The Modern Language Association (MLA) and the Columbia University Libraries / Information Services’ Center for Digital Research and Scholarship (CDRS) have been working together on a prototyped user interface that connects a library-quality repository system (Humanities Commons Open Repository Exchange, or CORE, modeled on Columbia’s Academic Com…[Read more]

.Using the concept of “third culture” from social theory, this article examines Charles Kingsley’s use of displacement in his children’s book The Water Babies (1863). In trying to portray the site of moral formation, Kingsley displaces his central character Tom – the new, interstitial “third culture” subject. Through Tom’s displacement, Kingsle…[Read more]

This article examines Allen Say’s use of cultural displacement in his books Tree of Cranes and Grandfather’s Journey. Allen Say is an award-winning, Japanese-American, picture book author and illustrator.

Adam Smith closes the first chapter to Theory of Moral Sentiments, ‘Of Sympathy’, with a harmless enough assertion: ‘We sympathize even with the dead’. Death is not a topic that much interests Smith in Theory of Moral Sentiments. With the exception of a few miscellaneous thoughts in the text, the one paragraph Smith devotes to it is the extent of…[Read more]

Adam Smith closes the first chapter to Theory of Moral Sentiments, ‘Of Sympathy’, with a harmless enough assertion: ‘We sympathize even with the dead’. Death is not a topic that much interests Smith in Theory of Moral Sentiments. With the exception of a few miscellaneous thoughts in the text, the one paragraph Smith devotes to it is the extent of…[Read more]

Although the question of the role of empathy in our experience of fiction is currently an active one in psychology, most of the relevant research has been conducted on popular literature and film. This dissertation seeks to change that by using cognitive approaches to literature to examine how and why postmodern texts disrupt the reader or…[Read more]

The main topic of this article is the history of a rare and precious French magazine of the late Nineteenth century, in which a vivid and crucial discussion about arts and their inter-relation grew the more and more intense in the short space of four years (1892-1896). The “Livre d’Art” was first conceived as a simple booklet to be distr…[Read more]

“Disinformation: The Limits of Capitalism’s Imagination and the End of Ideology” analyzes the post-9/11 U.S., a state of massive income inequality, waging endless war at home (the militarization of the police) and abroad, within the context of two terms: “Disinformation” and “ideology.” The theoretical matrix of the essay distinguishes…[Read more]