Abstract: https://teimec2023.uni-paderborn.de/contributions/188.html

It is common engraving practice for “two or more players – or a divided string section with only single notes per division” (Gould 2011) to share a staff in an orchestral score, such as clarinet I and clarinet II. This practice addresses issues such as stemming, sharing musical content, placement of ties and slurs, and more. With respect to these…[Read more]

It is common engraving practice for “two or more players – or a divided string section with only single notes per division” (Gould 2011) to share a staff in an orchestral score, such as clarinet I and clarinet II. This practice addresses issues such as stemming, sharing musical content, placement of ties and slurs, and more. With respect to these…[Read more]

The role of the internet in fomenting male supremacist ideology must be understood within the larger cultural context that undergirds and naturalizes such rhetoric. Traditional conservative (TradCon) sections of the manosphere valorize a patriarchal social order centering traditional gender roles. According to TradCon reasoning, men, under attack…[Read more]

The role of the internet in fomenting male supremacist ideology must be understood within the larger cultural context that undergirds and naturalizes such rhetoric. Traditional conservative (TradCon) sections of the manosphere valorize a patriarchal social order centering traditional gender roles. According to TradCon reasoning, men, under attack…[Read more]

From antiquity, Galenic physicians extensively discussed the active powers of simple and compound drugs. In their views, simple drugs, that is, single ingredients, acted according to their material qualities and the properties of their substance. As for compound drugs, their efficacy resulted from the mutual interaction of their ingredients and…[Read more]

As practitioners and scholars who engage with music encoding we already understand the affordances that encoding music or text can bring to our research and scholarship. However, individuals who are not yet familiar with encoding schemas and the usefulness of digital methodologies may not have a clear understanding of the “why” in using a dig…[Read more]

As practitioners and scholars who engage with music encoding we already understand the affordances that encoding music or text can bring to our research and scholarship. However, individuals who are not yet familiar with encoding schemas and the usefulness of digital methodologies may not have a clear understanding of the “why” in using a dig…[Read more]

As practitioners and scholars who engage with music encoding we already understand the affordances that encoding music or text can bring to our research and scholarship. However, individuals who are not yet familiar with encoding schemas and the usefulness of digital methodologies may not have a clear understanding of the “why” in using a dig…[Read more]

This work won the ‘XX Premio de Investigación Fernando Jiménez de Gregorio’, awarded by the City Council of Talavera de la Reina in 2011. Reviews: 1) Reseña de Josep Maria Gregori Cifré en Critica Bibliographica (vol. C, febrero 2013): http://www.academiaeditorial.com/web/talavera 2) Reseña de Leticia Yustos en DoceNotas. Revista de Música y Danza…[Read more]

This work won the ‘XX Premio de Investigación Fernando Jiménez de Gregorio’, awarded by the City Council of Talavera de la Reina in 2011. Reviews: 1) Reseña de Josep Maria Gregori Cifré en Critica Bibliographica (vol. C, febrero 2013): http://www.academiaeditorial.com/web/talavera 2) Reseña de Leticia Yustos en DoceNotas. Revista de Música y Danza…[Read more]

Front matter for the Proceedings of the Music Encoding Conference 2022.

Table of Contents for the Proceedings of the Music Encoding Conference 2022.

Foreword for the Proceedings of the Music Encoding Conference 2022.