The project ‘The Sculptor Speaks’ takes its source from a 1961 tape by British sculptor Barbara Hepworth. Unearthed at the British Library, the tape’s initial purpose was for a pre-recorded talk with slides for the British Council. Every recording is a priori an archival object, which can potentially resound anew through a contemporary carrier, p…[Read more]

BIS REPETITA PLACENT! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

CORVIDS * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

QRt is the new pop ARt! – by PRURITUS MIGRANS – CC-BY-NC-ND

QRt is the new pop ARt! – by PRURITUS MIGRANS – CC-BY-NC-ND

Nino Migliori, bolognese classe 1923, è una delle figure fondamentali del panorama fotografico italiano – e non solo – che sin dai primi anni di attività ha saputo dare un contributo profondamente originale a quel dibattito estetico che andava delineandosi negli anni Cinquanta del secolo scorso, bilicato, com’era, tra il formalismo di eredità cr…[Read more]

Mai come in questo periodo così difficile torna attuale il tema del rapporto tra l’uomo e la Natura. Una relazione dinamica e complessa che ha visto nella progressiva emancipazione tecnica dell’essere umano, la necessità dell’altra di essere salvaguardata, conservata e protetta, in un’inesorabile inversione dei ruoli che ha visto l’uomo da…[Read more]

Never more than at the present time, so fraught with difficulty, has the question of mans’s relationship with nature been so topical. A complex, dynamic relationship in which the progressive technical emancipation of man has accompanied a growing need for nature to be safeguarded, preserved and protected – the result of an inexorable inversion of…[Read more]

Enjoy Caustic Humour! * Caustic Humour by PRURITUS MIGRANS * CC-BY-NC-SA

There’s an old story about a young person who finds something magical in the woods. They return to it again and
again. Each visit bringing joy to their felt-sense of being alive. Eventually as people do, they tell someone else. The
good news spreads and others start to visit. Then crowds gather, which need to be organized. It isn’t long bef…[Read more]

IGNIS – by PRURITUS MIGRANS – CC: BY-NC-ND

IGNIS – by PRURITUS MIGRANS – CC: BY-NC-ND

This exhibition review examined “Agnes Pelton: Desert Transcendentalist,” recently on view at the Whitney Museum of American Art in New York City. This exhibition is a traveling show and this venue was its second installation.

Harun Farocki’s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the…[Read more]

This monograph explores the ambivalent position of Artigas in the political-cultural debate of the Cold War, during the 1950s, when two principal art movements were opposed. On one side, socialist realist tendencies that emerged in post-revolutionary Russia, particularly after the ascension of Stalin, who intended it to be the new art of the…[Read more]

The author is examining the interplay between voice and sculpture, within the field of sound art. The term ‘sculpture’ has been appropriated by many artists to define their work with the voice. Exploring the sculpted voice, three main categories are here identified: the plastic dimension of voice as a sculptable material, the sculptural…[Read more]

Availability of vocal music scores compilations containing art songs by African American composers. Supplemental content accompanying the book, So You Want to Sing Spirituals.

The essay analyzes a contemporary Indian feminist performance, Thoda Dhyaan Se (A Little Carefully, 2013), by framing it in the spatial ecosystem of the city of Delhi and explores its engagement with the feminist movement and the national imaginary of India. It examines the workings of the cultural economy of the city to discuss the effect of its…[Read more]

The transmission of the documentation of changes made in each presentation of an artwork and the motivation behind each display are of importance to the continued preservation, re-exhibition and future understanding of artworks. However, it is generally acknowledged that existing digital archiving and documentation systems used by many museums are…[Read more]

It has been widely acknowledged that reinstallations and re-executions of contemporary artworks substantially rely on available documentation. Especially for installations and performances it is crucial to record the artist’s intent, past iterations, and tacit knowledge involved in staging the artwork. The growing presence of contemporary a…[Read more]