This is the first monographic work to be published on one of the most important musical centres and chapels in the Valencian Community: the cathedral of Segorbe, which until now had not been researched. Thanks to the work carried out in the archives of the cathedral on the chapter minutes, factory books and other unpublished documentation, it has…[Read more]

This is the first monographic work to be published on one of the most important musical centres and chapels in the Valencian Community: the cathedral of Segorbe, which until now had not been researched. Thanks to the work carried out in the archives of the cathedral on the chapter minutes, factory books and other unpublished documentation, it has…[Read more]

In his response to the Dauphin, his threats before Harfleur’s walls, and his St. Crispin’s Day oration, Henry V deploys what we might call proleptic histories of the present as a means of rhetorical persuasion. Henry invites his audiences, that is, to imagine themselves in the future, understanding the present as part of their own history. Hen…[Read more]

This article examines two important texts of Teresa de Jesús, El Libro de la vida and Las moradas del castillo interior, to take a new look at an old debate about whether Santa Teresa’s written expression is “spontaneous” or whether it is in fact more literary. Dr. Davis arrives at the conclusion that the writer’s works are both more indebted to…[Read more]

In this early article, written in the wake of the publication of Alessandro Martinengo’s _La astrología en la obra de Quevedo_ (Madrid: Alhambra, 1983), Dr. Davis focuses on the astrological tropes in a Quevedo sonnet on the nativity of Christ to see whether this poetic text can shed additional light on the poet’s documented penchant for…[Read more]

Professor Davis’s early article on appropriations of the Indies by Spanish poets who remained in Spain invites us to contemplate a body of poetry that plays the idea of American treasures against the value of true, spiritual riches.

Several of Francisco de Quevedo’s hagiographic poems are puzzling because of their irreverent tone. Edward M. Wilson and Jose Manuel Blecua both noted that “la relacion entre las dos caras de un Quevedo es cuestión difícil y delicada para los modernos;” indeed, the writer’s particular blend of “las burlas con las veras” has attracted attention s…[Read more]

Several of Francisco de Quevedo’s hagiographic poems are puzzling because of their irreverent tone. Edward M. Wilson and Jose Manuel Blecua both noted that “la relacion entre las dos caras de un Quevedo es cuestión difícil y delicada para los modernos;” indeed, the writer’s particular blend of “las burlas con las veras” has attracted attention s…[Read more]

Using the transatlantic relación of Diego Portichuelo de Ribadeneyra (1657) as an example, this essay tracks some of the ways in which several religious passengers narrated their experience crossing the Atlantic Ocean in the Spanish Indies fleets during the sixteenth and the seventeenth centuries. Of particular importance here are the ways in…[Read more]

This essay analyzes the work of the poetic function as defined by Roman Jakobson in poems by Francisco de Quevedo that concern themselves with the trope of the rending of the rocks at the moment of Christ’s death on the cross, and in other poetic texts of Quevedo.

This chapter is the product of a Keynote Address that Dr. Davis offered at the VII Conference of the Asociación Internacional Siglo de Oro which took place at Robinson College, Cambridge, 18-22 July, 2005. Here the author examines a variety of kinds of early modern Spanish maritime writing (sixteenth and seventeenth centuries).

Dictionary articles in Lexicon about women musicians

Dictionary articles in Lexicon about women musicians

Dictionary articles in Lexicon about women musicians

This book was the result of the Prize ‘X Premio-Beca Serapio Múgica’, awarded in 2008 on a competitive basis by the City Council of Irún to develop the research project ‘La música en Irún en el siglo XIX: La capilla de música de la Iglesia de Santa María del Juncal’ (Music in Irún in the 19th century: The music chapel of the Church of Santa María…[Read more]

This book was the result of the Prize ‘X Premio-Beca Serapio Múgica’, awarded in 2008 on a competitive basis by the City Council of Irún to develop the research project ‘La música en Irún en el siglo XIX: La capilla de música de la Iglesia de Santa María del Juncal’ (Music in Irún in the 19th century: The music chapel of the Church of Santa María…[Read more]

This book was the result of the Prize ‘X Premio-Beca Serapio Múgica’, awarded in 2008 on a competitive basis by the City Council of Irún to develop the research project ‘La música en Irún en el siglo XIX: La capilla de música de la Iglesia de Santa María del Juncal’ (Music in Irún in the 19th century: The music chapel of the Church of Santa María…[Read more]