More and more artists from all over the world are engaging in the production of AI art. Because of this, art historians need to start thinking about how the histories of AI art should be articulated. This paper aims to take part in this conversation by addressing the problem of whether the AIs created by human artists should be considered as…[Read more]

The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on S…[Read more]

Andrew A. Anderson’s new study on the Ultraist movement is an instant classic.
Scholars of this Spanish avant-garde have long been relying on a couple of
texts to find historical context to their investigations. Among these texts are
Gloria Videla’s El ultraísmo: Estudios sobre movimientos poéticos de vanguardia
en España (Ultraism: Studie…[Read more]

Sketching Futurism: Güiraldes, Marinetti
and Buenos Aires (1926)

Art forms in Troy’s city walls, and Schliemann’s awareness thereof.

La gran empresa británica, James Valentine, productora y editora de imágenes, atesoró un inmenso fondo a lo largo de sus casi ciento cincuenta años de vida (1855-1995), entre las que destacan por su especial belleza algunas fotografías de las ciudades de Málaga y Granada.

This article analyzes representations of cities in two pictures created around 1600: Theodor de Bry’s engraving of Macao, and the views of Kyoto attributed to Iwasa Katsumochi Matabei. The relationship between fragmented and total forms of repre- sentation is studied in both pictures. The European engraving depicts urban space as a whole, while t…[Read more]

Representations of dreams – no matter if factual or fictional – are influenced not only by cultural patterns but also by the specific opportunities offered and the specific challenges posed by the genre or medium which was chosen for them. The essays in this volume consider, in detailed case studies, variants of factual dream reports and fic…[Read more]

This exhibition review examined “Agnes Pelton: Desert Transcendentalist,” recently on view at the Whitney Museum of American Art in New York City. This exhibition is a traveling show and this venue was its second installation.

This chapter examines a few of the landmark narratives on the issue of national character published between 1880 and 1940. Following the views of Lucio Marcal Ferreira Ribeiro Lima Costa patron, Costa held that it was instead the simple architecture of anonymous master builders that embodied the functional, technical, and aesthetic homogeneity of…[Read more]

Young Michelangelo Buonarroti’s experience was deeply marked by his cult of Antiquity, reverberated in the creation of artworks such as the Sleeping Cupid and the Bacchus and shared with Raffaele Riario and Jacopo Galli, his patrons during his first stay in Rome (1496-1501).
The cardinal-camerlengo Raffaele Riario was an important promoter of t…[Read more]

The peculiar iconography of the winged horse surmounted by several puttos, as appears in the Hypnerotomachia Poliphili sixth woodcut, turns out to be unprecedented and enigmatic at a glance and it’s the result of the depth and complexity of the author’s concepts.
Considering the iconographic details of the sculptural group as well as the text sca…[Read more]

Art Style | Art & Culture International Magazine is an open access,
biannual, and peer-reviewed online magazine that aims to bundle cultural
diversity. All values of cultures are shown in their varieties of art. Beyond
the importance of the medium, form, and context in which art takes its
characteristics, we also consider the significance of…[Read more]

Art Style | Art & Culture International Magazine is an open access,
biannual, and peer-reviewed online magazine that aims to bundle cultural
diversity. All values of cultures are shown in their varieties of art. Beyond
the importance of the medium, form, and context in which art takes its
characteristics, we also consider the significance of…[Read more]

Art Style | Art & Culture International Magazine is an open access,
biannual, and peer-reviewed online magazine that aims to bundle
cultural diversity. All values of cultures are shown in their varieties of
art. Beyond the importance of the medium, form, and context in
which art takes its characteristics, we also consider the significance
of…[Read more]

book chapter about artists’ biographies and networks

This article focuses on the works of art offered by Irish, Spanish, Brazilian and other governments and institutions to embellish the Centre William Rappard since 1926 to date. The Centre William Rappard is the first building in Geneva designed to house an international organization. It was built for the International Labour Office, and…[Read more]

Art Style | Art & Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of…[Read more]

Barbara Burman and Ariane Fennetaux, The Pocket: A Hidden History of Women’s Lives, 1660-1900, Yale University Press, London, England, 2020, Appendix: Pockets in the Old Bailey, Notes, Archives, Bibliography, Index, Picture Credits, 161 Colour Illustrations, 264 pages, Softback, £19.99.