Publications

• Elisabeth Lutyens and Edward Clark. The Orchestration of Progress in British Twentieth-Century Music (Cambridge University Press, 2023)


• ‘Vaughan Williams and the Films. The Quest for the “Finest of the Fine Arts”, in Vaughan Williams and his World, eds. Daniel Grimley & Byron Adams (Chicago University Press, 2023), 107-34


• ‘Savage Minds in British Early-Twentieth-Century Music’, in Musics with and after Tonality. Mining the Gap, ed. Paul Fleet (Routledge 2022), 33-53


• ‘Collaborations, Networks, Failures, Weak Ties’ (seven peer-reviewed multi-disciplinary articles and Introduction), Modernismmodernity.org (Aug. 2021), https://doi.org/10.26597/mod.0208


• ‘Microtonal Restraint’, Journal of the Royal Musical Association 145.1 (Spring 2020), 75-118


• ‘Elisabeth Lutyens in Liverpool’, The Musical Times 160.1949 (Winter 2019), 91-8


• ‘Das Biest und die Schoene. Symphonien Nr. 4 und 5’, in Musik Konzepte Sonderband Ralph Vaughan Williams, ed. Ulrich Tadday (Munich: Edition text+kritik, 2018), 45-62


• ‘Beauty among Beasts? From Walton to Maconchy to Britten’, in Elizabeth Maconchy. Music as an Impassioned Argument, eds. Christa Brüstle & Danielle Sofer (Universal Edition 2018), 63-85


• ‘”Always a European”: Edward Clark’s Musical Work’, The Musical Times 159.1943 (Summer 2018), 55-80


• ‘Magical Serialism: Modernist Enchantment in Elisabeth Lutyens’s O saisons, o chateaux!, Twentieth Century Music 14.2 (2017), 271-303