Case study from the Getty’s digital art history team shows how modeling and machine learning are shedding light on the history of the art market.

Live video streaming as a technique became political with the Arab Spring and the Occupy movement. To see images in real time and without the mediation by journalists affected many people not because they shared the same space with the various protesters but the same time. In the last years, artists have started to adopt streaming as a technical…[Read more]

The open access movement has taken a strong hold within cultural heritage institutions, as large-scale digitization efforts are becoming increasingly popular in most libraries, museums, and archives. These initiatives have had a particular effect on the status of rare and unique materials through the provision of high-quality images and…[Read more]

Why do we play games—with and upon each other as well as ourselves? When are winners also losers, and vice-versa? How and to what end do we stretch the spaces of play? What happens when players go ‘out of bounds,’ or when games go ‘too far’? Moreover, what happens when we push the parameters of inquiry: when we play with traditional narrative…[Read more]

Through an engagement with theory from the fields of art history, anthropology, and sociology, this article examines the archival existence of medieval manuscripts and facilitates an understanding of archival practice and its effects on user experience from the perspective of the researcher, rather than from that of the archivist or information…[Read more]

Through a discussion of the materiality of photographic documents and the inherent qualities of digital objects, this article examines the viability of digitization as a method of archival photographic preservation. By exploring notions of surrogacy, originality, and aura, the author presents and deconstructs the popular argument that digital…[Read more]

Review of Pontormo, Bronzino, and the Medici: The Transformation of the Renaissance Portrait in Florence by Carl Brandon Strehlke

A brief essay about the work Past Won’t Pass (Catalog #52) by artist Noritaka Minami.