I suggest an emendation of some of Marlowe’s verses in his tragedy of “Hero and Leander”, published in 1598 as if an “unfinished Tragedy”. The point of my emendation is to develop an approach to an understanding of what Shakespeare has to say about Marlowe’s “Hero and Leander”. For examples in Sonnet 117 Shakespeare tells Henry something about…[Read more]

This article examines the religious and political worldview of the Scottish minister John Dury during the English Revolution of the mid-seventeenth century. It argues that Dury’s activities as an irenicist and philo-semite must be understood as interrelated aspects of an expansionist Protestant cause that included Britain, Ireland, continental…[Read more]

Since the nineteenth century, stage and film directors have mounted hundreds of adaptations of Shakespeare drawn on East Asian motifs, and by the late twentieth century, Shakespeare had become one of the most frequently performed playwrights in East Asia. There are five striking themes surrounding cultural, racial, and gender dynamics. Gender…[Read more]

By taking water as a viewpoint, this dissertation reveals that the urban communities of seventeenth-century Holland were highly subsidiary in nature. Individual townspeople, men and women alike, knew how to fend for themselves, incidentally having recourse to other inhabitants, businessmen, corporations or magistrates. Together, they constituted a…[Read more]

Four themes distinguish post-1950s East Asian cinemas and theaters from works in other parts of the world: Japanese innovations in sound and spectacle; Sinophone uses of Shakespeare for social reparation; the reception of South Korean presentations of gender identities in film and touring productions; and multilingual, disability, and racial…[Read more]

The idea that Shakespeare is a global author has taken many forms since the building of the Globe playhouse in London in 1599. Performances of Shakespeare not only create channels between geographic spaces but also connect different time periods. Divided into two major sections, Shakespeare and World Cultures and Shakespeare and Genres, the…[Read more]