In 2015 the Office of Art and Archives focused on adding more art and archival content to the History, Art & Archives website (http://history.house.gov/). The website is a collaborative effort: curators and archivists in the Office of Art and Archives and Office of the Historian staff work on and contribute content. The Office of Art and Archives…[Read more]

In the history of old Romanian painting, the icon of Saint John the Baptist with scenes from his life from Budești‑Josani occupies a very important place due to its exceptional artistic quality, as well as the Slavonic inscription with the master’s signature and date. The inscription, in a very poor state of preservation, has already been part…[Read more]

This study identified the icon of Virgin Moscovita and the icon of the Holy Mandylion, described in Konstantinos Dapontes’ writings, with the icon of the Virgin and the icon of the Holy Mandylion preserved in his family monastery Evangelistria in Skopelos island. We can now retrace the “biography”of these two artefacts, the history of their creat…[Read more]

La découverte d’une inscription slavonne dans le narthex de l’église du monastère de Râmeț (comté d’Alba) en 1966, sa relecture avec des moyens techniques spéciaux en 1978 et sa publication officielle en 1985 ont porté à l’attention des historiens le nom du peintre (Mihul du Criș-Blanc), le nom de l’évêque fondateur (archevêque Gélase),…[Read more]

The article is published in the official Journal of The Institute of Science and Technology (ISSN 2040-1868)

The act of classification has the widest implications for scholarship. Whatever the format, it involves the totality of our being. The use of our eyes indicates that decisions about whatever it is that we observe have already been made. Yet the interaction between the mechanical act of seeing and the mind or memory has rarely been registered. An…[Read more]

Some thoughts on Boris Eldagsen’s Image, well ‘photograph’, an AI generated image.

Review of the literature on pictograph sites in the Canadian Shield with specific reference to those found in the Lake of the Woods, in north-western Ontario, Canada.

This booklet serves as documentation and manual for the app Creative Museum, the new participatory platform of the Badisches Landesmuseum. The goal of the app is to create a digital space for debate. Museum employees, experts and citizens are invited to get into conversation with each other and share their contributions on equal terms. The topics…[Read more]

This publication is part of the project “Ricontrans – Visual Culture, Piety and Propaganda. Transfer and Reception of Russian Religious Art in the Balkans and the Eastern Mediterranean (16th to Early 20th Century)”, funded from the European Research Council (erc) under the European Union’s Horizon 2020 research and innovation programme (grant…[Read more]

Call for Participation.
The Faculty of Arts, University of Calabar, Calabar Nigeria in conjunction with African Electronic Literature Alliance & African Diasporic Electronic Alliance (AELA&ADELI) organises The 3rd African Electronic Literature Alliance International Workshop Conference (AELAIWC2023)

Theme: Digital Humanities &…[Read more]

An examination of how museums can change how they relate to the public, through engagement opportunities.

Im Zeitalter von Smartphones und Social Media sind digitale Netze ein allgegenwärtiger und zentraler gesellschaftlicher Raum geworden. Kulturvermittlung arbeitet oft in diesem neuen digitalen Kontext, trotz zahlreicher Enthüllungen über das skandalöse Geschäftsmodell der kostenlosen Social Media Plattformen. Darum müssen wir über Datenethik in der…[Read more]

manual guide for the annotation of biographies

Syllabus for ISS 222D Introduction to Digital Humanities, a survey course that introduces students to the many debates and methods of digital humanities and adjacent fields. Particular focus is on visualization.

Reflections on artist Trevor Paglen’s (ab)use of the JAFFE dataset

Reflections on Trevor Paglen’s (ab)use of the JAFFE dataset

The article contains a historical account and commentary on Trevor Paglen and Kate Crawford’s unauthorized use of the JAFFE dataset.