This essay argues that L. P. Hartley’s novel The Go-Between (1953) fits into the critical tradition of the Bildungsroman in one specific sense: its attention to matters of deception. First, this plot of formation and development involves a necessary apprenticeship in deception: a moral training that has links with everyday practices of c…[Read more]

Henrietta Rose-Innes’s novel Nineveh (2011) catalogs the activities of a humane pest expert as she discovers, on an estate under construction outside Cape Town, how human and insect actors undermine the spatial expectations of post-apartheid South Africa. Rose-Innes advances a vision of interspecies connection by recasting controversial themes…[Read more]

Proust was strongly opposed to the idea of ​​a naturally “clear” national language whose directives would be inherent in thought itself. This book questions Proust’s style from the point of view of its theorization and the implementation of diffuse sensory rhetoric in À la recherche du temps perdu.

Proust was strongly opposed to the idea of ​​a naturally “clear” national language whose directives would be inherent in thought itself. This book questions Proust’s style from the point of view of its theorization and the implementation of diffuse sensory rhetoric in À la recherche du temps perdu.

Between 1870 and 1888, in the letters and sketches of his correspondance, Rimbaud is portrayed as an eternal traveller. The places of his wanderings change (countryside, cities, imaginary places), so does his representation by Verlaine, Delahaye and Nouveau. From reality to imagination, the sketches fix Rimbaud in his friends’ memory. Yet his r…[Read more]

Originally founded by Tarana Burke in 2006, the “Me Too Movement” seeks to help survivors of sexual violence, particularly women of color, “to help find pathways to healing” (“metoomvmt.org/about/). Then, in the fall of 2017, the #MeToo hashtag reverberated throughout the Internet, on the front pages of newspapers, and in the public square as…[Read more]

In the Haitian religious tradition of Vodou, Gede is the lwa, or spirit, concerned with the
beginning of life and the passage into the afterlife, death and regeneration. Gede is often
regarded as the spirit of the people in Haiti because he has a direct connection to every living
being, everyone may call on Gede for protection. Gede’s appeal a…[Read more]

In the last two decades since the publication of Michel-Rolph Trouillot’s Silencing the Past: Power and the Production of History, Caribbean historical studies has undergone an ‘archival turn.’ Indeed, archives and formal institutions of knowledge have always been and continue to be an integral part of historical work, but Trouillot’s work has cal…[Read more]

« La mémoire est un droit » écrit Christiane Taubira dans sa contribution au débat ‘La Mémoire de l’esclavage et ses dérives’ en 2006 pour la revue philosophique Cités. Étant donné que la mémoire est un droit, qu’est-ce que l’on entend par mémoire ? La mémoire de qui et de quoi ? Pourquoi faut-il s’en souvenir ? Quel est le but de la mémoire ? P…[Read more]

a bibliography-in-progress for cognitive literary, film, theater, and media studies

a bibliography-in-progress for cognitive literary, film, theater, and media studies

a bibliography-in-progress for cognitive literary, film, theater, and media studies

The Oulipo has claimed that foreign member, Italo Calvino, was a key proponent of the clinamen, a purposeful deviation from the strict constraints in which the group specializes. However, upon closer inspection, Calvino’s Oulipian production during his Paris period does not seem to advance a formalized definition of this tool of constrained w…[Read more]

The Oulipo has claimed that foreign member, Italo Calvino, was a key proponent of the clinamen, a purposeful deviation from the strict constraints in which the group specializes. However, upon closer inspection, Calvino’s Oulipian production during his Paris period does not seem to advance a formalized definition of this tool of constrained w…[Read more]

The Oulipo has claimed that foreign member, Italo Calvino, was a key proponent of the clinamen, a purposeful deviation from the strict constraints in which the group specializes. However, upon closer inspection, Calvino’s Oulipian production during his Paris period does not seem to advance a formalized definition of this tool of constrained w…[Read more]

The Oulipo has claimed that foreign member, Italo Calvino, was a key proponent of the clinamen, a purposeful deviation from the strict constraints in which the group specializes. However, upon closer inspection, Calvino’s Oulipian production during his Paris period does not seem to advance a formalized definition of this tool of constrained w…[Read more]