology for understanding tonality and tonal structures in Renaissance polyphony by exploring the ways that the modern-day analyst and listener experience tonal phenomena in this music through a historically-informed lens. Regarded as one of the most important composers of the late-sixteenth century, Tomás Luis de…[Read more]

The screen as an interface immerses audiences in an alternate universe. As a result, that interface seems transparent. Through analyses of performances that call attention to filmic genres, such as Edgar Wright’s parody film, Hot Fuzz (2007), and the Wooster Group’s multimedia production, Hamlet (2007), as well as (meta)theatrical operations on…[Read more]