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Paulino Capdepon deposited La teoría musical española en la época de Tomás Vicente Tosca [The Spanish musical theory at the time of Tomás Vicente Tosca] in the group
Society for Music Theory (SMT) on Humanities Commons 3 years agoIntroductory overview of musical theory and thought in Spain in the 17th and first half of the 18th century.
Panorama introductorio sobre la teoría y el pensamiento musicales de España en el siglo XVII y primera mitad del XVIII. -
Paulino Capdepon deposited La teoría musical española en la época de Tomás Vicente Tosca [The Spanish musical theory at the time of Tomás Vicente Tosca] in the group
International Musicological Society (IMS) on Humanities Commons 3 years agoIntroductory overview of musical theory and thought in Spain in the 17th and first half of the 18th century.
Panorama introductorio sobre la teoría y el pensamiento musicales de España en el siglo XVII y primera mitad del XVIII. -
Paulino Capdepon deposited La teoría musical española en la época de Tomás Vicente Tosca [The Spanish musical theory at the time of Tomás Vicente Tosca] in the group
Digital Humanists on Humanities Commons 3 years agoIntroductory overview of musical theory and thought in Spain in the 17th and first half of the 18th century.
Panorama introductorio sobre la teoría y el pensamiento musicales de España en el siglo XVII y primera mitad del XVIII. -
Paulino Capdepon deposited La Orquesta Sinfónica de Madrid y los actos conmemorativos del Centenario de Beethoven de Ludwig van Beethoven (1927) [The Madrid Symphony Orchestra and the Ludwig van Beethoven’s Centenary Celebrations (1927)] in the group
International Musicological Society (IMS) on Humanities Commons 3 years agoAnalysis of the participation of the Orquesta Sinfónica de Madrid in the commemorative events of the first centenary of Beethoven’s death (1927)
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Paulino Capdepon deposited La Orquesta Sinfónica de Madrid y los actos conmemorativos del Centenario de Beethoven de Ludwig van Beethoven (1927) [The Madrid Symphony Orchestra and the Ludwig van Beethoven’s Centenary Celebrations (1927)] in the group
Digital Humanists on Humanities Commons 3 years agoAnalysis of the participation of the Orquesta Sinfónica de Madrid in the commemorative events of the first centenary of Beethoven’s death (1927)
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Paulino Capdepon deposited La Orquesta Sinfónica de Madrid y los actos conmemorativos del Centenario de Beethoven de Ludwig van Beethoven (1927) [The Madrid Symphony Orchestra and the Ludwig van Beethoven’s Centenary Celebrations (1927)] in the group
Arts and Humanities Funding on Humanities Commons 3 years agoAnalysis of the participation of the Orquesta Sinfónica de Madrid in the commemorative events of the first centenary of Beethoven’s death (1927)
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Paulino Capdepon deposited La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)] in the group
Society for Music Theory—Autographs & Archival Documents Interest Group on Humanities Commons 3 years agoBefore arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]
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Paulino Capdepon deposited La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)] in the group
Society for Music Theory (SMT) on Humanities Commons 3 years agoBefore arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]
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Paulino Capdepon deposited La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)] in the group
International Musicological Society (IMS) on Humanities Commons 3 years agoBefore arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]
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Paulino Capdepon deposited La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)] in the group
Digital Humanists on Humanities Commons 3 years agoBefore arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]
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Paulino Capdepon deposited La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)] in the group
Arts and Humanities Funding on Humanities Commons 3 years agoBefore arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]
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Pramod Ranjan deposited Footsteps of post-humanism in the group
Digital Humanists on Humanities Commons 3 years agoDiscourse called post-humanism believes that humanism is a phony notion and an excuse for ruling over the other animals — and that it would eventually invite the destruction of the human race. They draw attention to the scientific fact that man is also an ordinary animal and just like other animals and birds is a small part of the huge e…[Read more]
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Pramod Ranjan deposited Footsteps of post-humanism in the group
Artificial Intelligence on Humanities Commons 3 years agoDiscourse called post-humanism believes that humanism is a phony notion and an excuse for ruling over the other animals — and that it would eventually invite the destruction of the human race. They draw attention to the scientific fact that man is also an ordinary animal and just like other animals and birds is a small part of the huge e…[Read more]
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Luis Ernesto Paz Enrique deposited Políticas públicas y su expresión en la divulgación de la ciencia, tecnología e innovación in the group
Library & Information Science on Humanities Commons 3 years agoLas políticas públicas sobre ciencia, tecnología e innovación tienen la función social de dirigir los procesos de construcción y socialización del conocimiento y los hallazgos científicos. Existe en la literatura científica publicada vacíos de conocimiento que contribuyan a fundamentar las políticas públicas en materia de ciencia, tecnología…[Read more]
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David Bawden deposited Health information equity: rebalancing healthcare collections for racial diversity in UK public service contexts in the group
CityLIS on Humanities Commons 3 years agoCOVID-19 illustrated health disparities experienced by racially minoritised people, with heightened risks faced by Black and South Asian communities lending the issue transparency and urgency. Despite efforts to decolonise medical education, deficits in racial representation in research and resources remain. This study investigates the potential…[Read more]
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Robert E. Stansfield-Cudworth deposited From Minority to Maturity: The Evolution of Later Lollardy in the group
Renaissance / Early Modern Studies on Humanities Commons 3 years agoThough English supporters of the Oxford theologian John Wycliffe (d.1384)—known as “Lollards”—had been drawn from academic and noble/gentry circles during the later-fourteenth and early-fifteenth centuries, persecution, equation of heresy with sedition, and the failure of Sir John Oldcastle’s Rebellion (1414) ensured overt abandonment of Lollard i…[Read more]
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Robert E. Stansfield-Cudworth deposited From Minority to Maturity: The Evolution of Later Lollardy in the group
Early Modern History on Humanities Commons 3 years agoThough English supporters of the Oxford theologian John Wycliffe (d.1384)—known as “Lollards”—had been drawn from academic and noble/gentry circles during the later-fourteenth and early-fifteenth centuries, persecution, equation of heresy with sedition, and the failure of Sir John Oldcastle’s Rebellion (1414) ensured overt abandonment of Lollard i…[Read more]
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Paulino Capdepon deposited Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832) in the group
Society for Music Theory (SMT) on Humanities Commons 3 years agoThis article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.
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Paulino Capdepon deposited Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832) in the group
International Musicological Society (IMS) on Humanities Commons 3 years agoThis article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.
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Joachim Berger deposited Anna Amalia und das »Ereignis Weimar-Jena« in the group
Early Modern History on Humanities Commons 3 years agoDuchess Anna Amalia (1739-1807) was a central figure in the duchies of Weimar and Eisenach for over fifty years – as wife of the reigning duke, then as custodial regent and finally as mother of the reigning duke. The article comes to the conclusion that the duchess could barely affect the emergence of the configuration that has been referred to in…[Read more]
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